「Design.」の共起表現一覧(1語右で並び替え)4ページ目
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| Web Development (Multimedia, 3D and | Design based) |
| me industry experts have criticized the use of | design basis terminology. |
| Design basis: Zaku III Custom | |
| Design basis: Zaku III | |
| Design basis: Gundam | |
| Design basis: S Gundam | |
| Design basis: Gundam NT-1 | |
| The final | design bears some resemblance to the St Pancras railw |
| Subjects include art and | design, beauty therapy, cookery, civil engineering, p |
| Cesaroni | Design became the first private industrial design off |
| The "nest scheme" | design became official in April 2003. |
| Then, in 1996, the Institute of Industrial | Design became part of the Oslo School of Architecture |
| It was his last | design before he retired. |
| Planning for a new | design began in 1954. |
| Construction of the bridge, a wood truss | design, began in 1862. |
| The armour was of clean | design, being made of riveted steel plates. |
| 2 BAFTA Awards nominations Best Production | Design, Best Make Up & Hair |
| It was developed by Core | Design, best known as the developers of Tomb Raider. |
| It was a transitional | design between pocket watches and wrist watches, inco |
| "Renewal and Upheaval, Dutch | Design Between the Wars", Print Magazine, November/De |
| ting the flight of another, Skydive pushes his | design beyond its limits. |
| arp, Yvonne Rogers & Jenny Preece: Interaction | Design: Beyond Human-Computer Interaction, 2nd ed. |
| Cover | Design: Bill Barnes |
| Lighting | Design: Bill Mason and Patrick Wade |
| Cover | Design: Bill Barnes and Julie Holiner |
| Title | Design: Bill Perez |
| Alongside his practice in | design, Birdsall also taught design at the Royal Coll |
| minated for the Academy Award for Best Costume | Design, Black-and-White. |
| r Academy Awards, winning one for Best Costume | Design: Black-and-White. |
| The | design blends a traditional look with modern material |
| Design: Bleu Valdimer, Project Dragon | |
| Airey currently writes two graphic | design blogs, logodesignlove.com |
| The class' | design borrowed heavily from the British Adventure-cl |
| Instead, the | design borrowed heavily from the Volkswagen Group A2 |
| Chandler Prize for Excellence in Architectural | Design Boston Society of Architects, 1982 |
| Honor Award for Housing | Design, Boston Society of Architects, 2004, Minneapol |
| The house is symmetrical in | design, both inside and out. |
| This | design both stabilizes the structure and spreads out |
| An example of a Porsche | Design branded product is the Porsche Design 9522 mob |
| in architecture, interiors, planning and urban | design, branding, consulting, landscape design, and l |
| and K. G. Zimmer An Isodose Plotter of Simple | Design, Brit. |
| Design: Bryan Rackleff | |
| Pham, Alex. "Game | Design; Building a Community--Even a Virtual One--Tak |
| Planbygningen (English: The | Design Building) was used for the design and carving |
| Station with firearm storage - AUT University | Design Building, Studio Entrance. |
| throughout the 1950s and 1960s, continuing to | design buildings for his hometown. |
| SS Maritime Victory, VC2-C-AP2 | design, built 1945 at Bethlehem Steel, Fairfield, Bal |
| It was designed by a Leningrad | design bureau Lengidroproekt and constructed during 1 |
| The project was handled by the | design bureau of Plant no. |
| Tsyklon was designed by the Yuzhnoe | Design Bureau and manufactured by Yuzhmash (both in D |
| eyev worked as an engineer in Sergey Korolev's | design bureau before being selected for cosmonaut tra |
| The Beriev Aircraft Company, formerly Beriev | Design Bureau, is a Russian aircraft manufacturer (de |
| It was built by the Yuzhnoye | Design Bureau. |
| ryumin was an aviation test pilot for Ilyushin | Design Bureau. |
| It was made by the Soviet Kuznetsov | Design Bureau. |
| man closely connected with the various Soviet | design bureaus, and who generally sided with demands |
| Functional | Design, Business Requirements, Product Specifications |
| He operates a golf course | design business with fellow former PGA Tour golfer Mi |
| Jacklin has developed a golf course | design business since his retirement from competition |
| Away from football he ran his own | design business until retiring in 1985 on health grou |
| P. Austin & Co., adding an antique shop to his | design business. |
| Linderman approved the | design, but did not implement it due to fears of Chin |
| The Sony lens retains most of the Minolta | design but comes with a new look. |
| G J Churchward had studied American boiler | design, but he was also influenced by continental pra |
