意味 | 共起表現 |
「MISSA」の共起表現一覧(1語右で並び替え)
該当件数 : 139件
Missa ad Placitum. | |
Missa Ad te levavi (a6) | |
e based on pre-existing material, and like the | Missa ad fugam, it is a canonic mass. |
omplished composer around this time, since his | Missa ad fugam seems to have been written in respons |
Missa adventus et quadragesimae, 1952 | |
Missa Alleluia, Music At The Burgundian Court, Capil | |
ch seems to have much in common with Ashwell's | Missa Ave Maria) in six voices, and the only other s |
Missa Baci amorosi for five voices (unpublished) | |
gory for their recording of Nicholas Ludford's | Missa Benedicta. |
Missa Brevis III | |
Missa Brevis No.3 for mixed chorus a cappella, Op.60 | |
He is best known for his short mass setting ' | Missa Brevis Capella Regalis'. |
J.S. Bach's | Missa Brevis in G Minor - Polish Radio Chamber Orche |
Wolfgang Amadeus Mozart's | Missa Brevis in F major, K. 192 (186f), was complete |
mposers of the classical period such as Mozart | missa brevis meant "short in duration" - as opposed |
The | Missa Brevis in D, Op. 63 is a setting of the Mass c |
Bach ' | Missa Brevis' in G (H.W. Gray, NY) |
Being a | missa brevis, "several clauses of the text [are set] |
It is a non-liturgical | Missa Brevis, with the traditional Latin and Greek M |
Even in a | missa brevis, fugues are expected to conclude the Gl |
changes in music: most notably developing the | Missa Brevis, Lauda and "Spiritual Madrigal" (Madrig |
setting was Giovanni Pierluigi da Palestrina's | Missa Brevis, sung by the Choir of the London Orator |
e the majority of Mozart's mass settings, is a | Missa brevis, or short mass (as opposed to the more |
Missa Cambrensis (1971) | |
Missa canonica of Johannes Brahms is composed of San | |
Video of a | Missa Cantata offered on the Last Sunday after Pente |
The | Missa Cantata came into use during the 18th century |
cember 1888) forbidden the use of incense at a | Missa Cantata; nevertheless, exceptions have been ma |
Missa Caput | |
Mass No. 3 in C major, | Missa Cellensis in hon. |
The | Missa Cellensis in honorem Beatissimae Virginis Mari |
Missa Choralis. | |
the first liturgical performance of Taverner's | Missa Corona Spinea for four hundred years. |
For choir, Easdale wrote the | Missa Coventrensis. |
Missa cuiusvis toni | |
Another of Ockeghem's masses, the | Missa cuiusvis toni, is so written that it can be pe |
Missa cujus toni | |
Missa da Requiem, 1952-1953 | |
His | Missa dalmatica dates from this early period. |
Missa de Sancta Anna (4vv); | |
Missa de Beata Virgine (Palestrina) by Giovanni Pier | |
The | Missa de Beata Virgine (Josquin) by Josquin Des Prez |
Missa de Beata Virgine (Brumel) by Antoine Brumel | |
Missa de Beata Virgine (La Rue) by Pierre de La Rue; | |
e world premiere of Roxanna Panufnik's "Schola | Missa de Angelis" - a work written for the choir. |
Manuscript showing the opening Kyrie of the | Missa de Beata Virgine, a late work by Josquin des P |
omposer Josquin des Prez assembled or composed | Missa de Beata Virgine, a musical setting of the Ord |
boe, is derived from the Kyrie movement of the | Missa de Angelis, and much of the work is subdued an |
Missa Dei Patris | |
Missa Dei Filii, Litaniae Laurentanae "Salus Infirmo | |
Missa Dona nobis pacem (1948) | |
lona Mass contains neither a motetus over Ite, | missa est nor a setting of the Benedictus, and its m |
tion of all that in his Missal follows the Ite | missa est, at the request that the Council of Trent |
and Agnus Dei, followed by the dismissal Ite, | missa est. |
Missa Et super nivem dealbabor (either by Nycasius o | |
Missa ferialis, 5vv | |
Missa Festiva | |
His | Missa Fors seulement is based on his own chanson, wh |
He co-wrote the celebrated | Missa Gaia - Earth Mass and many other pieces with t |
r collaborating with Paul Winter to create the | Missa Gaia/Earth Mass, Halley became a member of the |
Important works: | Missa Gregoriana, Missa dorica, Hermann und Leander |
Missa in tempore belli, or Mass No. 10, (H. | |
movement was adapted for the Gloria of Bach's | Missa in A major, BWV 234. |
Missa in G minor, BWV 235, scored for oboes, strings | |
Missa in A major, BWV 234, scored for flute, strings | |
used the opening chorus for the Gloria of his | Missa in G minor, BWV 235. |
Thus | Missa in Tempore Belli was performed at the family c |
ten's St Nicholas, Jenkins' Armed Man, Haydn's | Missa in tempore belli and many sacred choral works. |
I. Bach used this aria for the Gratias of his | Missa in G major. |
the opening chorus again for the Kyrie of his | Missa in G major, the first aria for the Quoniam of |
med as its companions the "Nelson" mass or the | Missa in tempore belli, the Theresienmesse has attra |
Missa integra d minor | |
