「Post Punk」の共起表現(1語右で並び替え)

Weblio 辞書 > 英和辞典・和英辞典 > Post Punkの意味・解説 > Post Punkに関連した共起表現

意味

例文

共起表現

「Post Punk」の共起表現一覧(1語右で並び替え)

該当件数 : 144件

These bands together spawned the emerging	postpunk and Goth movements that still resonate today.
yles influenced by the albums were New Wave,	post-punk and industrial.
The album contains a mixture of	post-punk and electronic styles, roughly divided betwe
nd elements of Kosmische musik, Italo Disco,	Post-Punk and Shoegaze.
Wave) is an outgrowth of British punk rock,	post-punk and New Wave which appeared in the mid-to la
n, known for being the singer and bassist of	post-punk and electronic band Section 25.
th West: Liverpool & Manchester from Punk to	Post-punk and beyond (Korova), an overview of the punk
and instrumental music but it was indie pop,	post-punk and American girlie pop melodies from the 19
Though they originally played	post-punk and new wave, the group came to be influence
It recorded and released Boston area	post-punk and garage rock bands in the early 1980s, in
en previously employed as a musically ironic	post-punk and garage rock aesthetic.
ded, they were more closely aligned with the	post-punk and art-rock community which spanned groups
Reed's original lyrics but features a noisy,	post-punk arrangement.
d elements of trip-hop, dance smoothness and	post-punk avant-garde textures).
Michael Clark (dancer) (born 1962), British	post-punk ballet dancer
His friendship with British	post-punk ballet dancer Michael Clark led to a series
Circus Mort was a	post-punk band from new York.
In 1978, after being in	post-punk band Manicured Noise, he formed another post
and his brother Graeme Jefferies formed the	post-punk band Nocturnal Projections.
az Coleman, vocalist and frontman of English	post-punk band Killing Joke.
Pigeon Religion were an American	post-punk band formed in 2008 in Phoenix, Arizona.
As a typical	post-punk band mittageisen developed their own individ
e and his brother Peter Jefferies formed the	post-punk band Nocturnal Projections.
"She's Lost Control" is a song by British	post-punk band Joy Division.
d Laughing" was the debut single by Scottish	post-punk band Orange Juice.
Fukd ID #3 is the debut EP by New York	post-punk band Interpol.
ment Nue Au Soleil is a 12" EP by Manchester	post-punk band Ludus.
7-1980 is a singles compilation album by the	post-punk band Joy Division, released on Factory Recor
Connell played in the Manchester	post-punk band The Immediates, before joining new wave
ge is the second EP released by the American	Post-Punk band Savage Republic, released in 1985 throu
er, co-founder and main force behind English	post-punk band The Chameleons.
Pink Industry were a	post-punk band from Liverpool formed by Jayne Casey af
Joke Live is the first live recording of the	post-punk band Killing Joke to be commercially distrib
second studio album released by the American	Post-Punk band Savage Republic, released in 1985 throu
The British	post-punk band Joy Division used an image of CP 1919's
Biting Tongues were a	post-punk band formed in Manchester, England in 1979,
The episode featured a performance from	post-punk band Nine Below Zero and a first appearance
Swans are an influential American	post-punk band initially active from 1982 to 1997, led
The Psylons were a UK	post-punk band formed in Portsmouth 1984 by Keith Wyat
from Ko de mondo, the debut album of Italian	post-punk band Consorzio Suonatori Indipendenti.
in New York and played with a local electro	post-punk band called The Futants (along Defunkt keybo
Give Me Everything is the third single by	post-punk band Magazine, released on November 17, 1978
The song Chop That Child In Half by	post-punk band The Mekons includes a reference to "the
ecade, she co-founded Le Tigre, the feminist	post-punk band whose members include ex-Bikini Kill si
ugo Burnham was a founding member of English	post-punk band Gang of Four on drums and percussion, h
Bullet LaVolta was a	post-punk band from Boston, Massachusetts that was ori
The seminal	post-punk band Joy Division (at one time called Warsaw
