「LIBRETTO」の共起表現一覧(1語右で並び替え)
該当件数 : 672件
| At age 15, he set a full-length | libretto about King David to music that he and his fat |
| wo acts composed by Mark-Anthony Turnage to a | libretto adapted by Turnage and Jonathan Moore from St |
| The Dalmatian, opera, | libretto adapted from a popular novel by F. Marion Cra |
| k which inspired it, rather than relying on a | libretto adapted from the source in order to accommoda |
| Marmontel's revised | libretto adheres closely to Quinault's original. |
| Jacopo Ferretti wrote the Italian | libretto after Simeone Antonio Sografi's play. |
| The Transposed Heads is in six scenes with a | libretto after Thomas Mann and premiered in Louisville |
| The Dumb Wife, | libretto after The Man Who Married a Dumb Wife by Anat |
| Salvadore Cammarano wrote the Italian | libretto after Bartolomeo Sestini's novella, in its tu |
| Imnul iubirii (Love Anthem), opera (1946); | libretto after Ivan Turgenev |
| Salvadore Cammarano wrote the Italian | libretto after Luigi Marchionni's adaptation of Eduard |
| Felice Romani wrote the Italian | libretto after Hippolyte-Louis-Florent Bis's Blanche d |
| Philippe Quinault wrote the French | libretto after a story from Ovid's Metamorphoses. |
| beginning composed for Paul Bentley's English | libretto alongside Ruders' Danish translation of the l |
| hree acts by Thomas Pasatieri with an English | libretto also by the composer. |
| , Berkeley wrote his second opera, Jane Eyre ( | libretto also by David Malouf), which was premiered at |
| The | libretto, also by Koukias, is composed of fragments fr |
| The | libretto also borrowed freely from John Dryden's Engli |
| The composer wrote nearly all of | libretto, although some poetic phrasings are attribute |
| The latter, however, placed the | libretto among his complete works, without the slighte |
| premiere of Tommaso Albinoni's setting of the | libretto, and again on 10 May 1725 in Reggio Emilia fo |
| Copies of the | libretto and the vocal score (published in 1896 by J. |
| Both the language of the | libretto and the music employ archaism; Respighi's sco |
| She usually wrote her own | libretto, and had a theatre built in her home to produ |
| considered the first complete opera with both | libretto and score composed by an American woman. |
| laubert, directed by Robert Wilson with book, | libretto and music by Bernice Johnson Reagon and costu |
| ty between the more "classical" nature of the | libretto and the more "romantic" nature of the music. |
| Causal and dramaturgic sequence in | libretto and music is replaced by a series of tableaux |
| eretta in four acts by John Philip Sousa with | libretto and song lyrics by Glen MacDonough (best reme |
| An opera by Antonio Cagnoni based on the same | libretto and entitled Don Bucefalo premiered in Milan |
| s include four books of poetry, two novels, a | libretto and numerous articles. |
| that winter to work on the first draft of the | libretto and used the library facilities there to lear |
| usted the job of fitting the music to the new | libretto and adjusting the verse accordingly to Jean-J |
| erican composer Carlisle Floyd, who wrote the | libretto and music while a member of the piano faculty |
| Oedipus-inspired opera even before finding a | libretto and began to sketch music for it in 1910. |
| The long gap between the composition of the | libretto and the score is explained by the fact it was |
| ly 20 performances, with complaints about the | libretto and the length of the opera. |
| Vaughan Williams continued to revise the | libretto and the opera over the remainder of his life. |
| ncluded in the first published version of the | libretto and was probably performed during the origina |
| The opera's touching | libretto, appealing melodies, and elegant instrumentat |
| He characterized the | libretto as "clever, literate and perceptive" and foun |
| (The title page of the | libretto ascribes it only to "J.A.W.".) |
| y during the summer and he set to work on the | libretto at a very rapid pace, finishing three major n |
| of Tito Vespasiano (another adapted Metastsio | libretto) at Pesaro. |
| Piccinni went on to set another Quinault | libretto, Atys, in 1779. |
| Servant of Two Masters (1966), opera, | libretto B. Stambler, after C. Goldoni |
| era Willie Stark by Carlisle Floyd to his own | libretto based on the novel was premiered in 1981. |
