「Okeh」の共起表現(1語右で並び替え) - Weblio英語共起表現検索

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共起表現

「Okeh」の共起表現一覧(1語右で並び替え)

該当件数 : 70件

soul labels, including, Vee-Jay, Chess Records,	OKeh, ABC-Paramount, One-derful, Brunswick, and Curt
ntinued into the 1930s, recording sides for the	Okeh and Vocalion labels in New York, San Antonio, a
ittle Buddy Doyle on Doyle's recordings for the	Okeh and Vocalion labels in 1939.
eligious music to the public in her records for	Okeh and performances in the 1920s.
He recorded for	Okeh, Columbia, Paramount, Camden and Vocalion and s
On June 21,	Okeh had Jones record four additional songs, and on
eement with the producer he was working with at	Okeh, he also gave up all rights to the song.
Celestin recorded for	Okeh in 1925, then for Columbia for the rest of the
	OKeh issued foreign recordings on a United States Od
was written by Curtis Mayfield and produced by	Okeh label president, Carl Davis.
n Redman was the first to record with it on the	Okeh label in 1928-1929.
Vocalions were reissued on the recently revived	OKeh label with the same catalog numbers.
She recorded for the	OKeh label in 1921 and 1923, and toured the TOBA vau
rst single was "The Mocking Bird" on Columbia's	Okeh label (master #ZSP-9710), released in 1952, wit
made April 16, 1952, was released on Columbia's	Okeh label in 1952 (reaching #23 on the Billboard ch
Culled from the American	OKeh label, artists like Louis Armstrong, Bix Beider
returned in 1965, recording soul music for the	Okeh label.
r Jazz Band in 1921, which were released on the	Okeh label.
In 1924, his first recordings appeared on the	Okeh label.
ecorded a few solo 7" records on the Laurie and	Okeh labels.
ippi Sheiks recorded over seventy songs for the	Okeh, Paramount and Bluebird labels.
Noting the success of the	Okeh recordings of Fiddlin' John Carson in 1923, Voc
This version was released on	Okeh Records #6741.
He also recorded on	Okeh Records for a time.
He recorded as a leader for	Okeh Records between 1924 and 1927.
The recording was released by	Okeh Records as catalog number 6840.
mmy Tucker (recorded July 31, 1942, released by	Okeh Records as catalog number 6702)
three recording of the song, the first being on	Okeh Records #4957 in 1939.
was heard on the records that Saunders made for	OKeh Records (1951-1953) and for Parrot and Blue Lak
n 1940, the Holiday releases were issued on the	Okeh Records imprint, reactivated by CBS to handle i
	Okeh Records offered him a chance to record on their
A room at the hotel was used by	Okeh Records to record a number of important blues s
He also worked for	OKeh Records as Chicago supervisor of the company's
s in San Antonio, and he recorded one 78rpm for	Okeh Records on June 15, 1929.
; in the 1960s he recorded for Ronn Records and	Okeh Records in blues and soul styles.
20th century as historians began to explore the	Okeh Records catalog, and his posthumous fame was bo
This ensemble recorded for	Okeh Records in 1925.
Since My Best Gal Turned Me Down (	Okeh Records)
Margie (	Okeh Records)
Sorry (	Okeh Records)
Ol' Man River (	Okeh Records)
At the Jazz Band Ball (	Okeh Records)
923 ("London Blues" and "Someday Sweetheart" on	Okeh Records); some fellow musicians said Robertson
Helen Humes recorded with Andrade's band on	Okeh Records, but other than this, Andrade recorded
ew York City, Bradford convinced Fred Hager, of	OKeh Records, to record Mamie Smith and became her m
However, in 1952 she was signed by	Okeh Records, whose record producer Fred Mendelsohn
She began recording in 1926 with	Okeh Records, first as a solo artist and later with
She first recorded in November 1925 for	Okeh Records, backed by the cornet player Louis Arms
Race records were marketed by	Okeh Records,photo Emerson Records,photo Vocalion Re
they released their self titled debut album on	Okeh Records.
to St. Louis, Missouri, where she was signed by	Okeh Records.
later generations for his 1920s recordings for	Okeh Records.
nzie and Condon's Chicagoans for a few sides on	Okeh Records.
talent scout and sent to New York to record for	Okeh Records.
nized at the suggestion of Richard M. Jones for	Okeh Records.
they made a never issued recording session for	Okeh Records.
for the Champion-Gennett label, and finally for	OKeh Records.
erformed live only for two parties organized by	Okeh Records.
ou Don't Get It, 'Tain't No Fault of Mine)", on	Okeh Records.
In October 1929, the band debuted on	Okeh Records.
From 1919, he recorded solo for	Okeh Records.
Lacking a band name, at the	OKeh session Hopkins (whose now-urban father had bee
She made numerous	Okeh sides in New York until 1929, then switched to
In 1929,	OKeh started a new ONY- series, first using selected
n nine tracks by Alger "Texas" Alexander in the	Okeh studio.
gy Carmichael on vocals on December 13, 1929 at	Okeh studios after the stock market crashed, giving
under his own name included Harmony, Columbia,	Okeh, Victor and Hit of the Week.
He recorded for Gennett,	OKeh, Victor, and Paramount Records in the 1920s.
She recorded for the	OKeh, Victor, Excelsior, and Flame labels.
ana in August 1932, while the final sessions on	Okeh were held in Chicago in November 1934.

共起表現