「ENGRAVING」の共起表現一覧(1語右で並び替え)
該当件数 : 404件
| Natives of Fakaofo; | engraving after a drawing by Alfred Thomas Agate |
| Joseph Addison: | engraving after the Kneller portrait |
| Fernandus, | engraving after a painting by P.P.Rubens |
| Stipple | engraving after Jean Petitot, c. 1710. |
| T. Berry's | engraving after Pierre Lombart's engraving after the o |
| as been installed in the cave to protect the | engraving, after consultations between English Heritag |
| Inferno 1, | engraving after Botticelli, c. 1481, Biblioteca Riccar |
| Thomas Taylor, | engraving after William Marshall, some time after 1633 |
| llais reduced the presence of Napoleon to an | engraving after Jacques-Louis David's Napoleon Crossin |
| The resulting relief | engraving, An Old Chestnut is on display in the S. Dil |
| Other than this | engraving and activating process, little is shown of t |
| ting, graphic arts, sculpture, ceramic arts, | engraving and printmaking. |
| He was also employed at the U.S. Bureau of | Engraving and Printing for three or four years startin |
| gain became the Guard Force of the Bureau of | Engraving and Printing. |
| es printer who was Director of the Bureau of | Engraving and Printing from 1893 to 1900. |
| appointed Johnson Director of the Bureau of | Engraving and Printing. |
| igraphy, embroidery, drawing, painting glass | engraving and other arts. |
| om 1862 onwards personally superintended the | engraving and printing of the edition. |
| placed Sullivan as Director of the Bureau of | Engraving and Printing. |
| es, named Meredith Director of the Bureau of | Engraving and Printing. |
| nge that the lead image in the article is an | engraving and not an actual picture of Independence Ha |
| ding, with elements in niellod silver added, | engraving, and tiny dark glass eyes inset on some of t |
| m as Director of the United States Bureau of | Engraving and Printing in 1877 and 1878. |
| In the 1920s he started concentrating on | engraving and painting. |
| ntmaking, and he was himself a printmaker in | engraving and etching. |
| United States Bureau of | Engraving and Printing (BEP) - Federal Reserve notes ( |
| re, CT, Doolittle became an expert in copper | engraving and specialized in scenes of the American Re |
| Drake encouraged him to teach a class in | engraving and black-and-white draftsmanship for illust |
| In his later life Ryland abandoned line | engraving, and introduced chalk-engraving, in which th |
| Fine | engraving and delicate artwork would have rendered the |
| Claire Leighton's book on wood | engraving and woodcuts became his Bible on making wood |
| became an apprentice to his father, learning | engraving and calico dyeing and printing. |
| reat period of landscape water colours, wood | engraving and botanical paintings, drawing on the natu |
| e Treasury who was Director of the Bureau of | Engraving and Printing from 1889 to 1893 and from 1900 |
| d in the manufacturing of photographic film, | engraving and lithography. |
| Because the Bureau of | Engraving and Printing did not exist at the time, the |
| to Start for the King's Plate at Newmarket ( | engraving and etching), Government Art Collection |
| He first studied painting and | engraving, and then took up watercolor. |
| Born in Sydney, he was a tradesman in photo | engraving and a secretary of the Printers' Union befor |
| along with the Guard Force of the Bureau of | Engraving and Printing, under the authority of the Uni |
| Lichtenfels in painting, of Louis Jacoby in | engraving, and of William Unger in etching, he complet |
| Ralph joined the Bureau of | Engraving and Printing in 1895 as a plate cleaner. |
| He returned as Director of the Bureau of | Engraving and Printing from 1900 to 1906. |
| ed with a full knowledge of the resources of | engraving and unwearied patience. |
| e was the finest master of his day in niello | engraving, and that his masterpiece was a pax of the C |
