「PSALM」の共起表現一覧(1語右で並び替え)
該当件数 : 155件
| The lyrics are based on the 23rd | Psalm and the song was widely considered to be write |
| captain of the submarine Seraph, read the 39th | Psalm and Michael's body was gently pushed into the |
| mn by Rabbi Isaac Luria), Mizmor L'David (23rd | Psalm), and Yedid Nefesh (a piyyut, or liturgical po |
| It was “a collection of | psalm and hymn tunes, and anthems, from eminent auth |
| They would sing a | psalm and then Susanna would read a sermon from eith |
| dence in this town he published seven books of | psalm and hymn tunes harmonised for four voices; a c |
| usually happens only in the final verse of the | psalm and/or the Gloria. |
| The 70 words in this | psalm are a reference to the 70 years of exile betwe |
| The motifs of the communal lament | psalm are very similar to the individual lament, but |
| Sidney E. Cox, 1887-1975, was a | Psalm Author and Composer. |
| PSALM began as College Youth Center (CYC), founded b | |
| For the | Psalm beginning with these words, see Psalm 130. |
| The Bay | Psalm Book (Cambridge, 1640). |
| New England | Psalm Book (Boston, 1773); |
| arts of Isaias and Revelations" in New England | Psalm Book (1758); |
| shape notes include the 9th edition of the Bay | Psalm Book (Boston), and An Introduction to the Sing |
| The Bay | Psalm Book was the first book, that is still in exis |
| Title page of the Bay | Psalm Book. |
| n herein, every one that can read is to have a | psalm book; and all others, not disabled by age or o |
| friends to send them some catechisms, besides | psalm books and Bibles as there was but one copy of |
| e 2,000 volumes including American hymnals and | psalm books from the 18th and 19th centuries. |
| ame a competitor of sorts of Magnus Landstad's | psalm books, and was officially released in 1874 as |
| most general definition of a responsory is any | psalm, canticle, or other sacred musical work sung r |
| Four | Psalm Chants (SATB), 2 in York Minster Psalter (1993 |
| ords Lead, Kindly Light), and various Anglican | psalm chants. |
| This | psalm, commonly known as Mizmor Shir, is a part of d |
| Authorship of | Psalm cx, 1892 |
| (Concerto for Double Bass), Vittorio Giannini ( | Psalm CXX), Alec Wilder (Sonata for Double Bass and |
| In the | psalm, David pleads with God to punish him gradually |
| There, his motet, a setting of the | Psalm Domine Deus, was performed at a celebration of |
| Officially established in 1996 | Psalm Drummers (a gathering of Christian drummers an |
| Psalm Drummers network remains active and are now ov | |
| Verses 12-17 praise the might of God; the | psalm ends (verses 18-23) by imposing the Lord to re |
| PSALM expected MTPP's potential bidders to come from | |
| athedral, listening to Dean Harcourt quoting a | Psalm, followed by the St. Luke choristers' amen. |
| ati Festival Prize for his setting of the 46th | Psalm, for soprano solo, chorus, and orchestra. |
| Psalm for 9 voices, 5 tpt, 3 trbn, 5 va and bc (Frei | |
| gs from the Old Testament, Epistle, Gospel and | Psalm for each Sunday. |
| The psalms of communal lament are a group of | Psalm Forms from the Hebrew Bible, classified by the |
| Psalms 73 is the 73rd | psalm from the Book of Psalms. |
| Psalms 24 is the 24th | Psalm from the Book of Psalms. |
| modern readers, the culture that produced this | Psalm had a cosmology that viewed the world as flat |
| As of 2009, | PSALM has 21 recognized districts all over the Phili |
| It appears that the spiritual meaning of the | psalm has occasionally been twisted in order to prod |
| he words used to open the recital of the daily | psalm in the Jewish morning prayer service, which be |
| am McPherson is engraved with the Twenty-third | Psalm in Gaelic. |
| The | psalm in Latin, Dixit Dominus, is used in Vespers su |
| The | psalm in its entirety is recited daily during Pesuke |
| Bach reflected the duality of the words of the | psalm in the opening chorus by creating a double fug |
| This particular | Psalm includes a brief vow of thanksgiving in verse |
| could write poetry by publicly paraphrasing a | psalm into verse. |
| Psalm, Introduction, Passacaglia and Fugue in E mino | |
| d in almost (but not quite) every verse of the | psalm is a synonym for the Torah, such as dabar ("wo |
