「Libretto」の共起表現(1語右で並び替え)

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共起表現

「Libretto」の共起表現一覧(1語右で並び替え)

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At age 15, he set a full-length	libretto about King David to music that he and his fat
wo acts composed by Mark-Anthony Turnage to a	libretto adapted by Turnage and Jonathan Moore from St
The Dalmatian, opera,	libretto adapted from a popular novel by F. Marion Cra
k which inspired it, rather than relying on a	libretto adapted from the source in order to accommoda
Marmontel's revised	libretto adheres closely to Quinault's original.
Jacopo Ferretti wrote the Italian	libretto after Simeone Antonio Sografi's play.
The Transposed Heads is in six scenes with a	libretto after Thomas Mann and premiered in Louisville
The Dumb Wife,	libretto after The Man Who Married a Dumb Wife by Anat
Salvadore Cammarano wrote the Italian	libretto after Bartolomeo Sestini's novella, in its tu
Imnul iubirii (Love Anthem), opera (1946);	libretto after Ivan Turgenev
Salvadore Cammarano wrote the Italian	libretto after Luigi Marchionni's adaptation of Eduard
Felice Romani wrote the Italian	libretto after Hippolyte-Louis-Florent Bis's Blanche d
Philippe Quinault wrote the French	libretto after a story from Ovid's Metamorphoses.
beginning composed for Paul Bentley's English	libretto alongside Ruders' Danish translation of the l
hree acts by Thomas Pasatieri with an English	libretto also by the composer.
, Berkeley wrote his second opera, Jane Eyre (	libretto also by David Malouf), which was premiered at
The	libretto, also by Koukias, is composed of fragments fr
The	libretto also borrowed freely from John Dryden's Engli
The composer wrote nearly all of	libretto, although some poetic phrasings are attribute
The latter, however, placed the	libretto among his complete works, without the slighte
premiere of Tommaso Albinoni's setting of the	libretto, and again on 10 May 1725 in Reggio Emilia fo
Copies of the	libretto and the vocal score (published in 1896 by J.
Both the language of the	libretto and the music employ archaism; Respighi's sco
She usually wrote her own	libretto, and had a theatre built in her home to produ
considered the first complete opera with both	libretto and score composed by an American woman.
laubert, directed by Robert Wilson with book,	libretto and music by Bernice Johnson Reagon and costu
ty between the more "classical" nature of the	libretto and the more "romantic" nature of the music.
Causal and dramaturgic sequence in	libretto and music is replaced by a series of tableaux
eretta in four acts by John Philip Sousa with	libretto and song lyrics by Glen MacDonough (best reme
An opera by Antonio Cagnoni based on the same	libretto and entitled Don Bucefalo premiered in Milan
s include four books of poetry, two novels, a	libretto and numerous articles.
that winter to work on the first draft of the	libretto and used the library facilities there to lear
usted the job of fitting the music to the new	libretto and adjusting the verse accordingly to Jean-J
erican composer Carlisle Floyd, who wrote the	libretto and music while a member of the piano faculty
Oedipus-inspired opera even before finding a	libretto and began to sketch music for it in 1910.
The long gap between the composition of the	libretto and the score is explained by the fact it was
ly 20 performances, with complaints about the	libretto and the length of the opera.
Vaughan Williams continued to revise the	libretto and the opera over the remainder of his life.
ncluded in the first published version of the	libretto and was probably performed during the origina
The opera's touching	libretto, appealing melodies, and elegant instrumentat
He characterized the	libretto as "clever, literate and perceptive" and foun
(The title page of the	libretto ascribes it only to "J.A.W.".)
y during the summer and he set to work on the	libretto at a very rapid pace, finishing three major n
of Tito Vespasiano (another adapted Metastsio	libretto) at Pesaro.
Piccinni went on to set another Quinault	libretto, Atys, in 1779.
Servant of Two Masters (1966), opera,	libretto B. Stambler, after C. Goldoni
era Willie Stark by Carlisle Floyd to his own	libretto based on the novel was premiered in 1981.
