「Prokofiev」の共起表現一覧(1語右で並び替え)
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| They gave | Prokofiev a notebook of Jewish folksongs, and Prokofie |
| In Sergey | Prokofiev and his world, ed. |
| Both | Prokofiev and Shostakovich came under particular scrut |
| Music included Visions fugitives by | Prokofiev and Alfred Schnittke's First Symphony. |
| There he also played for Sergei | Prokofiev and performed with pianist Vladimir Horowitz |
| sky, Debussy, Ravel, Scriabin, Rachmaninoff, | Prokofiev and other composers. |
| In addition to Sergei | Prokofiev and Gustav Holst, film composer John William |
| Younger composers such as | Prokofiev and Shostakovich eventually considered his m |
| ly to his contemporaries Scriabin and Sergei | Prokofiev, and had studied Scriabin's works to prepare |
| ch as Maurice Ravel, Richard Strauss, Sergei | Prokofiev and Paul Hindemith, but Korngold was one of |
| er member of the Scratch Orchestra), Gabriel | Prokofiev and Nicholas Bullen (ex-Napalm Death and Sco |
| h composers as Handel, Schubert, Mussorgsky, | Prokofiev and Shostakovich. |
| e mannerisms of the Russian composers Sergei | Prokofiev and Dmitri Shostakovich, but its instrumenta |
| horns and so on' and described it to Sergei | Prokofiev as being 'as massive as if it were made of i |
| eived its premiere in New York in 1920, with | Prokofiev at the piano. |
| mired the composers: Rachmaninoff, Scriabin, | Prokofiev, Beethoven and Schumann. |
| mon Mayr and the romantic period to Puccini, | Prokofiev, Britten, Poulenc, Menotti and Rocca; from a |
| After the premiere, | Prokofiev commented that neither he nor the audience u |
| Sergei | Prokofiev composed the score. |
| Sergei | Prokofiev composed Semero ikh (1917-18; rev. |
| Prokofiev composed music to Part 1 in 1942-44, and to | |
| During 1928-29 | Prokofiev composed what was to be the last ballet for |
| April 23 - Sergei | Prokofiev, composer (d. |
| cluding an orchestral debut recording of the | Prokofiev concerti with Gerard Schwarz and the Seattle |
| DJ Yoda - 'G | Prokofiev Concerto for Turntables & Orchestra' (Nov 20 |
| Prokofiev dedicated his first piano concerto to the "d | |
| Prokofiev dedicated the sonata to his friend and fello | |
| Prokofiev dedicated it to Mstislav Rostropovich, who p | |
| erto written for him, by Igor Stravinsky, so | Prokofiev did the same for Soetens. |
| rests included T. S. Eliot's The Waste Land, | Prokofiev, Duke Ellington, Gregorian chants, and the b |
| ore her final act in War and Peace by Sergei | Prokofiev, during the troupe's tour in Moscow. |
| Prokofiev employed different sections of the orchestra | |
| ted by the cellist, though the blame fell on | Prokofiev for writing a "soul-less" concerto. |
| Prokofiev had described of it as "a serious piece of w | |
| Prokofiev had liked the finale so much that he transcr | |
| concerto was seldom played afterwards, until | Prokofiev heard Rostropovich play it at a 1947 concert |
| It was first named by | Prokofiev in 2005, and might feed on crustaceans. |
| The Eleventh Thesis was used by Sergey | Prokofiev in his Cantata for the 20th Anniversary of t |
| performed all five piano concertos of Sergei | Prokofiev in one concert. |
| , Op. 67, is a composition written by Sergei | Prokofiev in 1936 in the USSR. |
| is a piece for solo piano, written by Sergei | Prokofiev in 1912 and debuted by the composer on Decem |
| Composition Competition (Athens, Greece); S. | Prokofiev International Composition Competition (Mosco |
| g, where it has been repeatedly conducted by | Prokofiev interpreter Valery Gergiev. |
| Prokofiev later extracted an orchestral suite (Op. | |
| Prokofiev later wrote that Saradzhev "realized splendi | |
| ed music by Johann Sebastian Bach and Sergei | Prokofiev; lyrics from the works of Rudyard Kipling, F |
| In 1930 | Prokofiev managed to persuade Leopold Stokowski to giv |
| ory also included works by such composers as | Prokofiev, Mozart, and Puccini. |
| omeo + Juliet on New York City Ballet to the | Prokofiev music. |