| The message in the | psalm is that the successes of evil are only tempora |
| The entire | psalm is recited in the Arizal's rite of the bedtime |
| The | psalm is referenced by the Christian artist Michael |
| The author of this | psalm is unknown. |
| The message in the | psalm is that the victories of sinners are only temp |
| The message in the | psalm is that one's talents are gifts from God, and |
| y Robert Anson Heinlein, the last line of this | psalm is referenced to depict the potential nature o |
| On all days when Hallel is recited, this | psalm is recited in its entirety, except on Rosh Cho |
| e of the oldest school-based psalms, the Tommy | psalm is sung on speech day and Founders Day (roughl |
| The Latin title of the | Psalm is "Ecce Quam Bonum". |
| the context of its vespers/vigil setting, this | psalm is understood to be a hymn of creation, in all |
| e 16, indicates that, although the bulk of the | psalm is a prayer for the destruction of the enemies |
| This | psalm is one of about a dozen alphabetic acrostic po |
| The | psalm is recited in its entirety as a part of daily |
| The message of the | psalm is that the sufferings of the righteous are fo |
| On all days when Hallel is recited, this | psalm is recited in its entirety. |
| The gittis in the | psalm is described as a musical instrument. |
| Psalm is an album by ex-Iona drummer Terl Bryant rel | |
| The beginning of each | psalm is indicated by an ornamented initial in uncia |
| As a religious song, this | Psalm is commonly invoked in times of hardship. |
| The | Psalm Killer |
| water ("Deus qui humanae substantiae") and the | psalm Lavabo, which the priest says when he washes h |
| he preached a sermon in Rochester Cathedral on | Psalm liiiv. |
| him and the other ruling officers, do read the | psalm, line by line, before the singing thereof. |
| In Catholic churches, the | Psalm may be sung after the blessing at the devotion |
| the antiphon Exsultabunt Domino, and then the | psalm Miserere is recited or chanted in alternate ve |
| It is a | psalm of thanksgiving, was written by King David upo |
| Rootham: For the Fallen, Miniature Suite, The | Psalm of Adonis, City in the West, The Stolen Child |
| ...Psalm of praise, on the tongue of the fou[rth]...[P | |
| ng a full-fledged English song in the film: 'A | Psalm of Life', written by Henry Wadsworth Longfello |
| A | psalm of life (Text: Henry Wadsworth Longfellow) |
| jes' Old Jerusalem (Naxos) and Hugo Weisgall's | Psalm of the Distant Dove (Naxos). |
| form of beautiful Eochaid/An ascending poetic | psalm of happy aspect/eochaiss that he does not appr |
| Is the | psalm of the day for the Shir Shel Yom on Friday. |
| It was one of the most famous settings of that | psalm of the entire Renaissance, was hugely influent |
| Is the | psalm of the day in the Shir Shel Yom for Sunday. |
| Is the | psalm of the day in the Shir Shel Yom for Monday. |
| so, a book of his drawings depicting the "23rd | Psalm of David" was illustrated and published in 193 |
| The first three verses are part of the | psalm of the day for the Shir Shel Yom on Wednesday. |
| He preached a sermon on 122 | Psalm on 15 December, an early honor given to him by |
| Modern | Psalm, op. |
| ersicle, an antiphon and the Venite or another | psalm or canticle. |
| After this is the “Apocryphal | psalm”, Psalm 151. |
| As a penitential | psalm, Psalm 50 (using the Septuagint numbering) is |
| This | psalm recounts the sorrow of the Jews during the Bab |
| , motets of Reger, Reubke's Sonata on the 94th | Psalm, Reger-Chor, Monika Fuhrmann (soprano), instru |
| It's the last line of the | Psalm satire, "make the bugger's eyes water," that m |
| The English | psalm setting Blessed art thou that fearest God (a5) |
| new repertoire of hymn tunes and responsorial | psalm settings as evidenced by the proliferation of |
| ekens of Clemens non Papa, which were metrical | psalm settings in Dutch, using the tunes of popular |
| ollections of ritual music, and collections of | psalm settings and paraphrases. |
| madrigals in a more serious style, as well as | psalm settings, motets, and ceremonial music. |
| He also wrote | psalm settings, and "sacred concertos" in the concer |
| and include introits, alleluias, magnificats, | psalm settings, and works relating to the Passion. |