Beverley Cross wrote the	libretto, based on his play Scarlet Ribbons, at the su
hai composer Somtow Sucharitkul to an English	libretto based on one of Thailand's best known ghost s
He also wrote the	libretto, based on the play Der Revisor (The Governmen
our acts by Giselher Klebe who also wrote the	libretto based on the 1944 play of the same name by Fr
Stephen Plaice wrote the English-language	libretto based on the true story of Finnish prisoners
He wrote the	libretto based on a poetic text by Robert Walser in ia
ra by the British composer Neal Thornton to a	libretto based on the original Russian text of Anton C
The	libretto, based on Leo Tolstoy's novel, Anna Karenina
Opera	libretto: Beatrijs by Felix Rutten
el Symmons Roberts has furnished an excellent	libretto, built in half-rhymed couplets that leave acr
ad originally asked Clifford Bax to write the	libretto, but Bax declined.
opera with music by Jean-Baptiste Lully and a	libretto by Philippe Quinault first performed at Versa
The	libretto, by Antoine Houdar de la Motte, is based on t
a Brothers Grimm fairy tale (KHM 175) with a	libretto by the composer.
n opera in five acts by Sergei Prokofiev to a	libretto by Sergei Prokofiev and Valentin Katayev base
Volpone, written in 1949-52 to a	libretto by Alfred Perry based on the play by Ben Jons
The	libretto by Adolphe d'Ennery was offered to Gounod aft
The	libretto by Maurice Maeterlinck is based on his 1908 p
y the Italian composer Tomaso Albinoni with a	libretto by Apostolo Zeno and Pietro Pariati.
a in two acts by Simon Mayr set to an Italian	libretto by Gaetano Rossi based on Antonio Salvi's, Gi
opera composed by Ruggero Leoncavallo, with a	libretto by the composer.
lun Hoddinott's opera The Trumpet Major, with	libretto by Myfanwy Piper, first performed in Manchest
the Italian composer Francesco Cavalli with a	libretto by Francesco Melosio.
opera in three acts by Giuseppe Verdi, from a	libretto by Francesco Maria Piave, based on Lord Byron
The Garden of Olivet, a devotional oratorio (	libretto by Joseph Bennett), which was produced at the
made into a successful musical in 1924 with a	libretto by Frederick Lonsdale and music by Harold Fra
s a three-act operetta by Franz Berwald, to a	libretto by the composer and others.
nsul is an opera in three acts with music and	libretto by Gian Carlo Menotti, his first full-length
cts by the American composer Eric Sawyer with	libretto by John Shoptaw.
in one act by Paul Hindemith, with an English	libretto by Thornton Wilder based on his play of the s
The work's English language	libretto by Edward Fitzball is based on Matthew Lewis'
rovocatively titled opera I Hate Mozart, with	libretto by Michael Sturminger, composed for the Vienn
tten by Wolfgang Amadeus Mozart to an Italian	libretto by Metastasio, edited by Gianbattista Varesco
era in three acts by Simon Mayr to an Italian	libretto by Francesco Gonella De Ferrari.
t by Charles Wakefield Cadman with an English	libretto by Nelle Richmond Eberhart.
The English language	libretto by Charles Kondek is based on the play A Marr
The opera uses a Russian	libretto by Vera Kupriyanova and the composer which is
for young people by John Rutter to an English	libretto by David Richard Grant.
De occasie maakt den dief (opera in 1 act,	libretto by N. Destanberg, premiered on December 24 in
The text was based on an earlier	libretto by Antonio Salvi, Dionisio, Re di Portogallo
era in three acts by Hans Werner Henze with a	libretto by Ingeborg Bachmann (1926-1973).
cts by Pietro Mascagni to an original Italian	libretto by Luigi Illica.
n three acts by Pietro Mascagni, 1935, from a	libretto by Giovanni Targioni-Tozzetti, based on the p
Monsieur de la Palisse - opera in 3 acts -	libretto by Robert de Flers and Gaston Arman de Cailla
The	libretto, by Salvadore Cammarano, is heavily influence
by Edmond Rostand and composed to the French	libretto by Henri Cain.
The	libretto, by Felice Romani, is based on the Greek myth
a mostly Italian (there is also some French)	libretto by Francesco Cerlone.
ct by composer Nicolas Dalayrac with a French	libretto by Fouques Desfontaines.
ard (Highgate Press), An opera in three acts,	Libretto by Bernard Stambler, based on the play by Art
by the Italian composer Antonio Cesti with a	libretto by Francesco Sbarra (1611-1668).
e di Siviglia, composed by Gioachino Rossini,	libretto by Cesare Sterbini
The work's English language	libretto by David Garrick is based on the 1611 play of
di Chamounix', composed by Gaetano Donizetti,	libretto by Gaetano Rossi
ra in two acts composed by Tobias Picker to a	libretto by Gene Scheer.
ngspiel form composed by Jorge Antunes with a	libretto by Gerson Valle.
by composer Domenico Cimarosa with an Italian	libretto by Giuseppe Palomba.
halese composed by Premasiri Khemadasa with a	libretto by Eric Illayapparachchi.
s by composer Tommaso Traetta with an Italian	libretto by Pietro Chiari.