| Beverley Cross wrote the | libretto, based on his play Scarlet Ribbons, at the su |
| hai composer Somtow Sucharitkul to an English | libretto based on one of Thailand's best known ghost s |
| He also wrote the | libretto, based on the play Der Revisor (The Governmen |
| our acts by Giselher Klebe who also wrote the | libretto based on the 1944 play of the same name by Fr |
| Stephen Plaice wrote the English-language | libretto based on the true story of Finnish prisoners |
| He wrote the | libretto based on a poetic text by Robert Walser in ia |
| ra by the British composer Neal Thornton to a | libretto based on the original Russian text of Anton C |
| The | libretto, based on Leo Tolstoy's novel, Anna Karenina |
| Opera | libretto: Beatrijs by Felix Rutten |
| el Symmons Roberts has furnished an excellent | libretto, built in half-rhymed couplets that leave acr |
| ad originally asked Clifford Bax to write the | libretto, but Bax declined. |
| opera with music by Jean-Baptiste Lully and a | libretto by Philippe Quinault first performed at Versa |
| The | libretto, by Antoine Houdar de la Motte, is based on t |
| a Brothers Grimm fairy tale (KHM 175) with a | libretto by the composer. |
| n opera in five acts by Sergei Prokofiev to a | libretto by Sergei Prokofiev and Valentin Katayev base |
| Volpone, written in 1949-52 to a | libretto by Alfred Perry based on the play by Ben Jons |
| The | libretto by Adolphe d'Ennery was offered to Gounod aft |
| The | libretto by Maurice Maeterlinck is based on his 1908 p |
| y the Italian composer Tomaso Albinoni with a | libretto by Apostolo Zeno and Pietro Pariati. |
| a in two acts by Simon Mayr set to an Italian | libretto by Gaetano Rossi based on Antonio Salvi's, Gi |
| opera composed by Ruggero Leoncavallo, with a | libretto by the composer. |
| lun Hoddinott's opera The Trumpet Major, with | libretto by Myfanwy Piper, first performed in Manchest |
| the Italian composer Francesco Cavalli with a | libretto by Francesco Melosio. |
| opera in three acts by Giuseppe Verdi, from a | libretto by Francesco Maria Piave, based on Lord Byron |
| The Garden of Olivet, a devotional oratorio ( | libretto by Joseph Bennett), which was produced at the |
| made into a successful musical in 1924 with a | libretto by Frederick Lonsdale and music by Harold Fra |
| s a three-act operetta by Franz Berwald, to a | libretto by the composer and others. |
| nsul is an opera in three acts with music and | libretto by Gian Carlo Menotti, his first full-length |
| cts by the American composer Eric Sawyer with | libretto by John Shoptaw. |
| in one act by Paul Hindemith, with an English | libretto by Thornton Wilder based on his play of the s |
| The work's English language | libretto by Edward Fitzball is based on Matthew Lewis' |
| rovocatively titled opera I Hate Mozart, with | libretto by Michael Sturminger, composed for the Vienn |
| tten by Wolfgang Amadeus Mozart to an Italian | libretto by Metastasio, edited by Gianbattista Varesco |
| era in three acts by Simon Mayr to an Italian | libretto by Francesco Gonella De Ferrari. |
| t by Charles Wakefield Cadman with an English | libretto by Nelle Richmond Eberhart. |
| The English language | libretto by Charles Kondek is based on the play A Marr |
| The opera uses a Russian | libretto by Vera Kupriyanova and the composer which is |
| for young people by John Rutter to an English | libretto by David Richard Grant. |
| De occasie maakt den dief (opera in 1 act, | libretto by N. Destanberg, premiered on December 24 in |
| The text was based on an earlier | libretto by Antonio Salvi, Dionisio, Re di Portogallo |
| era in three acts by Hans Werner Henze with a | libretto by Ingeborg Bachmann (1926-1973). |
| cts by Pietro Mascagni to an original Italian | libretto by Luigi Illica. |
| n three acts by Pietro Mascagni, 1935, from a | libretto by Giovanni Targioni-Tozzetti, based on the p |
| Monsieur de la Palisse - opera in 3 acts - | libretto by Robert de Flers and Gaston Arman de Cailla |
| The | libretto, by Salvadore Cammarano, is heavily influence |
| by Edmond Rostand and composed to the French | libretto by Henri Cain. |
| The | libretto, by Felice Romani, is based on the Greek myth |
| a mostly Italian (there is also some French) | libretto by Francesco Cerlone. |
| ct by composer Nicolas Dalayrac with a French | libretto by Fouques Desfontaines. |