| covered in Chiquitos, Bolivia: two Masses, two | psalm settings, three Office hymns, a Te Deum laudam |
| motets, as well as his Magnificat and Vespers | psalm settings, probably as a result of the years he |
| d music, which consists of masses, motets, and | psalm settings, Pallavicino shows the influence of t |
| ius wrote motets, masses, Magnificat settings, | psalm settings, hymns, and a splendid setting of the |
| ore modern musical settings, worship songs and | psalm settings. |
| struments is suggested in the edition of Mes's | Psalm settings. |
| his first published hymnbook, The New England | Psalm Singer. |
| ues: sometimes, he used the original tune of a | Psalm Song from the collection published in 1540 in |
| Is this | psalm still considered an individual psalm? |
| s some sacred songs influenced by the Huguenot | psalm style; he is not known, however, to have conve |
| ic Psalter of the 2nd century, a collection of | Psalm texts in hymn form reflecting a Gnostic theolo |
| word "son" is also used in verse 7 of the same | Psalm, that "son" is used to refer to Messiah in bot |
| finally, in the 52nd and closing verse of the | Psalm, the Psalmist's tone changes once again, when |
| Cistercian monk who composed in 1841 the Swiss | Psalm, the present Swiss national anthem. |
| While the reader chants the | psalm, the priest stands outside the closed Royal Do |
| a Viking raid, a group of monks sang the 51st | Psalm, the Latin version of which includes the words |
| the two verses of the doxology are set on the | psalm tone for four parts, with all instruments play |
| iginal German Magnificat, and the music to the | psalm tone, played by oboes and trumpets as the cant |
| The associated | psalm tones are indicated by number and ending pitch |
| associated with the harmonization of Gregorian | psalm tones, it is based on root position triads and |
| After it was decommissioned, | PSALM tried to auction the plant and the two-hectare |
| y recognized group of variations on a metrical | psalm tune ("O Lord in thee is all my trust"). |
| ‘A History of the Old Hundredth | Psalm Tune,' with specimens, 1854; in which work he |
| f hymns and psalms including: "A Collection of | Psalm Tunes with a few Anthems and Hymns Some of the |
| ries; Lutheran tunes; Old English and Scottish | psalm tunes of 16th-17th centuries, and old French p |
| of Solomon for three Voices, and six favourite | Psalm Tunes, with an Accompaniment for the Organ,' L |
| rst collection of psalmody, A set of hymns and | psalm tunes, was published in London in 1781, and a |
| The | Psalm uses a variety of imagery, memorably in verse |
| The Invitatory is the | psalm Venite exsultemus, traditionally numbered 94 i |
| m the norm in that they precede their stichos ( | psalm verse) rather than follow. |
| known as stichera, which are normally tied to | psalm verses in the Daily Office. |
| In direct psalmody, | psalm verses are sung without refrains to simple, fo |
| The opening chorus on three | psalm verses and two lines from Luther's Tedeum is a |
| ke other stichera, which normally follow their | psalm verses, the aposticha are unique in that they |
| The 24th | Psalm was read by Hon. |
| David's supposed intention in writing the | psalm was that it would be for anyone suffering from |
| The | psalm was written by the sons of Korach after recogn |
| The | psalm was written as a motet by composers such as Je |
| ote another anthem called Anthem from the 97th | Psalm, which was later known as Liverpool, and anony |
| hymn... Luther is after the point of the whole | Psalm, which is that God is a place of refuge in tim |
| t, and then the identity of the author of this | psalm, who he was. |
| ustrate-often not very closely-passages from a | psalm, with thin red lines drawn between miniature a |
| Hauge was also a | psalm writer. |
| Then when and why was this | psalm written? |
| ed his foreword with the first seven verses of | Psalm XLVI from which they drew their title. |
| tto Deus Noster Refugium Et Virtus, taken from | Psalm XLVI, which is Latin for 'God is our refuge an |
| The hymn is founded on | Psalm xxiii (Vulgate), 7-10; Psalm cxvii, 26; Matt. |
| Psalm xxix, Op. 39, 4 male vv | |
こんにちは ゲスト さん
|
ログイン |
Weblio会員(無料)になると
|
こんにちは ゲスト さん
|
ログイン |
Weblio会員(無料)になると
|