「Be-bop」の共起表現(1語左で並び替え)

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共起表現

「Be-bop」の共起表現一覧(1語左で並び替え)

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is - June 27, 2002 in Las Vegas, Nevada) was a	bebop and cool jazz pianist and composer.
Dameronia was the name of a	bebop jazz ensemble founded by Don Sickler and Phill
cer Lester Koenig of Contemporary Records by a	bebop bassist friend of Cherry's, Red Mitchell, who
nstrument can be utilized seamlessly as much a	bebop instrument as the saxophone.
Dropping bombs is a	bebop drumming technique developed and popularized b
To my ears, it's essentially a	bebop song.
He began his career as a	bebop trumpet player.
0 five of its members played on their own as a	bebop group.
"Hot House" is a	bebop standard by American jazz musician Tadd Damero
Yardbird Suite is a	bebop standard composed by Charlie Parker in 1946.
Sal Salvador (1928-1999) was a	bebop jazz guitarist and a prominent music educator.
"Oleo" is a	bebop composition by Sonny Rollins, written in 1954.
Mort Weiss is a	bebop oriented clarinet player with five albums as l
anyone confirm that Jerry Byrd - guitar was a	bebop musician?
"...A record of straight ahead	bebop as invigorating as the best in Barney Kessel's
orough (born December 12, 1923) is an American	bebop and cool jazz pianist, composer and vocalese s
- May 11, 1975, San Francisco) was an American	bebop trumpeter and composer.
October 1985) was an American	bebop jazz bassist.
pril 26, 1928 - April 3, 1999) was an American	bebop jazz pianist.
12, 1925 - September 17, 2002) was an American	bebop pianist.
ay 16, 1922, Yonkers, New York) is an American	bebop jazz trombonist.
Noted American	bebop trumpeter Clifford Brown made several recordin
any other female singers of the late swing and	bebop eras, including June Christy, Chris Connor and
awken, N.J.) was an American jazz musician and	Bebop saxophone player.
e narrator of Everything You Know Is Wrong and	Bebop Loco/Lobo on Give Me Immortality or Give Me De
s before) and dancing wildly to swing jazz and	bebop.
nity for rock and blues, moved on to swing and	bebop, ultimately studying under Billy Bauer.
y (born January 29, 1929) is a swing music and	bebop drummer best known for his long association wi
, erudite commentary while playing grooves and	bebop.
27 - January 4, 2007) was an American jazz and	bebop violinist.
ibuted to new perspectives for modern jazz and	bebop.
as (which made it easier for him to appreciate	bebop), he soon developed a strong taste and musical
ction", a collection of Jazz standards with as	bebop and cool sound.
the development of modern jazz, also known as	bebop, where in its jam sessions in the early 1940s,
definetely not define Wayne Shorter's music as	bebop or postbop.
One is Australian	Bebop Ragas with Teed Rockwell (Chapman Stick/Fretbo
epertoire consists of jazz standards, ballads,	bebop and Dan Papirany's own compositions which incl
though he has also performed rhythm and blues,	bebop and funk at times during his career.
nderstanding is that bop encompasses hard bop,	bebop and maybe some other genres...
then, he was one of the most prominent British	bebop musicians.
but	bebop as a form owes the most to Bird, of course.
zz music, he was influenced at an early age by	bebop stars such as Dizzy Gillespie, Charlie Parker,
"Ornithology" is a jazz standard by	Bebop alto saxophonist Charlie Parker and trumpeter
"Tempus Fugit") is a 1949 jazz composition by	bebop pianist Bud Powell.
h bringing influences of funk and contemporary	bebop into New Orleans style brass bands.
played the music of the Japanese anime Cowboy	Bebop.
Cowboy	Bebop is a scrolling shooter which bears striking si
anno and lyricized by Chris Mosdell for Cowboy	Bebop.
signer, including Vision of Escaflowne, Cowboy	Bebop, Mobile Suit Gundam: 08th MS Team and Mobile F
Cowboy	Bebop Blue is the third soundtrack album, featuring
Cowboy	Bebop (screenplay)
Cowboy	Bebop (1998)
Cowboy	Bebop Blue (1999)
Music of Cowboy	Bebop
Cowboy	Bebop (manga)
Cowboy	Bebop: The Movie (2001)
For the PlayStation Cowboy	Bebop game see Cowboy Bebop (PlayStation game).
Cowboy	Bebop: The Movie, a 2001 animated film
Cowboy	Bebop (PlayStation game), a 1998 video game for Play
owl's Moving Castle, Spirited Away, and Cowboy	Bebop: Knocking on Heaven's Door.