Missa La basse danse (based on a basse danse) | |
The | Missa La sol fa re mi is a musical setting of the ma |
ted to the circumstances of composition of the | Missa La sol fa re mi. |
Missa Le serviteur | |
e of his use of the technique, particularly in | Missa Le serviteur. |
Low Mass (called in Latin, | Missa lecta, which literally means "read Mass") is a |
Re-released ( | Missa Luba only) on Philips CD/DVD set (2004) |
The | Missa Luba was created by Baluba of the Kasai and Ka |
Missa Mater patris (4 voices; authorship doubted by | |
Missa Mercuria -(2002) | |
Stephan Lill - Guitars (Vanden Plas, | Missa Mercuria, Ian Parry) |
en involved in multiple side projects, such as | Missa Mercuria, Abydos, Section A, Winterlong, and I |
Their chart-topping first release was | Missa Mexicana: festive polyphony and popular dances |
Zelenka's Te Deum and Johann David Heinichen's | Missa No. 9. |
Missa O gloriosa Margaretha; | |
one of his own masses on the same method (the | Missa O crux lignum). |
Qui tollis peccata mundi of the Gloria of his | Missa of 1733, to become the Gloria of his Mass in B |
sweet wine, usually moscatell, mistela, vi de | missa or vi ranci. |
eshadowed what was probably his next work, the | Missa Pange lingua, which was an extended fantasy on |
Giovanni Pierluigi da Palestrina - | Missa Papae Marcelli |
In the latter part of the 20th century, the | Missa Papae Marcelli has been recorded frequently, a |
Missa Pontificalis (1930) | |
"Private Mass" (in Latin, | Missa privata or secreta, familiaris, peculiaris), w |
Missa Pro Defunctis (Mass for the Dead) | |
Recently a | Missa pro defunctis was discovered. |
Mainz Foreword to | Missa pro Defunctis, Universal Edition |
His compositions include a three-part | Missa pro defunctis, eight-part Zacchee festinans de |
etting of the Roman Catholic Requiem Mass, the | Missa pro defunctis, the Mass for the dead. |
of Escobar have survived, including a Requiem ( | Missa pro defunctis), the earliest by a composer fro |
Exactly when he wrote the | Missa prolationum is not known, and there is no evid |
ple of a mass organized entirely by canon: the | Missa prolationum. |
Missa Quid vobis videtur (1670) | |
' | Missa rex Babylonis venit ad lacum.' |
Missa Romanus Romae (Mass In Honour Of Pius XII), fo | |
he celebrated mixup over the authorship of the | Missa Salisburgensis, now assigned to Biber and prov |
Service: St Wilfrid's Mass, Riponensis and the | Missa Sancti Petri. |
roper as well; in this regard it resembles the | Missa Sancti Jacobi of Guillaume Dufay, which is oft |
Missa Simplex, acappella (1928) | |
The | Missa Sine nomine is a setting of the Ordinary of th |
Beethoven - | Missa Solemnis |
Missa Solemnis for choir and organ | |
Missa Solemnis Pro Pace, Op. 71 (1944) per Soli, Cor | |
The | Missa solemnis in D Major, Op. 123 was composed by L |
The | Missa Solemnis in C major by Wolfgang Amadeus Mozart |
n Beethoven, including the Ninth Symphony, the | Missa Solemnis and the last two string quartets. |
ms German Requiem with the RPO and Beethoven's | Missa Solemnis with the English Chamber Orchestra. |
erman Requiem, Verdi's Requiem and Beethoven's | Missa Solemnis under Arturo Toscanini. |
ommemoration in Beethoven's ninth symphony and | Missa Solemnis in Hiroshima and sang the Evangelist |
ravinsky, for Columbia, 1953), and Beethoven's | Missa Solemnis (conducted by Arturo Toscanini, for R |
d with the Vienna Choir boys, such as Mozart's | Missa solemnis in C minor, K. 139 "Waisenhausmesse", |
hile [it] is often overshadowed by the immense | Missa Solemnis, written some fifteen years later, it |
y asked Beethoven not to offer Schlesinger his | Missa Solemnis, because 'a Christian Mass composed b |
hew Passions, the Mass in B minor, Beethoven's | Missa Solemnis, Verdi's Requiem, Elgar's The Dream o |
know only two masses: this one and Beethoven's | Missa Solemnis. |
sses and Requiem, Beethoven's 9th Symphony and | Missa solemnis. |
s of Ludwig van Beethoven's Ninth Symphony and | Missa Solemnis. |
The tenth part of Ludwig van Beethoven's | Missa Solemnis; |
ss ordinary (including a group of four, titled | Missa solenne), and 8 Magnificat settings. |
Missa Spiritus almus (four voices) | |
Domarto's two mass settings, the | Missa Spiritus almus and a Missa sine nomine, were f |
The | Missa Spiritus almus, likely dating from the 1450s, |
Missa super ‘Cognovi Domine', 4vv | |
Missa super ‘Vrai Dieu, disait', 4vv | |
Missa super ‘Le mois de mai' | |
Giovanni Pierluigi da Palestrina - | Missa tu es pastor ovium |
An illuminated copy of the | Missa Virgo parens Christi by Jacobus Barbireau; com |
Bach presented these as a | Missa with a set of parts (Kyrie plus Gloria, BWV 23 |
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