| ard (Highgate Press), An opera in three acts, | Libretto by Bernard Stambler, based on the play by Art |
| by the Italian composer Antonio Cesti with a | libretto by Francesco Sbarra (1611-1668). |
| e di Siviglia, composed by Gioachino Rossini, | libretto by Cesare Sterbini |
| The work's English language | libretto by David Garrick is based on the 1611 play of |
| di Chamounix', composed by Gaetano Donizetti, | libretto by Gaetano Rossi |
| ra in two acts composed by Tobias Picker to a | libretto by Gene Scheer. |
| ngspiel form composed by Jorge Antunes with a | libretto by Gerson Valle. |
| by composer Domenico Cimarosa with an Italian | libretto by Giuseppe Palomba. |
| halese composed by Premasiri Khemadasa with a | libretto by Eric Illayapparachchi. |
| s by composer Tommaso Traetta with an Italian | libretto by Pietro Chiari. |
| Les peines et les plaisires de l'amour with a | libretto by Gabriel Gilbert and music by Cambert was p |
| opera in one act by Gioachino Rossini with a | libretto by Giuseppe Maria Foppa. |
| l comedy with music by Walter Slaughter and a | libretto by Basil Hood. |
| one act by composer Georg Benda with a German | libretto by Friedrich Wilhelm Gotter. |
| with music by Franz Schubert, set to a German | libretto by Franz von Schober, written in 1822. |
| ribed as 'serio-comic', by John Barnett, to a | libretto by his brother Charles Zachary Barnett. |
| The | libretto, by Jean-Nicolas Bouilly, is based on an epis |
| rologue and two acts by Karl Michael Ziehrer ( | libretto by Leopold Krenn and Carl Lindau). |
| Fall of Jerusalem by Dominic Muldowney, with | libretto by James Fenton. |
| Libretto by M. Lvovsky.] | |
| n is a chamber opera by Jason Kao Hwang, to a | libretto by Catherine Filloux. |
| Libretto by Robert PinskyPowers | |
| 'complainte') composed by Darius Milhaud with | libretto by Jean Cocteau. |
| Libretto by Marius Petipa. | |
| Manon Lescaut, | libretto by Luigi Illica, Marco Praga and Domenico Oli |
| The | libretto, by the poet Paul Claudel, is based on his ow |
| Libretto by Arthur Yorinks. | |
| Italian composer Alessandro Scarlatti with a | libretto by Girolamo Roberti Frigimelica. |
| a seria in two acts by Gaetano Donizetti to a | libretto by Pietro Salatino. |
| La Grande Ecurie, Versailles, and is set to a | libretto by Louis de Cahusac. |
| Libretto by Marius Petipa, derived from the Russian fa | |
| ea Bernasconi's festa teatrale, L'Huomo, to a | libretto by the Margravine Wilhelmine. |
| ee acts, with music by Leonard Bernstein to a | libretto by Stephen Wadsworth. |
| Nitteti ( | libretto by Pietro Metastasio, 1765, Prague) |
| n three acts, with music by Jonathan Dove and | libretto by April De Angelis. |
| seria in 3 acts by Antonio Sacchini, set to a | libretto by Gioacchino Pizzi. |
| three acts by Gioachino Rossini to an Italian | libretto by Francesco Maria Berio di Salsi, based on S |
| ocoso) in three acts by Joseph Haydn set to a | libretto by Carlo Goldoni. |
| ned into a full production of the opera, with | libretto by Tony Kushner adapted from Hoffmeister's. |
| era in three acts by Tomaso Albinoni set to a | libretto by Bartolomeo Vitturi. |
| by American composer Vittorio Giannini with a | libretto by Phillip Roll and Norman Corwin. |
| Elckerlic, Opera (1963-1966); | libretto by Luc Vilsen |
| The English language | libretto by Richard Henry Hart is based on August Stri |
| by American composer Deborah Drattell, with a | libretto by David Steven Cohen. |
| one act by composer Georg Benda with a German | libretto by Johann Christian Brandes. |
| in a prologue and four acts and uses a French | libretto by the composer. |
| ugust 1787, with music by Samuel Arnold and a | libretto by George Colman the Younger. |
| li, Anna Gobbi and Giorgio Salviucci from the | libretto by Antonio Ghislanzoni. |
| music by Krzysztof Penderecki and an English | libretto by Christopher Fry. |
| The opera uses an Italian | libretto by Pietro Metastasio that was originally writ |
| It was in 3 acts, with a | libretto by Count Vladimir Sollogub and Vladimir Zotov |
| An operatic version by Tobias Picker ( | libretto by J. D. McClatchy) premiered in 1996 and has |
| '), is an opera buffa by Stephen Storace to a | libretto by Lorenzo da Ponte, based on Shakespeare's T |
| a in 3 acts by Thomas Pasatieri to an English | libretto by Kenward Elmslie. |
