「RAGA」の共起表現一覧(1語右で並び替え)
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Chakravakam is close to | Raga Ahir bhairav in the Hindustani music. |
Raga Al-Shalawi | |
The | raga alapana of Mohanam was one of his specialties. |
His | raga alapana would be very detailed and stretching l |
He was famous for his elaboration of ragas ( | raga alapana). |
nnada metres using the frame work of Yakshagana | Raga and Yakshagana Tala. |
ng, the musician must abide by the rules of the | raga and should sing kalpanaswaram phrases that have |
ements of classical music namely Sruthi, Swara, | Raga and Thala that comes as a result of several yea |
s rarely sung very elaborately when compared to | raga and pallavi, the reason usually cited for this |
It is a vakra sampurna | raga and an upanga raga characterised by soft, weigh |
Features ragas Puriya Dhanashree, Kedar ( | raga) and Hemant. |
It is a very melodious | raga, and whereas heavy classical genres like Khayal |
Chinna Kannan Azhaikkiraan", set in Reethigowla | raga and sung by Balamurali Krishna became popular. |
Attention can be focussed on the | raga and the presentation of it. |
of strict grammar of music, as codified in the | raga and/or the tala. |
The development of a | raga, any composition or song within raga presuppose |
The composition in this | raga appear on a total of 17 pages from page numbers |
The composition in this | raga appear on a total of 43 pages from page numbers |
The composition in this | raga appear on a total of 10 pages from page numbers |
The composition in this | raga appear on a total of 196 pages from page number |
The composition in this | raga appear on 20 pages from page 537 to 557. |
The gamakas in the | raga are unique in that conversely to the G-M relati |
na Gayaki, the individual swaras (notes) of the | raga are considered not just random points in the sc |
All the swaras used in this | raga are shuddha. |
for those who may not understand the nuances of | raga as they pay attention to meaningful lyrics. |
The " | Raga Sagara", a journal of circa 8th century, descri |
In the | raga, as like bhairav, second (rishabh) tune and six |
Bhairav was an important | raga at the time of Guru Nanak and has continued to |
vadi and samvadi can be crucial in defining the | raga at hand, and in some cases two ragas with the s |
'Kaise Kate Rajni' ( | raga Bageshree, with Protima Banerjee) |
Affiliated with Kafi thaat, it is similar to | raga Barwa. |
s within a structure that interrelates with the | raga being played and within the talam preferred in |
Kahan Ho", duration 3:30 (an interpretation of | raga Bhairavi) included on the Voyager Golden Record |
The songs Sambo Mahadeva Saranam ( | raga Bhupalam); Ananda nadamaaduvaar Thillai ambalam |
is very similar to the modern and very popular | raga Bihag. |
Bilas Khan is said to have created | raga Bilaskhani Todi after Tansen's death; an intere |
"A | Raga Called Pat, Pt. 2" - 8:13 |
the Namosthuthe (on Sun or Surya, in Saurashtra | Raga, Chaturasra Druva Tala) |
Sikh holy Granth (book) there are a total of 31 | raga compositions and this raga is the seventeenth r |
Sikh holy Granth (book) there are a total of 31 | raga compositions and this raga is the twenty-fourth |
Sikh holy Granth (book) there are a total of 31 | raga compositions and this raga is the third raga to |
wala, who was known for his large collection of | raga compositions, including compositions in rare ra |
A Carnatic | raga consists of an ascending and descending scale p |
Raga Darbari Kanhada, Raga Desh (2006) | |
Basant is a very old | raga dating from the 8th century. |
chapters, it deals primarily with the theory of | raga, describes the melas for the classification of |
The texts composed to this | raga describes how complete peace and satisfaction c |
It is similar to | raga Desi (raga). |
wedding, and was lauded for his performance of | Raga Desi. |
Raga Dheerasankarabharanam | |
ham, and shadjam lend particular beauty to this | raga during alapana. |
pana sangeetha', music rich with imagination in | raga elaboration and swara singing, a specialty of h |
eature about his music was his great success in | raga elaboration in great detail. |
The | raga emerges from Bilawal thaat. |
The | raga emerges from Khamaj thaat. |
ith Steve Gorn at a Manhattan restaurant called | Raga, eventually attracting the attention of Miles D |
Not every | raga follows notes down in a strictly decreasing pit |
Today it is the head | raga for one of the ten thatas. |