| They were premiered by | Prokofiev on April 15, 1918 in Petrograd, Soviet Union |
| e (Russian: Иван Грозный) is music by Sergei | Prokofiev originally composed for the Sergei Eisenstei |
| Sergei | Prokofiev: Overture on Hebrew Themes |
| Sergei | Prokofiev: Peter and the Wolf. |
| To express his mourning for his friend | Prokofiev, Poulenc uses the extremes of the oboe. |
| he Orchestra's notable premieres were Sergei | Prokofiev Prokofiev's Piano Concerto No. 1 in D-flat m |
| tal discs of Bach, Beethoven, Chopin, Liszt, | Prokofiev, Rachmaninoff, and Schumann. |
| endelssohn, Mussorgsky, Mozart, Ovchinnikov, | Prokofiev, Rachmaninoff, Reger, Schnittke, Schubert, S |
| , Liszt, Mendelssohn, Schumann, Tchaikovsky, | Prokofiev, Rachmaninov, Ravel and Poulenc under the di |
| Prokofiev refused to pay Balanchine royalties for his | |
| Her work on | Prokofiev resulted in intensive work in Moscow, St Pet |
| Prokofiev: Romeo and Juliet with Philip Bush, piano (2 | |
| He has recorded major pieces by Rachmaninov, | Prokofiev, Schumann, Scriabin, and Tchaikovsky. |
| certos such as Haydn, Dvorak, Shostakovitch, | Prokofiev, Schumann, and Tchaikovsky. |
| Among her students were Sergei | Prokofiev, Sergei Tarnowsky, Maria Yudina, Isabelle Ve |
| ch as Jascha Heifetz, Mariss Jansons, Sergei | Prokofiev, Sergei Rachmaninoff, Dmitri Shostakovich, V |
| composers such as Alexander Glazunov, Sergei | Prokofiev, Sergei Rachmaninoff and Igor Stravinsky and |
| Sergei | Prokofiev set about composing his Piano Concerto No. 1 |
| f Cambridge researching the operas of Sergei | Prokofiev; she completed her PhD in 1970. |
| n Hurt attended the premiere along with Oleg | Prokofiev, son of composer, Serge Prokofiev. |
| Prokofiev: Sonata in C major; Shostakovich: Sonata in | |
| hildren's story (with both music and text by | Prokofiev), spoken by a narrator accompanied by the or |
| The Elysian Quartet - 'Gabriel | Prokofiev String Quartet No.2' (July 2007) |
| Prokofiev Symphony No 3, Paris, 17 May 1929 | |
| mphonic works of Mahler, Bruckner, Scriabin, | Prokofiev, Tchaikovsky, and Berlioz. |
| Of the five piano concertos written by | Prokofiev, the Piano Concerto No. 3 in C major, Op. 26 |
| used in the First Violin Concerto of Sergei | Prokofiev, this design is also evident in the concerto |
| itionally none of the leading biographies of | Prokofiev, those written by Harlow Robinson, Victor Se |
| , Op. 81, is an opera in five acts by Sergei | Prokofiev to a libretto by Sergei Prokofiev and Valent |
| ) (Op 37) is an opera in five acts by Sergei | Prokofiev to a Russian libretto by the composer, based |
| , sometimes arranged as five acts, by Sergei | Prokofiev to a Russian libretto by the composer and Mi |
| Prokofiev transformed the work into a violin sonata at | |
| Prokofiev: Violin Sonatas 1 & 2, Music for Violin and | |
| of the series, as well as a recital disc of | Prokofiev, Wagner and Franck, with Marina Piccinini, h |
| is first recital, pairing works of Haydn and | Prokofiev, was received with hostility by British crit |
| Sergei | Prokofiev's Violin Sonata No. 2 in D Major, Op. 94 bis |
| Prokofiev was on a concert tour with Robert Soetens wh | |
| Prokofiev was also working on his opera War and Peace, | |
| Op. 2, which was dedicated to the memory of | Prokofiev, who had died that year. |
| on of the 1936 musical composition by Sergei | Prokofiev, with narration by actor Sterling Holloway. |
| Prokofiev won the Anton Rubinstein Prize for his piani | |
| Prokofiev wrote the score, based on a scenario by Geor | |
| Sergei | Prokofiev wrote the symphonic suite The Year 1941 (Op. |
| Sergei | Prokofiev wrote his String Quartet No. 1 in B minor (O |
| Sergei | Prokofiev wrote the Overture on Hebrew Themes, Op. 34, |
| Prokofiev wrote it after the first performance of his | |
| er misgivings he had about them in private), | Prokofiev wrote a series of "mass songs" (Opp. |
| In a letter to Nikolai Myaskovsky, | Prokofiev wrote: I have made the music so complex to s |
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