| talian version retitled Axur, re d'Ormus with | libretto by Lorenzo da Ponte, which opened in Vienna i |
| four acts by Charles Villiers Stanford with a | libretto by Julian Sturgis based on Shakespeare's play |
| has been composed by Jonas Forssell with the | libretto by Ariel Dorfman. |
| scenes by composer Georg Benda with a German | libretto by Friedrich Wilhelm Gotter. |
| "The Mother" (1949), a one-act opera with | libretto by the composer and John Fandel, after Hans C |
| s an opera in three acts by George Lloyd to a | libretto by William Lloyd (the composer's father). |
| Walder ( | libretto by Gotter, Singspiel, 1776, Gotha) |
| a in one act by Pietro Mascagni to an Italian | libretto by Giovanni Targioni-Tozzetti and Guido Menas |
| Libretto by E. Rappoport and Marius Petipa. | |
| , with music composed by Alfred Cellier and a | libretto by Arthur Cecil. |
| by the German composer Aribert Reimann, and a | libretto by Claus H. Henneberg, based on Shakespeare's |
| The German version, Ein Herbstmanover, with | libretto by K. von Bakonyi and Robert Bodanzky, premie |
| ust Strindberg's 1888 play, Miss Julie with a | libretto by Luc Bondy and Marie Louise-Bischofberger. |
| Pirlipipi, children's opera, | libretto by Pierre Gripari |
| The | libretto, by Antoine-Alexandre-Henri Poisenet and Bert |
| ramma per musica, by Giuseppe Sarti, set to a | libretto by the renowned poet Metastasio. |
| Libretto by Lydia Pashkova and Ivan Vsevolozhsky. | |
| ct Fool is an opera in one act with music and | libretto by the English composer Gustav Holst. |
| by composer Domenico Cimarosa with an Italian | libretto by a now unknown poet. |
| Antonio Cesti's opera Cleopatra, with | libretto by Dario Varotari the Younger, becomes the fi |
| in 2 acts by Pietro Mascagni from an Italian | libretto by Giovanni Targioni-Tozzetti. |
| opera by Othmar Schoeck, to a German-language | libretto by the composer, after the work of the same n |
| L'isola disabitata ( | libretto by Pietro Metastasio, 1774, Salzburg) |
| ts by composer Horatio Parker with an English | libretto by Brian Hooker. |
| The work uses an English | libretto by Denis Johnston and tells the story of a Br |
| L'abate Collarone ( | libretto by Pietro Trinchera, 1749, Naples) |
| La donna di governo ( | libretto by Carlo Goldoni, 1763, Prague) |
| ann in the genre of German Romanticism with a | libretto by Robert Reinick and the composer. |
| is Excellency is a two-act comic opera with a | libretto by W. S. Gilbert and music by F. Osmond Carr. |
| ne-act opera for young people" with music and | libretto by Gian-Carlo Menotti. |
| The opera uses an Italian language | libretto by Pietro Metastasio. |
| s an opera in two acts by Matthew King with a | libretto by Alasdair Middleton. |
| Grant for his first opera, The Reunion, to a | libretto by Roger Brunyate, and first prize in the Nat |
| The work uses an Italian language | libretto by Gaetano Rossi. |
| is a community opera by Jonathan Dove, with a | libretto by David Lan. |
| prologue and two acts by Stewart Wallace to a | libretto by Amy Tan based on her novel of the same nam |
| The work uses an Italian language | libretto by Pietro Metastasio. |
| After All! is a one-act comic opera with a | libretto by Frank Desprez and music by Alfred Cellier. |
| Antony and Cleopatra, | libretto by the composer after Shakespeare (1955) |
| t performed in Prague in the Estates Theatre, | libretto by Lorenzo da Ponte) |
| edzak in Flanders Country and elsewhere, on a | libretto by Hendrik Lindt (1940; recorded) |
| Jack and the Beanstalk, | libretto by John Erskine (1931) |
| Libretto by Marius Petipa, based on the 1822 novel Tri | |
| ct composed by Gaetano Donizetti in 1822 to a | libretto by Giulio Genoino, a former monk and the offi |
| Le nozze di Leporello, commedia, | libretto by L. Almirante), 1924 |
| It was composed to a | libretto by the Italian poet Metastasio that was first |
| tralian composer Moya Henderson to an English | libretto by Judith Rodriguez. |
| a 1987 French film of Verdi's opera Macbeth ( | libretto by Francesco Maria Piave based on Shakespeare |
| e e marito di nessuna, which had a Neapolitan | libretto by Antonio Palomba. |
| La nascita del Redentore ( | libretto by Giacomo Gregorio, 1780, Rome) |
こんにちは ゲスト さん
ログイン |
Weblio会員(無料)になると
|
検索履歴を保存できる！
こんにちは ゲスト さん
|
ログイン |
Weblio会員(無料)になると
|