es were previously members of Welsh language	post-punk band Fflaps between 1987-1993, touring Europ
ham and Bowers quit the band to form another	post-punk band around 1979, The Mothmen.
Blue Orchids are a British	Post-punk band formed in Manchester, England in 1979,
(also known as Opposition) is a long running	post-punk band from London, England, that featured Ral
"No, sounds more like 'Rescue Me'!" Scottish	Post-punk band Orange Juice makes reference to The Fou
5-rpm single, and one song from Dunn's 1970s	post-punk band The Fans, "Cars and Explosions."
The Wild Swans are a	post-punk band from Liverpool, England, which original
Echo & the Bunnymen, Bauhaus (band), Artery (	post-punk band) and Comsat Angels.
For the British	post-punk band, see Bomb Factory (UK band).
"10:15 Saturday Night" is a song by British	post-punk band, The Cure.
in 1978, The Raincoats became an all female	post-punk band, when joined by Palmolive of The Slits
The Raincoats are a British	post-punk band.
Rank and File, Blackbird were an electronic	post-punk band.
le Giants, an early 1980s British minimalist	post-punk band.
The label showcased a number of	post-punk bands from the South Bay area of southern Ca
realm of 1960s psychedelia to such punk and	post-punk bands as Television Personalities and The Je
ame known as a place for new wave, punk, and	post-punk bands to play.
The second generation of British	post-punk bands that broke through in the early 1980s,
"Can't Stop It", a compilation of Australian	post-punk bands from '78 to '82, released by Chapter M
clude late 1970s and early 1980s new wave or	post-punk bands, and during live sets HMHB have perfor
and musically-mature of Melbourne's punk and	post-punk bands.
Four, considered among the most influential	post-punk bands.
them as “a shambling wreck of a psychedelic	post-punk band”.
“Some sort of	post-punk bollocks, I guess, which meant a lot to me b
music compilations, including Rhino Records'	Postpunk Chronicles and Just Can't Get Enough: New Wav
As part of New York's	Post-Punk dance scene they regularly played alongside
ul, electro boogie, early rap, new wave, and	post-punk disco.
eal-life snapshot of ultra-hip subculture of	post-punk era Manhattan.
om the birth of rock and roll in 1955 to the	post-punk era of the late seventies, and charted socia
sm, and the counter-cultural impulses of the	post-punk era would create fertile soil for the inspir
w” had nationwide repercussions, fueling the	post-punk era and the second coming of garage rock.
re a British band, active briefly during the	post-punk era, composed of Martin Kent, Stephen Kent,
that would be heavily mined by others in the	post-punk era.
from The Sierra Madre, CA area known for its	post-punk ethereal sound and lyrics evocative of the N
iews have said that the album has a stronger	post-punk feel than prior albums.
g TV programmes and networking with numerous	post-punk figures including Paul Weller and Echo & the
reman's sets span a range from soul music to	post-punk, girl group sounds and psychedelic.
on is the first full-length LP by Manchester	post-punk group Ludus.
Fflaps was a Welsh	post-punk group in the late 1980s and early 1990s.
...And the Native Hipsters was an English	post-punk group formed in London in 1979.
ling was the final LP released by Manchester	post-punk group Ludus.
Matter Irene? is the first disc released by	post-punk group The Mothmen, on Absurd Records, in 197
the fifth studio album album by the British	post-punk group Wire.
Back (properly spelled Laidback) is a Danish	Post-punk group formed in Copenhagen by John Guldberg
In 1982,	post-punk group The Fall took to performing a medley i
rbato became members of the prolific British	post-punk group The Fall, and are both featured promin
Echo & the Bunnymen are an English	post-punk group, formed in Liverpool in 1978.
tionate Punch is the first album by Scottish	Post-Punk group, Associates.
ees is the first album released by, English,	Post-punk group, And Also The Trees.
