「INGRES」の共起表現(1語右で並び替え)

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「INGRES」の共起表現一覧(1語右で並び替え)

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Their marriage was a happy one, and Madame	Ingres acquired a faith in her husband which enabled
	Ingres' Age of Gold remains as testament to the abort
He was a pupil of	Ingres, and is known chiefly by his portraits and sub
insborough, Frans Hals, Jean Auguste Dominique	Ingres, and Adriaen van Ostade, among others, and 19t
Though Whistler's painting was different from	Ingres' art in many ways, he was nevertheless an admi
The critics came to regard	Ingres as the standard-bearer of classicism against t
hat her portrait had still not been completed,	Ingres began afresh, painting the standing portrait o
eferences to painting (the Flemish Primitives,	Ingres, Bronzino), her photographs have appeared in a
hat is no less detestable than it is Gothic, M	Ingres does nothing less than regress the art of four
orth the monumental Apotheosis of Homer, which	Ingres eagerly finished in a year's time.
ests: Cherubini was a keen amateur painter and	Ingres enjoyed practising the violin.
Like all the pupils of	Ingres, except Flandrin, he never rose above mediocri
That was a phrase that	Ingres himself used about his best disciple, Theodore
ay the painting is typically seen as a peak in	Ingres's artistic career, and in this work Ingres int
12611	Ingres is a main belt asteroid with an orbital period
Although facing uncertain prospects, in 1813	Ingres married a young woman, Madeleine Chapelle, who
However, when	Ingres met Madame Moitessier, he was struck by her Ju
In process access to	Ingres NET for FAT clients making distubution easier.
Scholar Simon Abrahams has suggested that	Ingres never intended the portrait to be [an accurate
(who had visited an Algerian harem in person),	Ingres never travelled to Africa or the Middle East t
Walter PACH,	Ingres, New York 1973.
s, but this quickly expanded to include Unify,	Ingres, Oracle, Informix, Sybase, and Microsoft SQL S
In 1841,	Ingres produced the most celebrated portrait of the o
	Ingres, sa vie et ses ouvrages (1870)
	Ingres said the painting exemplified the ‘fever and e
	Ingres' The Turkish Bath (1862)
Jean Auguste Dominique	Ingres: The Turkish Bath (1862)
For	Ingres the oriental theme was above all a pretext for
The sexuality	Ingres usually reserved for harem fantasies slips ove
In 1844	Ingres was approached through an intermediary with th
Arts in Toulouse where Jean Auguste Dominique	Ingres was among his pupils.
sier is also the title of a second portrait by	Ingres, which depicts her standing; it was painted in

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「INGRES」の共起表現一覧(1語右で並び替え)