「Ballets」の共起表現一覧(1語右で並び替え)
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conducted several musical shows, such as the | ballets A Boston Cinderella! and Ma Goose. |
The opera contains seven | ballets, a consequence of Cahusac's desire to further |
rts in Hindi and Marathi, composing music for | ballets, advertisements, and also albums. |
llet Theatre is staging new versions of older | ballets all the time; they have done "Petrouchka" sev |
The orchestral recitatives, choruses, and | ballets also follow the model for French opera suppli |
The company has an active repertoire of 88 | ballets and performs over 100 times annually. |
The season of colorful Russian | ballets and operas, works mostly new to the West, was |
This is not to mention | ballets and cantatas, as well as innumerable songs se |
oncert works, including a Flute concerto, ten | ballets and two operas. |
mni gatherings, student convocations, operas, | ballets and political rallies. |
He provided the words for the court | ballets, and was, in 1674, admitted to the Academy, w |
to its storytelling: Robbins made a number of | ballets and extended dance sequences for the show, in |
irst “Armenian grand opera” with choruses and | ballets, and was assembled on November 29, 1945 at th |
uses) per year, as well as two or three major | ballets and several recitals. |
was often included in tonadillas, zarzuelas, | ballets and operas, not only in Spain, but also elsew |
adway musicals, presentations by Opera Tampa, | ballets and orchestral concerts. |
e a career as a choreographer and director of | ballets and has since produced works for the Royal Ne |
There he composed two | ballets and was a session musician, supporting acts s |
was active as a patron of culture, arranging | ballets and festivals. |
Her | ballets are Blow-up (1980), Waste Land (1983), La Cle |
ss was a classical composer of concert music, | ballets, as well as a highly appreciated film score. |
ic Theatre in 1791, and she also took part in | ballets at the Opera. |
This article is about | ballets based on la Fontaine's fable. |
erformed the latest plays from Paris and also | ballets, but they largely remained a pleasure for tho |
See also Category: | Ballets by Balthasar de Beaujoyeulx |
The repertoire includes | ballets by Balanchine, Bournonville, de Mille, and ma |
Benthall provided the scenario for two | ballets by Arthur Bliss: Miracle in the Gorbals (1944 |
iscrete, predisposing her to serious roles in | ballets by Pierre Gardel, Jean-Pierre Aumer and Alber |
eldon and has originated leading roles in new | ballets by Mauro Bigonzetti and Shen Wei. |
y of original works, it has produced over 100 | ballets by some 40 different choreographers, influenc |
oston Ballet School before joining Les Grands | Ballets Canadiens in 2000, where she was promoted to |
over their challengers, who averaged 10.9% of | ballets cast. |
ng that chamber music was not suited to large | ballets, chamber pieces being "too long, with too man |
Although Heuberger wrote many operas, | ballets, choral works, and songs, he is best known to |
She has had two | ballets choreographed by Lynn Seymour and Geoffrey Ca |
re is the third of three Bigonzetti / Moretti | ballets commissioned by City Ballet, the others being |
ro is the first of three Bigonzetti / Moretti | ballets commissioned by City Ballet, the others being |
An Encyclopedia of Operas, | Ballets, Composers, and Performers - Rococo and Roman |
Since then his operas, symphonies, | ballets, concerti and chamber works have been perform |
24 original | ballets created especially for the company |
As well as | ballets, d'Amboise danced in films, including Seven B |
His compositions include 22 operettas, 6 | ballets, dance music and lieder. |
From 1956 to 1966 Constant conducted at the | Ballets de Paris, then directed by Roland Petit. |
She led the | Ballets de Monte Carlo with Lacotte from 1986 to 1988 |
, sketches directed by Edward D. Dowling, and | ballets directed by George Balanchine. |
The Ballet also presents several full length | ballets each year including Swan Lake, The Sleeping B |
He composed several operas and | ballets, eight symphonies and a dramatic symphony in |
971, dancing central roles in a wide array of | ballets, eventually becoming a well-known dancer in C |
She has made | ballets for NYCB's 1988 American Music Festival and i |
His | ballets for the New York City Ballet include Russian |
She also choreographed | ballets for Pacific Northwest Ballet, Richmond Ballet |
ignation which allows her to stage Balanchine | ballets for professional companies. |
ated a considerable amount of highly original | ballets for stage and television where she has distin |
Ratmansky staged | ballets for the Dutch National Ballet, Kirov Ballet, |
In addition, he has staged his | ballets for the English National Ballet, American Bal |
Alveberg's | ballets have always been thematically oriented, many |
Internationally, her | ballets have been presented at MaggioDanza in Florenc |
i, Ravel and Prokoview, along with two modern | ballets have influenced her heavily. |
Fokine staged more than 70 | ballets in Europe and the United States. |
He wrote seven operas and fifteen | ballets in total (which were quite popular in their t |
The company regularly performs classical | ballets including A Midsummer Night's Dream, Pas de Q |
(1919), Fugue in C minor (1924), and several | ballets, including The Triumph of Neptune (1926) (bas |
ed principal roles in several of the school's | ballets including a production of The Nutcracker and |
T. S. Eliot's The Hollow Men (1939), several | ballets, including A Mirror for Witches (1952) and Bl |
0), and created roles in Sir Frederick Ashton | ballets including the Young Girl in The Two Pigeons ( |
She has created roles for | ballets, including: Bintley's Titania (The Shakespear |
hiparus could have been influenced by Russian | ballets indirectly, through the performances of Frenc |
n Taylor, Pat Metheny, George Winston and Les | Ballets Jazz de Montreal to name but a few. |