ite was the subject of a song by the British	post-punk group, The Fall, in 1986, entitled Terry Wai
ted as a significant influence on subsequent	post-punk groups such as Sonic Youth, and The istics.
Their sound was made by mixing	post-punk, hardcore punk, metal, and space rock.
Formed in 2007, they are a blend of	post-punk, hardcore and metal, with lyrics drawing hea
trock) and such later experimental genres as	post-punk, industrial music, post-rock, and noise rock
n be categorized as a blend of noise pop and	post-punk, influenced by Sonic Youth, Built to Spill,
Blending new wave and	post-punk influences (particularly Nick Cave and the B
ct Life" is far more angular and has obvious	post-punk influences.
nolds on krautrock, Peter Shapiro on disco &	post-punk, Kodwo Eshun on house, David Toop on hip hop
litan, NBC News correspondent Pete Williams,	post-punk laptop rapper MC Lars, and a bevy of sportsc
Writz became a fixture on the	post-punk London scene, headlining at major venues inc
The Visit is the debut EP by	post-punk Manchester group Ludus.
A Frames is a	postpunk, noise rock band formed in Seattle, Washingto
tense, cathartic fusions of hard rock, funk,	post-punk noise, and jazz experimentalism, with Rollin
ing received favorable press for the melodic	post-punk of Echelons, For Against released a follow-u
luences into a sound that harked back to the	post-punk of Wire and The Cure as well as the experime
c combines the precision tension-and-release	post-punk of Mogwai with the lush, hypnotic grind of M
The title is a nod to John Lydon's	post-punk outfit Public Image Ltd. Earlier the same ye
Following the end of his former group, 1980s	post-punk outfit Felt, Lawrence moved into different t
Its outlook and coverage is	post-punk, particularly the emphasis on 'blank generat
They have been described as	post-punk, post-hardcore, experimental/indie rock and
Die Haut were an experimental German	post-punk post-rock band, who enjoyed some local succe
a new direction, with heavy influences from	post-punk, psychedelic rock and noise, whereas Very (2
t in music as one of the founding members of	post-punk quartet The D'Urbervilles, where he was know
is the 2005 album released by Detroit-based	Post-punk revival band, Thunderbirds Are Now!
self-titled fourth studio album by New York	post-punk revival band Interpol.
Also relates well to more contemporary	post-punk revival artists like Bloc Party, The Futureh
d by the 1960s British Invasion movement and	post-punk revival of the new millennium.
And sorry, I don't think I've heard	post-punk revival.-thegreentrilby
Thelonious Monster is a	post-punk rock band from Los Angeles, led by singer-so
e influences also come from the 80's no-wave	post-punk scene and the early 80's golden era of hip-h
accompanied by key members of the Melbourne	post-punk scene, most of whom had previously collabora
970s and early 1980s by British bands of the	post-punk scene, including the Teardrop Explodes, Echo
ok by David Byrne and others on the New York	post-punk scene.
A major influence on the Brazilian	post-punk scenery, the band was characterized by its d
nal version, "Overground" was presented as a	post-punk song which matches the musical style of The
ling and Laughing" marked a new shift of the	post-punk sound in general, by using themes that were
Maanam featured an energetic, guitar-centred	post-punk sound.
Their rhythmic	post-punk style had been compared by critics to Joy Di
s fun displays of degenerate art, ideas, and	post-punk styled songwriting.
ed by Melody Maker with coining "rockism", a	post-punk term used to describe anything considered to
ds eventually delved more into glam rock and	post-punk territory as their releases progressed.
al arrangements that had more in common with	post-punk than hardcore bands like Black Flag.
en in The Pack, and from 1980 to 1982 in the	post-punk Theatre of Hate with its album Westworld and
Slowdive, Spiritualized, and Ride as well as	post-punk touchstones like New Order and the Jesus and

共起表現

「Post Punk」の共起表現(1語右で並び替え) - Weblio英語共起表現検索

「Post Punk」の共起表現一覧(1語右で並び替え)