意味 | 共起表現 |
「PolyGram」の共起表現一覧(1語左で並び替え)
該当件数 : 117件
ecords, in early 1999-per the merger of A&M's | PolyGram parent and Universal Music Group. |
was shut down after Universal Music absorbed | PolyGram and chose to reserve the Decca name for class |
niversal Music Group after Universal acquired | PolyGram Records in 1998 and albums are now distribute |
In 1998, Seagram acquired | PolyGram from Philips and merged it with its music hol |
After | PolyGram later purchased Pickwick in 1977, it took ove |
In 1997, all | PolyGram units still using the Phonogram name were ren |
later called a "bidding war" between Sony and | PolyGram. |
ing artist for Warner Bros., Curb Records and | Polygram from 1980-1992 and exclusive songwriter for S |
hers Sony Music Entertainment/Sony Wonder and | PolyGram. |
s produced during the early 1980s for EMI and | PolyGram launched hit singles in Taiwan and Southeast |
nd & Fire in 2001 on Image Entertainment, and | Polygram Video. |
te, LP, VHS and Laserdisc, on Verve Video and | PolyGram. |
Best of the Jazz Vocalists (Various Artists) | PolyGram - 1992 |
called Exclusively for My Friends as well as | Polygram Records releasing Exclusively for My Friends: |
Starting as an A&R representative at | PolyGram Records, where he rose to the ranks of Senior |
In 1987 Larry L. Lash at | PolyGram Records, which had purchased the MGM catalogu |
Recording mastered at | PolyGram Studios. |
During his spell at | PolyGram, Cook launched the short-lived 'Redial' re-is |
Polydor became | PolyGram in 1978. |
ram Records joint venture, which later became | PolyGram. |
packages for such record labels as Sony, BMG, | PolyGram, and a wide variety of independents. |
ndustry at major labels such as Warner Bros., | Polygram, Sony, and Universal Records, Electro Illusio |
980 (the latter acquisition basically brought | PolyGram full circle, see the HDD section above). |
film was to have been originally released by | PolyGram Filmed Entertainment, but was sold to Sony Pi |
ng in the local scene, the band was signed by | Polygram becoming the first Puerto Rican rock band to |
90, shortly after its parent was purchased by | PolyGram Records. |
It was released by | Polygram subsidiary Stardog/Mercury Records after the |
Initially Far Gone was to be released by | PolyGram Records but due to contractal problems with S |
1980s, Casablanca was bought out entirely by | Polygram Records, and Summer had returned to them for |
3 and was released as a sell-through video by | PolyGram. |
el was John Cougar Mellencamp, distributed by | PolyGram in the US, and WEA in most other countries. |
First released by | Polygram (Australia) in 1996, and based on an original |
It was released in 1985 by | PolyGram Records. |
They were signed by | Polygram and scored a local Swedish hit with the singl |
at first by Decca Records and, after 1976, by | PolyGram (which bought out Decca in 1980). |
It was released on a CD in 1994 by | Polygram records, and sold thousands of copies worldwi |
This album was re-mastered and re-released by | Polygram in 1984 and is currently available on cd. |
nca Records after the label was bought out by | Polygram Records (now Universal Music). |
on the EmArcy label, but reissued in 1990 by | Polygram. |
551099-2) featuring 16 tracks (distributed by | PolyGram International). |
1997: Good Vibes: Remixes, CD, | PolyGram Slovakia, #539 531 |
n the Sony Classical, Naxos, Newport Classic, | Polygram, Albany, Musical Heritage Society and Crystal |
ant Philips-owned Phonogram Records to create | PolyGram in the US. |
lington, Sondheim a.o.; E.A., Louis van Dijk, | Polygram Classics. |
RooArt releases were distributed | PolyGram until 1991, then by Warner Music Australia, u |
For example, | PolyGram Filmed Entertainment purchased the underlying |
as formerly the UK jazz catalogue manager for | PolyGram (1992-97) and also produced albums by the tru |
um Records Records and later Art Director for | PolyGram Records, Michael Schanzer, later Stephen Klin |
cally before taking a job as a songwriter for | Polygram Records in 1997. |
Gramercy Pictures (not related to the former | PolyGram division) and released by United Artists. |
UK, Levy set up M&G Records with backing from | Polygram. |
e were official Japanese releases (again from | Polygram) in the late 90's and early 00's, but the nex |
In 1997, Blackwell resigned from | PolyGram after struggling with what he saw as restrict |
there was an official CD release from German | Polygram in 1992, this was deleted fairly quickly, lea |
honogram was merged with Polydor Records into | PolyGram. |
In 1985, De-Lite was absorbed into | PolyGram sublabel Mercury Records, Kool and the Gang t |
1987 Jacky | Polygram |
Bitt (Audun Kleive) ( | Polygram 5365832) 1997 |
ake it able for artists on their record label | PolyGram to record in a professional environment. |
Sweet was actually distributed by major label | Polygram Records. |
He has recorded for the major record labels | Polygram and Mercury. |