Les peines et les plaisires de l'amour with a	libretto by Gabriel Gilbert and music by Cambert was p
opera in one act by Gioachino Rossini with a	libretto by Giuseppe Maria Foppa.
l comedy with music by Walter Slaughter and a	libretto by Basil Hood.
one act by composer Georg Benda with a German	libretto by Friedrich Wilhelm Gotter.
with music by Franz Schubert, set to a German	libretto by Franz von Schober, written in 1822.
ribed as 'serio-comic', by John Barnett, to a	libretto by his brother Charles Zachary Barnett.
The	libretto, by Jean-Nicolas Bouilly, is based on an epis
rologue and two acts by Karl Michael Ziehrer (	libretto by Leopold Krenn and Carl Lindau).
Fall of Jerusalem by Dominic Muldowney, with	libretto by James Fenton.
	Libretto by M. Lvovsky.]
n is a chamber opera by Jason Kao Hwang, to a	libretto by Catherine Filloux.
	Libretto by Robert PinskyPowers
'complainte') composed by Darius Milhaud with	libretto by Jean Cocteau.
	Libretto by Marius Petipa.
Manon Lescaut,	libretto by Luigi Illica, Marco Praga and Domenico Oli
The	libretto, by the poet Paul Claudel, is based on his ow
	Libretto by Arthur Yorinks.
Italian composer Alessandro Scarlatti with a	libretto by Girolamo Roberti Frigimelica.
a seria in two acts by Gaetano Donizetti to a	libretto by Pietro Salatino.
La Grande Ecurie, Versailles, and is set to a	libretto by Louis de Cahusac.
	Libretto by Marius Petipa, derived from the Russian fa
ea Bernasconi's festa teatrale, L'Huomo, to a	libretto by the Margravine Wilhelmine.
ee acts, with music by Leonard Bernstein to a	libretto by Stephen Wadsworth.
Nitteti (	libretto by Pietro Metastasio, 1765, Prague)
n three acts, with music by Jonathan Dove and	libretto by April De Angelis.
seria in 3 acts by Antonio Sacchini, set to a	libretto by Gioacchino Pizzi.
three acts by Gioachino Rossini to an Italian	libretto by Francesco Maria Berio di Salsi, based on S
ocoso) in three acts by Joseph Haydn set to a	libretto by Carlo Goldoni.
ned into a full production of the opera, with	libretto by Tony Kushner adapted from Hoffmeister's.
era in three acts by Tomaso Albinoni set to a	libretto by Bartolomeo Vitturi.
by American composer Vittorio Giannini with a	libretto by Phillip Roll and Norman Corwin.
Elckerlic, Opera (1963-1966);	libretto by Luc Vilsen
The English language	libretto by Richard Henry Hart is based on August Stri
by American composer Deborah Drattell, with a	libretto by David Steven Cohen.
one act by composer Georg Benda with a German	libretto by Johann Christian Brandes.
in a prologue and four acts and uses a French	libretto by the composer.
ugust 1787, with music by Samuel Arnold and a	libretto by George Colman the Younger.
li, Anna Gobbi and Giorgio Salviucci from the	libretto by Antonio Ghislanzoni.
music by Krzysztof Penderecki and an English	libretto by Christopher Fry.
The opera uses an Italian	libretto by Pietro Metastasio that was originally writ
It was in 3 acts, with a	libretto by Count Vladimir Sollogub and Vladimir Zotov
An operatic version by Tobias Picker (	libretto by J. D. McClatchy) premiered in 1996 and has
'), is an opera buffa by Stephen Storace to a	libretto by Lorenzo da Ponte, based on Shakespeare's T
a in 3 acts by Thomas Pasatieri to an English	libretto by Kenward Elmslie.
talian version retitled Axur, re d'Ormus with	libretto by Lorenzo da Ponte, which opened in Vienna i
four acts by Charles Villiers Stanford with a	libretto by Julian Sturgis based on Shakespeare's play
has been composed by Jonas Forssell with the	libretto by Ariel Dorfman.
scenes by composer Georg Benda with a German	libretto by Friedrich Wilhelm Gotter.