Cowboy	Bebop (PlayStation 2 game), a 2005 video game for Pl
Cowboy	Bebop is an award-winning 1998 Japanese 26 episode a
riginal story based on the anime series Cowboy	Bebop.
n for having written the screenplay for Cowboy	Bebop and having created Wolf's Rain.
In an episode of Cowboy	Bebop, Jet Black dreams that Parker tells him, "Only
ence fiction, for example Angelique and Cowboy	Bebop.
angements of older standards with a distinctly	bebop quality.
ed with Hot Lips Page, and played on the early	bebop scene at Minton's Playhouse in New York City w
orkout room and experimental theater for early	bebop players, including Don Byas, Thelonious Monk a
hat are considered excellent examples of early	bebop jazz: "Tiny's Tempo", "Red Cross", "Romance Wi
Gaskin played on the early	bebop scene at Minton's and Monroe's in New York in
In 1957, then known as El	Bebop Kid, he released two songs to moderate success
ration Music Orchestra, Paul Motian's Electric	Bebop Band, Mark Helias's Open Loose, Fred Hersch's
his own small groups (often in a swing or even	bebop style), rejoined Bob Crosby for occasional reu
y clarinet exclusively, and was one of the few	bebop clarinetists.
A fiery	bebop pianist, Kaye recorded with trumpeter Ted Curs
kins six sides, which are said to be the first	bebop recordings: "Woody 'n You", February 16 and 22
He was one of the first	bebop saxophonists to begin playing soprano saxophon
1, 1955 in Paris) was a jazz pianist known for	bebop who worked for the bulk of his career in Bosto
band swing music who did not abandon swing for	bebop, instead performing the music in smaller ensem
al, whose Jazz Showcase has kept the flame for	bebop lit for 50 years, Bob Koester, owner of Delmar
was one of the signature pieces of Gillespie's	bebop big band, and he also played it with his small
bands of Stan Kenton and with Benny Goodman's	bebop orchestra.
ranger, he is best known in retrospect for his	bebop arrangements.
was an American alto saxophonist known for his	bebop jazz records with Phil Woods.
of Music, and began to develop his interest in	bebop.
Getz went on to perform in	bebop, cool jazz and third stream, but is perhaps be
ited States based record label specializing in	bebop jazz.
Patterns that are employed heavily in	bebop and modal playing involve playing scale fragme
In	bebop as well as in hard bop, musicians use chords t
These include	bebop, mainstream jazz, swing, jump blues and East C
who cite Hope as their main influence include	bebop pianists Frank Hewitt (1935-2002), and Sacha P
of the members' varying influences, including	bebop, funk, old-school hip-hop and classic soul.
His playing style incorporates	bebop, hard bop, and jazz fusion.
espie, Stan Getz and Sonny Stitt incorporating	bebop influences.
discs, many of which feature other influential	bebop artists such as Dizzie Gillespie and Miles Dav
ne Charlie Parker was simultaneously inventing	bebop in New York, as Pynchon describes).
Christlieb (born February 16, 1945) is a jazz	bebop, West Coast jazz and hard bop tenor saxophonis
luded such diverse genres as pop, disco, jazz,	bebop, blues, soul, funk, dance, country and rock.
uly 2, 1988) was an American jump blues, jazz,	bebop and R&B alto saxophonist and blues shouter.
es, plays, and arranges music in various jazz,	bebop, free jazz and big band genres.
ader equally at home playing traditional jazz,	bebop, blues, skiffle, boogie-woogie and rock.
rtoire to include traditional mainstream jazz,	bebop, and doing numbers in 4/4 time instead of the
Woods (2011), include elements of gypsy jazz,	bebop, Latin folk music, modal jazz and Slavic folk
ng begun the trend of playing high tempo jazz,	bebop and fusion records to dancers in the early 198
any other sources such as Capoeira, tap, jazz,	bebop, and salsa.
s, George Young and Low Profile, Lee Katzman's	Bebop Six, Jimmy Tigue Trio, Ralph Hughes Jazz Reuni
us, and drummer Chico Hamilton, he helped keep	bebop alive in Los Angeles' historic Central Avenue
playing identical melody lines in unison like	bebop giants Charlie Parker and Dizzy Gillespie, the
Africa's first important (albeit short lived)	bebop band.
travinsky, medieval music, Tudor church music,	bebop, gagaku, gamelan and other non-Western musics.
BBC Radio Four, including one on his namesake,	bebop drummer Kenny Clarke
Influenced by the nascent	bebop movement, Roland put together his own ensemble
York nightclub at which the emerging style of	bebop was being pioneered.