companies included five major overseas labels | Polygram, EMI, RCA, CBS and Warner and Australia's lea |
1997 Mar: | PolyGram 88 Superb Sound Quality Series Denon Masterso |
The name | PolyGram is a portmanteau of Polydor and PhonoGram. |
with Musician Ltd, a short-lived sublabel of | Polygram Hong Kong, and in the following years release |
Following Universal Music Group's takeover of | PolyGram, it purchased the remaining interest of Def J |
Mercury, another division of | Polygram and a sister company to Casablanca, released |
a deal with Mercury Records, a subsidiary of | Polygram Records, and released their self-titled effor |
n 1991 he was made Chief Executive Officer of | Polygram Disques, the leading company in France with m |
on the Universal Music Group's acquisition of | PolyGram in 1998, GRP became one of a series of labels |
rking Title's status following the breakup of | PolyGram Filmed Entertainment. |
r Michael McNamara about the rise and fall of | PolyGram Filmed Entertainment (PFE), the company that |
they in "corporate limbo" due to the sale of | Polygram to Seagram's corporation earlier in 1998. |
It was a subsidiary of | PolyGram Records and the film company Cinema City. |
Atlanta Artists was a sub-label of | Polygram Records founded by Larry Blackmon of the grou |
Following UMG's acquisition of | PolyGram in 1998, Geffen Records and A&M Records were |
ll soundtrack on a 2 disc set was released on | PolyGram Records on March 25, 1997. |
vy metal band Sir Lord Baltimore, released on | Polygram in 1994 and on Red Fox in 2003. |
The set was released on | PolyGram Slovakia in 1997. |
us album by Art Bergmann, released in 1991 on | Polygram Records. |
It was later released in the United States on | Polygram Records with some changes in the track list. |
1980, Argo was dropped by Decca's new owners, | PolyGram and Argo's owner, Harley Usill, started a new |
The Art of the Song ( | Polygram, 1999) |
Be My Valentine and 2 other stories ( | Polygram Cinar 1993, 1994, 1995) |
was also released in the US and Canada on the | Polygram Vertigo label, on a 2-set 12" single, which i |
s label, which quickly led to a deal with the | PolyGram subsidiary London Records. |
Trade Distribution, Food licenced acts to the | Polygram offshoot London and Warner's WEA Records, bef |
Their initial releases were on the | Polygram satellite Talkin' Loud record label headed by |
W. McCall in 1991 (see 1991 in music), on the | PolyGram label. |
1985 on vinyl and cassette in the U.S. on the | PolyGram Records/Mercury Records label, but failed to |
hat featured in the film (although not in the | Polygram souundtrack) "Amerikkka We Hate You", "Destro |
that Universal had already owned prior to the | PolyGram merger, except for what was once the jazz hol |
Island Records, and before the merger of the | PolyGram and MCA label families that became Universal |
It was later re-released on the | PolyGram label. |
e band was offered a two record deal with the | Polygram Group and signed with Polygram's Mercury Reco |
sed December 16, 1997 and distributed through | Polygram Records, Hip Hop Hits Volume 1 features eight |
The VHS was published in the USA through | PolyGram Video. |
1996 (the parent of both labels at the time, | PolyGram, decided to consolidate all Nashville operati |
Jerry Moss both agreed in 1987 to sell A&M to | PolyGram Records for a reported $500 million. |
Anderson in 1989, after he sold the label to | PolyGram. |
1989, Chris Blackwell sold Island Records to | PolyGram, which, in 2000, became a subsidiary of the U |
ore his death, sold the rights to the film to | PolyGram, although it has been reported that Universal |
Island World was sold to | Polygram at the end of 1994, but Heyman retained contr |
Four months later, negotiations led to | Polygram gaining production and image rights. |
In early 1989 the band signed to | PolyGram subsidiary Mercury Records. |
The label passed to | PolyGram, when the conglomerate acquired British Decca |
Under | Polygram, the band released their self-titled debut al |
ailable in the UK for another ten years until | PolyGram released an expanded edition of Dusty in Memp |
records were distributed by A&M Records until | PolyGram purchased A&M in 1989. |
ll the Kids Are Right", but this changed when | Polygram, the parent label of Island, merged with Univ |
ase was the first title for Screen Gems while | PolyGram (now part of Universal Studios) handled forei |
th EMI and a major label record contract with | Polygram Records. |
ry Records label, as her previous albums with | Polygram Greece were Polydor Records items. |
The record label's subsequent liaison with | Polygram Records saw the group gain worldwide audience |
igned a songwriting and development deal with | PolyGram Publishing and formed pop band Lucie Gamelon, |
t album, he entered a recording contract with | Polygram. |
She signed a solo deal with | Polygram Records in 1988, but her debut album was neve |
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