「One-act」の共起表現一覧(1語右で並び替え)
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| His 1835 | one-act A Day Well Spent, after expansion, translatio |
| He also wrote numerous | one-act and full length plays. |
| nzano (Danish: Blomsterfesten i Genzano) is a | one-act ballet by Danish choreographer and balletmast |
| It is a | one-act ballet that begins with traditional ballet ex |
| Swan Lake is a | one-act ballet made by New York City Ballet's co-foun |
| Julie is a | one-act chamber opera written by the Belgian composer |
| The Young Kabbarli is a | one-act chamber opera written in 1964 by the Australi |
| 24, 2008, Vores presented his latest opera, a | one-act chamber opera adaptation of Jean-Paul Sartre' |
| hen the Water's Running, a collection of four | one-act comedies, opened in New York in 1967 and ran |
| After All! is a | one-act comic opera with a libretto by Frank Desprez |
| Cox and Box; or, The Long-Lost Brothers, is a | one-act comic opera with a libretto by F. C. Burnand |
| er Albert Grisar used it as the basis for his | one-act comic opera of 1855, Le chien du jardinier. |
| on opera Alceste (1963, after Euripides), the | one-act De Droom ("the Dream", 1963), and finally Ant |
| A | one-act English comic opera called Weather or No, abo |
| John Oxenford's 1835 | one-act farce A Day Well Spent had been extended into |
| atin, meaning "Light in Darkness," is a short | one-act farce, written in prose, by the German dramat |
| He was the author of several other | one-act farces, including My Husband's Ghost (1836), |
| was an English playwright who specialized in | one-act farces. |
| to the Massachusetts High School Drama Guild | One-Act Festival), and a musical in the spring. |
| areer, he reorchestrated the interesting 1922 | one-act jazz opera by George Gershwin and Buddy DeSyl |
| y Massenet to be professionally produced, the | one-act La grand'tante having been produced five year |
| C Minor, BWV 582, (omitting the fugue) with a | one-act libretto by Jean Cocteau. |
| (7) Beckett wrote more than one | one-act monologue; the original (lack of) punctuation |
| Susanna and the Elders (1948) - | one-act musical - composer |
| The Eccentricities of Davey Crockett (1948) - | one-act musical - composer |
| Willie the Weeper (1948) - | one-act musical - composer |
| Willie the Weeper (1948) a | one-act musical by Jerome Moross |
| The show contained a | one-act musical burlesque The Magic Knight which paro |
| he Moonstone; and Charles Collette in his own | one-act musical farce with the striking title, Crypto |
| Blue Monday, (1922) | one-act opera |
| Violanta is a | one-act opera by Erich Wolfgang Korngold. |
| lykrates (The Ring of Polykrates), Op. 7 is a | one-act opera by Erich Wolfgang Korngold. |
| The | one-act opera 'I Compagnacci,' was performed in Rome |
| supports new music and has commissioned a new | one-act opera by composer Christopher Meux. |
| "The Mother" (1949), a | one-act opera with libretto by the composer and John |
| Mystery on the Docks is a | one-act opera by Edward Barnes, based on a book by Th |
| A Muskrat Lullaby is a | one-act opera by Edward Barnes, based on the book, Ma |
| Mavra is a | one-act opera buffa composed by Igor Stravinsky, and |
| ed its production of Ralph Vaughan Williams's | one-act opera Riders to the Sea with a performance of |
| ng on his orchestral output and including the | one-act opera Tomorrow. |
| Penthesilea is a | one-act opera by Othmar Schoeck, to a German-language |
| ish soundtrack album to Stavros Sideras' 1993 | one-act opera of the same name starring Greek Cypriot |
| are three symphonies, The Freak Show (a 1975 | one-act opera), several string quartets and numerous |
| Among his other compositions, a | one-act opera, The Man on the Bearskin Rug, is well-k |
| taged, it has on occasion been presented as a | one-act opera. |
| remiere of Philip Hagemann's Shaw Sings!, two | one-act operas based on the writings of George Bernar |
| became perhaps the most popular librettist of | one-act operas in Britain. |
| Lincoln Center debut, directing a trilogy of | one-act operas by Modest Mussorgsky, Ernst Krenek and |
| serious nature than what is typical of other | one-act operas of its time, especially one designated |
| Of the five | one-act operas that he wrote for the theatre, this wa |
| Tales of Malamud (2 | one-act operas): Idiots First (1963, unfinished, comp |
| Puccini had long considered a set of | one-act operas, to be performed in a single evening. |
| rst in a triptych of expressionist influenced | one-act operas, the others being Das Nusch-Nuschi (19 |
| Korngold was just 23 years old with two short | one-act operas, Der Ring des Polykrates and Violanta, |
| Dora's Dream is a | one-act operetta, with music composed by Alfred Celli |
| His | one-act operetta, The Spectre Knight, with music by A |
| Ibsen's Ghost, a | one-act parody on Ghosts, starring Irene Vanbrugh and |
| His first | one-act piece, The Gypsies, with music by Wilfred Ben |
| nerally been regarded as the best of Rameau's | one-act pieces. |
| er (1901), Ora et labora (1901), and numerous | one-act pieces. |
| 2007 State Finalist - | One-Act Play |