| Woodilette and Trefoil models follow the same | design but without stripes on the strap. |
| This simplifies the | design, but such devices are not robust in the case o |
| Originally this was an unusual 6 slot | design, but it was later replaced by a standard Germa |
| The beads traded were not of a set | design, but were produced according to demand. |
| They resembled Humphreys' | design, but had one less port. |
| She did indeed | design, but did it through her plantings rather than |
| father's request, she began studying interior | design, but later dropped out. |
| Materials Selection and Process in Mechanical | Design.' Butterworth Heinemann, Oxford, 1999 ISBN 0-7 |
| Design by Miikka Tikka. | |
| Uchuu Taitei God Sigma (1980-1981, character | design by Shintani) |
| The 24-pounders on Eurotas were to a | design by Colonel Congreve. |
| ick fireplace in the house follows a published | design by Batty Langley. |
| The | design, by Foster and partners, incorporates a sweepi |
| torey building was completed in 1997 under the | design by WMKY Lim. |
| Additional | design by Enny Joo and Dave Snow |
| undtrack by Simon Fisher-Turner and production | design by Derek Brown. |
| Album | design by Dealership with photography by Eric Schulz |
| Cover | design by Dave Kinsey and BLK/MRKT. |
| It features a bald eagle | design by John Flanagan. |
| t is known for its unique "neo-Mayan" Art Deco | design by architect Timothy L. Pflueger. |
| direction and choreography by Joe Layton, set | design by Mark Ravitz, and lighting design by Jules F |
| de E is a representation of a very interesting | design by Johannes Hevelius. |
| This | design by architect Harrison Albright was the first r |
| Design by Jim @ Animal Farm | |
| Album artwork and sleeve | design by Birgit Strunz |
| es this methodology as a tool in instructional | design by providing teachers the framework to design |
| s completed in Rotterdam, Netherlands from the | design by Hugh Maaskant. |
| An 1870 beam engine built by Thomas Horn to a | design by James Watt. |
| In this TV series, original story and its | design by Saito were widely changed. |
| Bertrand Meyer created the methodology | Design by contract and incorporated it into the Eiffe |
| lt in 1927 based on a Spanish Colonial Revival | design by architect W.E. McAllister. |
| The restoration included a sympathetic garden | design by Alfred Parsons. |
| matography was by Charles Lang and the costume | design by Travis Banton. |
| Art direction and | design by Daniele Barillari from Nadir studio |
| It was constructed from 1715 till 1746, under | design by the Frenchman Robert de Cotte. |
| Cover | design by James Rizzi. |
| The present church was built in 1850-52 to a | design by John Dobson of Newcastle. |
| The church was built in 1845-46 to a | design by the Lancaster architect Edmund Sharpe. |
| The present church was built in 1827-28 to a | design by George Latham. |
| e house was completely redesigned, following a | design by Sir Christopher Wren. |
| Design by Kate Monument | |
| e new Ascot stand built by Laing O'Rourke to a | design by Populous and Buro Happold. |
| Design by Nick Pritchard | |
| Using a | design by Robinson & Steinman, construction began on |
| Design by Frankie Franco III and Michael Golembewski | |
| Sleeve | design by Above & Beyond. |
| A vestry was added in 1903 to a | design by F. P. Oakley. |
| The church was built in 1870-71 to a | design by Ewan Christian. |
| dway production, directed by A. J. Antoon, set | design by Peter Larkin, costume design by Theoni V. A |
| Original LP Cover | Design by Field |
| Art direction and photo | design by M. Vormstein |
| The church was built in 1843-44 to a | design by Edmund Sharpe. |
| Immanuel Church was built 1836-1837 to a | design by J. and T. Stones. |
| he church was built between 1856 and 1859 to a | design by James Harrison. |
| ources made available through Sunsports allows | Design By Humans to remove some restrictions with reg |
| Logo by Michael Weikath and Sleeve | design by Michael Kiske |
| The costume | design by Herschel McCoy and Helen Rose received an O |
| The event included ten years of costume | design by long-time collaborator Tria Connell and ten |
| an was built by Hardy of Stockport, with tonal | design by Robert Hope-Jones. |
| Layout and | design by the redroom@emi |
| Lambretta 125 del 1947 | Design by Cesare Pallavicino |
| nt church was built between 1865 and 1869 to a | design by James Harrison. |
| dric Gibbons and Randall Duell and the costume | design by Adrian. |
| Graphic | design by Jonathan Crossland |
| Built in May 1929 at Swindon Works to a | design by Charles Collett. |
| They continued a controversial interior | design by employing bucket seating. |