| n Scotland she splits her time between glass | engraving and playing the traditional Scottish harp. |
| rote on 7 May 1789: "Historical painting and | engraving are almost exclusively indebted to Mr. Boyde |
| In 1815 Johnston has studied | engraving as an apprentice of successful Philadelphia |
| Cobra exhibitions and went to Paris to study | engraving at Atelier 17 under the guidance of Stanley |
| School and studied book production and wood | engraving at the Central School of Arts & Crafts from |
| During 1955-63, he was Tutor of | Engraving at the Royal College of Art, rising to Head |
| She was teacher of wood | engraving at the Royal Academy Schools until 1976. |
| An | engraving based on the portrait of Frederik V still ex |
| Engraving blanks from Loetz, Meyr's Neffe and Harracho | |
| The Star | Engraving building is a building at 3201 Allen Parkway |
| An | engraving burin is used predominantly by engravers, bu |
| Lord Provost of Edinburgh) in a printing and | engraving business, forming the well-known cartographi |
| He trained as a painter prior to studying | engraving but by the time he was 24 he had become a ma |
| Wood | engraving by Alfred Bobbett after a painting of Felix |
| 83 Kentucky Derby winner Leonatus in an 1886 | engraving by Henry H. Cross |
| by Gullager for the Massachusetts Magazine; | engraving by Samuel Hill, ca.1790 |
| Hercule, decorated by Charles Le Brun, in an | engraving by Bernard Picart, ca. |
| via, while Maria covers her amusement, in an | engraving by R. Staines after a painting by Daniel Mac |
| Engraving by d'Hancarville | |
| Engraving by Bauer | |
| Engraving by Josef Kriehuber | |
| engraving by P. Ozanne | |
| 658, that the building was the subject of an | engraving by the architect Jean Marot. |
| Engraving by Horace Vernet. | |
| Copper | engraving by Jan Kip entitled Didmarton, the Seat of R |
| Engraving by Thomas Lant | |
| Engraving by Pendleton's Lithography | |
| Battle of Naisby [sic], hand-coloured copper | engraving by Dupuis after Parrocel, 1727 (for Rapins H |
| Engraving by Abel Bowen | |
| Engraving by Jacob Franquart (1623) | |
| The | engraving by J. Voort Kamp published in 1641 that led |
| oElianae Familiar Letters Domestic & Forren, | engraving by William Marshall. |
| arber-Surgeons Charter to Thomas Vicary.1736 | engraving by Bernard Baron; after Hans Holbein the You |
| Engraving by Hendrik Goltzius, 1576. | |
| Wood | engraving by L. B. Hansen. |
| Steel | engraving by Thomas Hosmer Shepherd, 1829-1831 |
| Engraving by Georg Lichtensteger, c. 1745. | |
| His portrait as a stipple and line | engraving by Henry Robinson, after Henry Pickering was |
| The Spanish Fury ( | Engraving) by Hans Collaert. |
| Daniel Featley, | engraving by William Marshall. |
| Henry Clay Whitney | engraving by Romaine Proctor |
| Elisabeth Pepys in a stipple | engraving by John Thomson, after a lost painting (1666 |
| Paolo Agostino, | engraving by James Caldwall. |
| Engraving by Hans Sebald Beham, 1538. | |
| Exchange Coffee House ( | engraving by Abel Bowen) |
| ica, which may be Ara martinica, copperplate | engraving by Eleazar Albin published in the mid 1700s |
| Josias Shute, 1649 | engraving by William Marshall. |
| Copper | engraving by Andreas Trost, before 1700. |
| Worcester | engraving by William Miller after Creswick |
| re fortified by the Earl of Lennox in 1544, ( | engraving by John Slezer, 1693) |
| John Howson, | engraving by Martin Droeshout. |
| Late 18th-century | engraving by Samuel Wale. |
| lossus of Rhodes, imagined in a 16th-century | engraving by Martin Heemskerck, part of his series of |
| An | engraving by W. Killian from 1623 |
| A memorial glass | engraving by Laurence Whistler (the Rex prism) is to b |
| Antoine Charon, | engraving by Thomas de Leu |
| Michel Anguier, | engraving by Laurent Cars |
| Engraving by Michele Pekenino after Nathaniel Rogers | |