| Won in the District 5A High School | One-Act Play Competition for the 2007-2008 school yea |
| The Runaway (1993) - | one-act play for young actors about Joan of Arc |
| is subsequently evolved into an annual Summer | One-Act Play Festival. |
| ently won Best Production at the local Gimson | One-Act Play Festival. |
| am won the Region 2-AAAAA championship in the | One-Act Play competition in 2006. |
| s every year and occasional studio nights and | one-act play evenings. |
| d the winner of the annual Tennessee Williams | One-Act Play Contest. |
| It is based on an original | one-act play by Tim Toyama, which was performed at Th |
| d together with Something Unspoken, the other | one-act play that it originally appeared with under t |
| In 1930 he performed in Samurai, a | one-act play written especially for him, for the Brit |
| premiered Vampire Lesbians of Sodom, a campy | one-act play that went on to a long Off Off Broadway |
| the short story "A Jury of Her Peers" and her | one-act play Trifles. |
| A Case of Arson, an English version of the | one-act play Brand in de Jonge Jan, was notable for t |
| sh author H. E. Bates in 1926 (he published a | one-act play The Last Bread earlier that year though) |
| (1989-2005), which evolved from the national | One-Act Play Contest (1979-1989). |
| plays in Texas at the state level in the UIL | One-Act Play competition twice. |
| They Walk Among Us is a | one-act play written by Nicholas O'Neill, the younges |
| and appearing at the 2005 Conference 1A State | One-Act Play Competition. |
| y (commonly known simply as Jerker) is a 1986 | one-act play by Robert Chesley. |
| Theater, Belfast, Maine; and the St. Tammany | One-Act Play Festival in Covington, LA. |
| Students can participate in Theatre ( | One-Act Play), Band, Art, Choir, and Dance. |
| hows a year (a musical, mainstage play, and a | one-act play), the program is currently headed by Ms. |
| t in 1949 with Broen (two short stories and a | one-act play). |
| l also has several other activities including | One-act play, DECA, FFA, etc. |
| This was a | one-act play, seen only by the early comers. |
| Mine Eyes Have Seen, 1918, | one-act play, in The Crisis |
| He is the author of the | one-act play, Dial L for Latch-Key, and the novel, Tu |
| ed Sedaris' essay for the stage as a one-man, | one-act play, which debuted (as The Santaland Diaries |
| His | one-act play, The Return of Buck Gavin, was performed |
| ism, Mathematics, News Writing, Number Sense, | One-Act Play, Poetry Interpretation, Prose Interpreta |
| One-act play: The Miracle Worker | |
| Boccaccio's Untold Tale and Other | One-Act Plays (1924) |
| lack & White, in which white directors direct | one-act plays by black playwrights and black director |
| erformed in 1988 with An Englishman Abroad as | one-act plays under the title Single Spies. |
| Historically up to three | one-act plays are performed on stage on each night of |
| n California, USA, undertook an Eisteddfod of | one-act plays by local authors presented to the publi |
| the Caffe Cino in Greenwich Village, writing | one-act plays such as Ludlow Fair, Home Free!, and Th |
| Obelisk, and Two Cities, a double bill of two | one-act plays The Mask of Hiroshima (published in Bes |
| , in The Electronic Nigger, part of a trio of | one-act plays by Ed Bullins, during The American Plac |
| her Carr, & Ted Parks as a forum for original | one-act plays (N.O.T.E. |
| Several of his | one-act plays were performed in Off-Off Broadway thea |
| f other plays, plays for children, individual | one-act plays, "grey plays" (those written for perfor |
| ining dramatic content of four Eugene O'Neill | one-act plays, John Ford pilots adventures of a tramp |
| Additionally, they perform two sets of | One-act plays. |
| il and has written numerous short stories and | one-act plays. |
| Irish theater, and where he started to write | one-act plays. |
| he theatre is particularly well known for its | one-act playwriting competition. |
| New York City's Radio City Music Hall of the | one-act radio opera The Old Maid and the Thief by Gia |
| s one of ten winners in Catholic University's | One-Act Religious Play Competition. |
| enne), K. 50 (revised in 1964 to K. 46b) is a | one-act singspiel, a comic opera, by Wolfgang Amadeus |
| It is a | one-act surrealistic farce that has Galy Gay making h |
| stands for “New | One-Act Theatre Ensemble”), and to provide a stimulat |
| However, by 1916 Puccini had completed the | one-act tragedy Il tabarro and, after considering var |
| t was first staged on September 29, 1955 as a | one-act verse drama with A Memory of Two Mondays at t |
| Dowstage and in 1972 Opera Rara produced the | one-act version in English as The Prima Donna's Mothe |
| and created the role of Anna Andersen in the | one-act version of Anastasia (1967) , after which she |
| Offenbach's early operettas were small-scale | one-act works, since the law in France limited musica |
| s and Saucers (1878-79), and three of his own | one-act works: Dora's Dream (1877-78 revival), The Sp |
| e show was originally produced as a 45-minute | one-act, workshopped at the Upright Citizens Brigade |
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