"The Mother" (1949), a one-act opera with	libretto by the composer and John Fandel, after Hans C
s an opera in three acts by George Lloyd to a	libretto by William Lloyd (the composer's father).
Walder (	libretto by Gotter, Singspiel, 1776, Gotha)
a in one act by Pietro Mascagni to an Italian	libretto by Giovanni Targioni-Tozzetti and Guido Menas
	Libretto by E. Rappoport and Marius Petipa.
, with music composed by Alfred Cellier and a	libretto by Arthur Cecil.
by the German composer Aribert Reimann, and a	libretto by Claus H. Henneberg, based on Shakespeare's
The German version, Ein Herbstmanover, with	libretto by K. von Bakonyi and Robert Bodanzky, premie
ust Strindberg's 1888 play, Miss Julie with a	libretto by Luc Bondy and Marie Louise-Bischofberger.
Pirlipipi, children's opera,	libretto by Pierre Gripari
The	libretto, by Antoine-Alexandre-Henri Poisenet and Bert
ramma per musica, by Giuseppe Sarti, set to a	libretto by the renowned poet Metastasio.
	Libretto by Lydia Pashkova and Ivan Vsevolozhsky.
ct Fool is an opera in one act with music and	libretto by the English composer Gustav Holst.
by composer Domenico Cimarosa with an Italian	libretto by a now unknown poet.
Antonio Cesti's opera Cleopatra, with	libretto by Dario Varotari the Younger, becomes the fi
in 2 acts by Pietro Mascagni from an Italian	libretto by Giovanni Targioni-Tozzetti.
opera by Othmar Schoeck, to a German-language	libretto by the composer, after the work of the same n
L'isola disabitata (	libretto by Pietro Metastasio, 1774, Salzburg)
ts by composer Horatio Parker with an English	libretto by Brian Hooker.
The work uses an English	libretto by Denis Johnston and tells the story of a Br
L'abate Collarone (	libretto by Pietro Trinchera, 1749, Naples)
La donna di governo (	libretto by Carlo Goldoni, 1763, Prague)
ann in the genre of German Romanticism with a	libretto by Robert Reinick and the composer.
is Excellency is a two-act comic opera with a	libretto by W. S. Gilbert and music by F. Osmond Carr.
ne-act opera for young people" with music and	libretto by Gian-Carlo Menotti.
The opera uses an Italian language	libretto by Pietro Metastasio.
s an opera in two acts by Matthew King with a	libretto by Alasdair Middleton.
Grant for his first opera, The Reunion, to a	libretto by Roger Brunyate, and first prize in the Nat
The work uses an Italian language	libretto by Gaetano Rossi.
is a community opera by Jonathan Dove, with a	libretto by David Lan.
prologue and two acts by Stewart Wallace to a	libretto by Amy Tan based on her novel of the same nam
The work uses an Italian language	libretto by Pietro Metastasio.
After All! is a one-act comic opera with a	libretto by Frank Desprez and music by Alfred Cellier.
Antony and Cleopatra,	libretto by the composer after Shakespeare (1955)
t performed in Prague in the Estates Theatre,	libretto by Lorenzo da Ponte)
edzak in Flanders Country and elsewhere, on a	libretto by Hendrik Lindt (1940; recorded)
Jack and the Beanstalk,	libretto by John Erskine (1931)
	Libretto by Marius Petipa, based on the 1822 novel Tri
ct composed by Gaetano Donizetti in 1822 to a	libretto by Giulio Genoino, a former monk and the offi
Le nozze di Leporello, commedia,	libretto by L. Almirante), 1924
It was composed to a	libretto by the Italian poet Metastasio that was first
tralian composer Moya Henderson to an English	libretto by Judith Rodriguez.
a 1987 French film of Verdi's opera Macbeth (	libretto by Francesco Maria Piave based on Shakespeare
e e marito di nessuna, which had a Neapolitan	libretto by Antonio Palomba.
La nascita del Redentore (	libretto by Giacomo Gregorio, 1780, Rome)

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「Libretto」の共起表現一覧(1語右で並び替え)