s promoted to Apprentice Choreographer of Les | Ballets Jazz of Montreal, following several successes |
Orchestration of The Green Table for | Ballets Jooss. |
In addition, he composed two mezzocarattere | ballets, La sposa persiana (1778) and Il barbiere di |
th Les Biches, and she performed in narrative | ballets like Swan Lake and Raymonda. |
al, Mughal-e-Azam and Pakeezah as well as his | ballets like Goutam Buddha, Chandravali and Bharatiya |
The previous | ballets made to Stravinsky's Ragtime were Ragtime (I) |
Ragtime (I) is the second of three | ballets made by New York City Ballet's co-founder and |
The first of three | ballets made with this title was a pas de deux which |
After appearing in over 60 | ballets, mainly works by George Balanchine, Hayden re |
s" in her way of living, amusing herself with | ballets, masquerades, balls, hunting and gambling, dr |
He composed more film music, and two | ballets, Miracle in the Gorbals (1944), and Adam Zero |
chore: From Renaissance Festivals to Romantic | Ballets, mounted in conjunction with a meeting of the |
The final version uses music from Delibes' | ballets Naila and Sylvia and choreography from the ea |
His compositions include opera, | ballets, numerous songs and instrumental pieces. |
pera House of New York in a reconstruction of | ballets of Frederick Ashton |
miere was October 11th, 1948, as one of three | ballets on the program of its first performance at Ne |
He was most noted for his | ballets Paquita (1844) and Le Corsaire (1856). |
val in 1765 he was relegated to composing the | ballets performed with Galuppi's operas and to servin |
organization that produces operas, musicals, | ballets, plays, and concerts in Bonn, Germany. |
op, rock, gospel, classical music, as well as | ballets, plays, stand-up comedy, lecture series, spec |
He also composed much of the music for | ballets produced at the Empire Theatre between 1894 a |
d, which was ushered in by one of his earlier | ballets, Pulcinella, premiered in 1920. |
usic, he composed symphonic works, operas and | ballets represented at the Scala Theatre in Milan and |
be music right out of Tchaikovsky's operas or | ballets respectively. |
1770 to 1776 he was a master and composer of | ballets, retiring, in favour of Jean Georges Noverre, |
with "offenses against morality" in the 1959 | ballets roses scandal for which he was sentenced to p |
The | Ballets Russes - 1920 |
Ballets Russes [Programme 2], ClassicalSource.com, | |
3. | Ballets Russes (Daniel Geller, Dayna Goldfine) |
She joined Sergei Diaghilev's | Ballets Russes in 1913 to become the company's first |
nationally known for their style in the grand | Ballets Russes tradition. |
n autobiographical work on her years with the | Ballets Russes titled Dancing for Diaghilev (John Mur |
He joined Serge Diaghilev's | Ballets Russes in 1921, was a principal there from 19 |
It entered the standard repertoire of the | Ballets Russes in 1917, where it was alternatively bi |
also active as the composer of scores for the | Ballets Russes de Monte Carlo and Sadlers Wells Royal |
The Paris seasons of the | Ballets Russes were an artistic and social sensation; |
octeau, an early patron of Sergei Diaghilev's | Ballets Russes and a close friend of the designer Coc |
so played with the Philadelphia Orchestra and | Ballets Russes Orchestra. |
du Printemps which had been premiered by the | Ballets Russes some years before. |
Dolin in The Prodigal Son, | Ballets Russes, during the Australian Tour of 1939 |
Also, for the | Ballets Russes, he created a ballet out of Rimsky-Kor |
1911, London, | Ballets Russes, Sergey Dyagilev production, choreogra |
e Diaghilev, the flamboyant impresario of the | Ballets russes, and he wrote his first ballet, Les Ro |
rtist can be distinguished: Serge Diaghilev's | Ballets Russes, ancient Egyptian art, and French thea |
first American tour of Sergei Diaghilev's Les | Ballets Russes. |
Diaghilev in Paris on the productions of the | Ballets Russes. |
me either collaborated with Diaghilev and the | Ballets Russes. |
r chance came when she was chosen to join the | Ballets Russes... on their European tour in 1910.... |
Alexander SCHOUVALOFF, The Art of | Ballets Russes: The Serge Lifar Collection of Theater |
During the first war he collaborated with | Ballets Russes; he conducted the first performance of |
The company performs classic | ballets such as The Nutcracker and Swan Lake, as well |
Topical | ballets, such as Plevna and Trafalgar, drew in the cr |
In 1759 he put on | ballets such as Les Turcs and Les Perruquiers there. |
His repertory includes | ballets such as:"Don Quixote", "Swan Lake", "Sleeping |
orous principal roles of classical repertoire | ballets such as Siegfried in the full length version |
He also conducted other | ballets that Baryshnikov appeared in during the 1970s |
take its place alongside those English story | ballets the choreographer himself so admires.". |
his musical arrangement has been used for two | ballets: the first was choreographed by Ronald Hynd f |
rtainments, including masquerades, plays, and | ballets, to which she at times wrote librettos and mu |
on 1. Towards the end of the episode, Cameron | ballets to the piece. |
from Carnatic and Hindustani concerts, jazz, | ballets, traditional and contemporary dance performan |
Aborn composed five full length | ballets, two operas, works for chamber choir, vocal s |
s wide-ranging, including two operas, several | ballets, two symphonies, a number of orchestral tone |
Festival of Two Worlds, Spoleto, performed by | Ballets: USA and subsequently on Broadway. |
ballet made by Jerome Robbins on his company | Ballets: USA for the Spoleto (Italy) Festival of Two |
l dancer with the New York City Ballet, where | ballets were especially created for him by famous cho |
o an article on answers.com the plots of many | ballets were dominated by spirit women-sylphs, wilis, |
Robbins made to Chopin's music; the previous | ballets were: The Concert, 1956; Dances at a Gatherin |
He further authored several | ballets which were performed in Brussels where he was |
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