| artoli della medesima Compagnia Frontispiece | engraving by Cornelis Bloemaert (Roma: de Lazzeri) 165 |
| An | engraving by W. Killian, 1623. |
| Victorian coloured | engraving by E.M. Ward(d.1879)/C.W.Sharpe. |
| Rastande herdar i skogslandskap | engraving by Jan Joost van Cossiau |
| Engraving by Demanne after a portrait by Vigneron | |
| Loibl road and tunnel, | engraving by Janez Vajkard Valvasor, 1689 |
| John Freind, 1730 | engraving by George Vertue, after Michael Dahl. |
| his gouasches from the fires were made into | engraving by Gerhard Ludvig Lahde with whom he collabo |
| Charles III de Bourbon, | engraving by Thomas de Leu |
| Engraving by Chrispijn van der Passe showing the conqu | |
| An | engraving by James Basire for Charles Townley. |
| s spread were reproductions based on an 1887 | engraving by Jean-Baptiste Danguin that was commission |
| The | engraving by Hieronymus Wierix which Coleridge encount |
| Franziska and Charles Eugene, | engraving by Johann Friedrich Knisel, 1787 |
| Jacob Judah Leon, | Engraving by Salom Italia, 1641 |
| ge Allan (left) and William Hutchinson, 1814 | engraving by Joseph Collyer the Younger. |
| Its appearance was recorded in an | engraving by Samuel Buck in 1726. |
| engraving by W. J. Bennett showing the original buildi | |
| An | engraving by Johannes Kip for Sir Robert Atkyns' Histo |
| Engraving by Johann Ulrich Kraus from the Churbaierisc | |
| Kilchurn Castle, Loch Awe | engraving by William Miller after J M W Turner, Rawlin |
| building itself is dated 1915 (denoted by an | engraving by the main entrance which reads 'ANNO DNI M |
| The Dispersion ( | engraving by Julius Schnorr von Carolsfeld from the 18 |
| Lady Morgan, stipple and line | engraving by Robert Cooper, 1825, after Samuel Lover |
| Sir Herbert Jenner-Fust, | engraving by William Walker after Frederick Yeates Hur |
| Pieter Meert, | engraving by Cornelis van Caukercken, published in Het |
| Portrait of Charles de Bourbon, copper | engraving by Dominicus Custos, c. 1600. |
| is, then Palais Prince Ferdinand of Prussia, | engraving by Johann Georg Rosenberg, about 1780 |
| Corner of Brattle and Court St., | engraving by Winslow Homer, 1857 |
| The | engraving captured the attention of contemporary reade |
| Engraving, characteristically for some hours, extends | |
| wners replaced Landells with Joseph Swain as | engraving chief, Landells responded with a pamphlet A |
| He was chairman of the | Engraving Committee in both congresses. |
| card ("Marguerite"), late 19th century, Moss | Engraving Company |
| By the nature of the process, when | engraving copper plates, the image engraved on the pla |
| ecame president of the Manitoba Printing and | Engraving Corporation. |
| these firms, with some of the most exquisite | engraving decoration originating as their work. |
| 1973 Royal Academy of Arts, Brussels, | Engraving degree received with distinction (Teacher Cl |
| 1743 | engraving depicting an Iberian horse |
| Engraving depicting an early Chester Mystery Play | |
| Engraving depicting the arrest of Sir Edmund Andros in | |
| Engraving depicting the British arrival at the remains | |
| Engraving depicting the wedding of Marozia and Hugh of | |
| (1821 | engraving derived from a 17th century manuscript illus |
| The printmaking technique of | engraving developed among goldsmiths in Germany around |
| rman of the United States House Committee on | Engraving during the Thirtieth Congress, 1847-48. |
| bearing a coat of arms, are made by intaglio | engraving, either in metal or engraved gems (generally |
| Glass | engraving encompasses a variety of techniques. |
| and metallurgy), restorative arts (plating, | engraving, engine turning, casting, and antique techni |
| Many sixteenth century | engraving enthusiasts have speculated as to where the |
| His first known published work was a line | engraving entitled "April Floods In Eastern Counties" |