A pioneer of	bebop, Roach went on to work in many other styles of
s with harmonies and musical timbre typical of	Bebop.
prove to be a key factor in the development of	bebop.
onic complexities and spontaneous invention of	bebop to poetic euphony and meter, he became the qui
ondon and in northern cities, to the sounds of	bebop, Afro-Cuban jazz, fusion, swing and other Lati
He participated in the emergence of	bebop, sharing piano duties with Dizzy Gillespie on
concentrates on music from the time periods of	bebop through to contemporary jazz with a smattering
d in numerous public venues with young and old	bebop luminaries including Gene Ammons, Kenny Burrel
olin, and equally at home playing Dixieland or	bebop or cool jazz."
mmy Blanton for RCA Victor, the Charlie Parker	bebop sides for Savoy and Dial, and the Atlantic LPs
pretty tunes here, lots of slow, quiet parts,	bebop flow, and even some walking bass.
e of the most popular and frequently performed	bebop tunes.
ho charge that free jazz musicians cannot play	bebop.
They never played	bebop music, but instead came out of the blues-based
Sampson, then switched permanently to playing	bebop music in 1946 after hearing Dizzy Gillespie.
By age 16 he was playing	bebop with Billy Taylor, the Ellington bassist.
Bop" because he was especially good at playing	bebop.
and's sound is a fusion of spoken-word poetry,	bebop jazz, and punk.
Don't worry, learning new things in the post	bebop era does not cause prostate tumors.
The standard is noted for its rapid	bebop blues-style chord voicings and complex harmoni
and to Dick Morrissey, finishes with a roaring	bebop tenor solo.
the 80s, Eyden was a member of Bill Le Sage's	Bebop Preservation Society, and until the onset of a
cool jazz, was what chronologically separated	bebop and hard bop in ghettos.
uld just as easily equate this with jazz since	bebop, e.g.
siting in 1949 and was a big fish on the small	bebop scene there, working with Louis Metcalf's Inte
If we were to specify	bebop, I could point to Ron Wynn (All Music Guide to
s in 1941 and 1943, and worked the 52nd Street	bebop circuit in New York City in the 1940s, where h
music was the word") as well as in a swirling	bebop tenor solo.
the direction of rhythm and blues, rather than	bebop.
And saying that	bebop musicians didn't use the lydian dominant is mi
I'd take issue with the claim that	bebop stopped at any point (it's still being played
He transitioned into the	bebop style ably, but also continued to play in more
two best-known musicians who emerged from the	bebop and post-bop era.
ome of the jam sessions that gave birth to the	bebop jazz style.
ng two of the most influential drummers of the	bebop era, Max Roach and Kenny Clark.
he Squirrels favored jazz, particularly of the	bebop variety.
ie McLean in A.B. Spellman's Four Lives in the	Bebop Business (1966) is particularly outspoken, but
zz singer and pianist, often performing in the	bebop genre and remembered for her girlish voice.
t the 100 Club in the 1960s, and played in the	Bebop Preservation Society and the John Burch Quarte
hn Coltrane and in reharmonized tunes from the	bebop era.
ng marked the transition from big bands to the	bebop influence of the 1940s.
He was known primarily for playing in the	bebop, hard bop and post bop styles from the early 1
While versed in the	bebop idiom, Broom, like many current artists, draws
his first full-length book, Four Lives in the	Bebop Business, an in-depth look at the lives of jaz
Working in the	bebop and hard bop idioms early in his career, Coltr
that transcends her musical upbringing in the	bebop 1940s, whether working in the styles of swing,
eans jazz, and newer musicians who favored the	bebop style of Charlie Parker and Dizzy Gillespie th
ee Brown, was an American jazz vocalist of the	bebop era most notable for penning the song "Oop-Pop
as an accomplished improviser, notably in the	bebop, swing and Latin idioms as illustrated by his
He also worked in the	Bebop and Hard bop idioms.
This article is about the	bebop and cool jazz pianist.
"One Bass Hit" (Brown) - The	Bebop Preservation Society (4:10)
The	bebop scale is an important scale for jazz improvise
920s and 1930s Swing and big band era, through	Bebop and Hard Bop, to the 1960s-era "free jazz" mov
s considered by many to be the very first time	bebop was ever recorded.
By the time	Bebop came to popularity, the style became more or l
sation, rather than arrangement, was closer to	bebop.
ella in the middle of the 1940s, but turned to	bebop later in the decade.
rmed in various genres of jazz, most typically	bebop.
ously creative black pop music, at a time when	bebop seemed to have lost both its direction and its
"RadioNow With	Bebop Lobo - 1:29

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