| and architectural competition was held, and a | design by Los Angeles architect Randall Stout was cho |
| It was completed in 1983 to the | design by Clifford Lawrie Bolton Ritchie Architects. |
| tery Lighthouse was built in 1854 based on the | design by Ammi B. Young. |
| Production | Design by Thomas H. Paul |
| ged at the National Theatre in London featured | design by Anish Kapoor. |
| It was renovated in 2003 to a | design by Wilkinson Eyre Architects. |
| The nave was added to a | design by J. Brooks, Son and Adkins in 1907-10. |
| Cover | design by Peter Geitner |
| Final | design by James Peake based on submissions by James B |
| Sleeve | design by Modula |
| The new Leigh College was opened in 1928 to a | design by Byera Hadley. |
| t was staged by Lew Leslie and featured scenic | design by Mabel A. Buell. |
| wo vignette tailpieces and a colour title-page | design by Barbara Jones. |
| Logo | Design by Alex Feldman (sister of bass guitarist Nick |
| The Fokker F26 was an early jet airliner | design by the Dutch aircraft manufacturer, Fokker. |
| Art direction and | design by Cabin Fever Media |
| Cover | design by Annie Elliott (who also did the cover for 1 |
| present building was constructed in 1858 to a | design by T. M. Penson. |
| Cover | design by Ezra Jack Keats. |
| Recorded, mixed, mastered and artwork | design by Travis Dickerson. |
| built in 1927 based on a Mediterranean Revival | design by architect Merl L. Barker. |
| The ride is a prototype Wing Rider | design by Swiss roller coaster manufacturer Bolliger |
| It was built between 1839 and 1844 to a | design by the court architect Andrei Stackensneider. |
| The concert is notable for its dynamic set | design by Robert Lepage. |
| The church was built in 1878 to a | design by Sir George Gilbert Scott. |
| Sleeve | design by Mark Farrow Design. |
| The | design, by Land Use Consultants, was inspired by Pete |
| (May 8, 1998) (Oricon #5) - Jacket | design by Downtown's Hitoshi Matsumoto |
| al wooden structure, the owners commissioned a | design by Frank Lloyd Wright. |
| Sleeve | design by Mike Prosenko |
| , stage management by Margaret J. Soch, scenic | design by Wade Giampa, lighting design by Susan A. Wh |
| Character | design by Kazuyoshi Takeuchi |
| Cover | design by Zan Goodman |
| The church was built in 1838 to a | design by the Lancaster architect Edmund Sharpe. |
| architectural competition was held, choosing a | design by Pericles Fotiades. |
| The 60 metre high MAS, was | design by Neutelings Riedijk Architects. |
| Design by Robin Lynch. | |
| Design by Gullager for the Massachusetts Magazine; en | |
| The new stores are | design by architecture firm CADA and incorporate feat |
| 'Hamster Vamps' | design by Des Penny |
| Galaxy, a hand painted | design by Jessie Tait, 1950s |
| In the end, the commission chose the | design by Wallace Rice himself. |
| Layout & | design by Rick Goldman, CDS Graphics |
| built in 1930 based on a Mediterranean Revival | design by architects Weston & Weston. |
| Cover | design by Uwe Karczewski, Hamburg, Germany |
| Costume | Design by Ursula Maes |
| Additional | Design by Zan Goodman, Darby Cicci |
| built in about 1814, with an Ionic front, to a | design by Thomas Harrison. |
| he 1920s the station entrance was rebuilt to a | design by Charles Holden. |
| Production | Design by Carlo Jacobsen |
| World in Conflict - Story | design by Christofer Emgard, story consultant Larry B |
| Sleeve | design by Caren Lane. |
| was rebuilt to its present form in 1802, to a | design by James Wyatt. |
| Cover | design by Alex Trochut. |
| Packaged in white spot varnish sleeve | design by Carl Glover. |
| Cover | design by Tormod Opedal and Erik Wollo |
| Design by Patrick Fitzgerald and Small Japanese Soldi | |
| It was built in 1996 by Veolia to a | design by Faulks Perry Culley & Rech. |
| ng was taken over by Roy Sutton, and Lead Game | Design by Colin Johanson. |
| Its | design by Carl Leick was identical to Desdemona Sands |
| The first | design by James and James of New York collapsed durin |
| The photo was taken by Leigh Righton and the | design by Dani Vachon. |
| Design By Humans has partnered with Sunsports, Inc. a | |
| The | design by Gott was one of 17 submitted in a design co |
| Design by David Rager | |
| Album | Design by Judy Kinkade |
| Scenic and lighting | design by Jo Mielziner, Costume Design by Alvin Colt. |
| 'Breakfast illustration' | design by Des Penny. |
| It was built in 1920 based on a | design by architect Henry F. Withey. |
| It was built in 1926 based on a | design by architects Allen & Allen. |
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