| William Hogarth produces an | engraving entitled The Enraged Musician. |
| Copper | engraving entitled "Die Inquisition in Portugall", by |
| d in a variety of media (oils, watercolours, | engraving, etc.). |
| sults it would have been... Benjamin Fawcett | engraving every one of the three hundred and sixty pla |
| ique restoration goldsmithing, stonesetting, | engraving, fabrication, Wax Carving, lost-wax casting, |
| He specially excelled in | engraving figures and interiors, but was less successf |
| cial artist by the Barnes-Crosby Company, an | engraving firm in Chicago. |
| 1761 was depicted in William Hogarth's 1761 | engraving Five Orders of Periwigs. |
| He is depicted in William Hogarth's 1761 | engraving Five Orders of Periwigs. |
| in's footsteps, since taking charge of medal | engraving for Louis XIV. |
| miniatures on vellum and a signed title page | engraving for the 1602 Bishops' Bible also survive. |
| Folder with | engraving for a project by studio b-720 and David Chip |
| The Army & Navy Club House, Pall Mall, | engraving from The Stationers Company's Almanac for 18 |
| Engraving from 1808, by Charles-Alexandre Lessueur, ar | |
| A man playing the serpent: | Engraving from Filippo Bonanni's Gabinetto Armonico pi |
| at the Royal College of Art as Professor of | Engraving from 1946. |
| Engraving from 1800 by William Birch. | |
| Augustin Marlorat, | engraving from a 1602 work by Jacob Verheiden. |
| Herreshoff torpedo boat, | engraving from Harper's Weekly, June 1889 |
| w of the Central Part of Tolland, wood block | engraving from a sketch by John Warner Barber for his |
| Ecce Homo, | engraving from the Passion series by Martin Schongauer |
| Engraving from 1695 showing the Lord Justices who admi | |
| 1, which was followed in 1763 by a companion | engraving from the "Phaethon" of the same painter. |
| He was born in Amsterdam and learned | engraving from his father Kaspar Luyken. |
| An | engraving from it by Joseph Baker is prefixed to his ‘ |
| Fredegund and Rigunth, steel | engraving from Mme de Witt, Vieilles histoires de la p |
| Judge John Leach, | engraving from 1825 after a painting by Charles Penny |
| Tower of Birger Jarl seen in a detail of an | engraving from the 1580s. |
| An | engraving from Pilgrim's Progress, showing Christian e |
| He learned the art of | engraving from his father Philip Galle. |
| exist such as painting, drawing, sculpture, | engraving, furniture, architecture, industrial design, |
| Cold-working is done by carving, grinding or | engraving glass with various tools, or by selectively |
| which could be seen in Melling's (1763-1831) | engraving, has not been able to survive to this day. |
| The notes that Meyssens wrote under each | engraving have been used as biographical notes for lat |
| ood-engraving, in which branch of the art of | engraving he was self-taught. |
| as unable to track down the particular steel | engraving he had recommended he lent them a copy of th |
| A K6 can have up to 18 | engraving heads each cutting 8.000 cells per second to |
| employed at Rome and Florence, painting and | engraving historical subjects and portraits. |
| family, and by age 17 he was working for an | engraving house while attending night classes at the A |
| Frans Hogenberg had produced an | engraving illustrating about 40 proverbs in around 155 |
| Gardens of Padua (1543), from a contemporary | engraving in the Basilica di Sant'Antonio. |
| Odoardo Fialetti, Copperplate | engraving in Tabulae Anatomicae by the Itlaian anatomi |
| proofing of wood; in lithography and process | engraving; in corrosion inhibitors; and in pharmaceuti |
| A tombstone bearing an | engraving in the Carrier syllabary |
| hands, Pickup began experimenting with wood | engraving in the early 1930s. |
| his famous "Rom-Weg" map, a 41 x 29 cm wood | engraving in stereographic projection of app. |
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