The movements in the | raga from one swara to another are quite complicated |
a technically challenging approach of shifting | raga from one to another by taking the last note of |
Ramkali is a | raga from Hindusthani classical music which originat |
Songs in abhogi | raga gives extreme pleasure to ears. |
(see Adana is part of the Kanada | Raga group) |
The | Raga Guide is a 1999 Nimbus Records compilation of 7 |
Bor, Joep (1997), The | Raga Guide, Charlottesville,Virginia: Nimbus Records |
So, for instance, if a | raga had the structure S R G m P D N S', S' N D P m |
Legends say that this | raga has the power to bring out rains in the area wh |
Each | raga has standard rules on the types of gamaks that |
Every | raga has a strict set of rules which govern the numb |
Every | raga has a strict set of rules which govern the numb |
Each | raga has an avarohana and arohana. |
Many of the Geethams in this | raga have been composed by Muthuswami Dikshitar and |
The Ragmala gives Basant as a putra (son) of | Raga Hindol, also a spring raga. |
fore the emotive and expressive quality of the | raga in his concerts." |
which also form part of Abheri, like any other | raga in Carnatic music. |
om a foreign league by drafting Mexico's Manuel | Raga in the 10th round. |
rvals correspond to that of the Shankarabharana | raga in Carnatic music, or the Bilaval that of Hindu |
It is also a specific | raga in Khamaj thaat. |
Sri Ragam is an ancient | raga in the Carnatic tradition. |
Malhar is an old | raga in Indian classical music. |
mically free improvisation on the rules for the | raga in order to give life to the raga and shape out |
Jog is a | Raga in Hindustani classical music belonging to Kafi |
An example is Bhairavi | raga in Carnatic music (different from the Bhairavi |
The | raga is of Audav-audav nature, i.e, both it's arohan |
Other than that, the | raga is typically rendered in accordance with the ar |
Taanam Pallavi, and comes immediately after the | raga is sung but before the pallavi is about to begi |
This | raga is performed during the early night time betwee |
The Performance for this | raga is unusually relaxed, some musicians take the l |
The | raga is of audav-shadav nature, i.e, it has five swa |
The | raga is of Sharava-sampurna nature, i.e., in its aro |
The | raga is very close to ragas like Desh, and hence req |
A different view is that this | raga is a janya of Natabhairavi (which has D1, suddh |
'Gurjari | Raga is an Indian classic music Raga, melodic modes |
The | raga is light, long khayals are usually not sung in |
The | raga is to be sung during late night. |
The | raga is an ancient raga, with different genres of cl |
Most notable among the compositions in this | raga is Tyagaraja's Pancharatna Kriti Endaro Mahanub |
The | raga is to be sung during the first quarter of the n |
The vadi of this | raga is pancham and the samavadi is shadaj. |
Jazz | Raga is a classic for its barrier-breaking invention |
A | raga is a complex structure of musical melody used i |
A melakarta | raga is sometimes referred as mela, karta or sampoor |
ical music, the second-most prominent note of a | raga is referred as samvadi. |
This proper time to sing this | raga is supposed to be late night. |
In this ragam certain notes are excluded so the | raga is totally changed. |
eeping in mind, the "lakshana" (swarupa) of the | raga, its jeeva swaras and also the special prayogas |
a and Vikrit Swaras, Alankar, Nad Saptak, Mela, | Raga, Jati, Alap, Tan and Pakar. |
ensemble named Tarang and he is also member of | Raga Jazz group, Arohi Ensemble.He has founded found |
Raga Jog omits both the second interval, Re, and the | |
s famous compositions are Raghu Vamsha Sudha in | raga Kadhana Kuthuhalam and Evari Bodhanna in raga A |
:45) there is a sample of Indian flute music (a | Raga Kafi) which can be heard in the Dutch theme par |
f Vande Mataram, the national song of India, in | Raga Kafi. |
ar Telugu composition of Mysore Vasudevachar in | Raga Kamas |
But some of her performances (notably, 1. | Raga Kaushi Kanara and Raga Majh Khamaj, Surbahar re |
hra Bhagavantham (on Venus or Shukra, in Paraju | Raga, Khanda Ata Tala) |
ion a corpus of thirty-two ragas called battisa | raga, known in Karnataka since since the 12th centur |
ecords in Kolkata (ragas Yaman and Marwa), then | raga Komal re Asavari for RPG/HMV on Tribute to My F |
So with a | raga like Sahana or Anandabhairavi, Purvi Kalyani et |
The newer | raga Madhuvanti was inspired by Multani. |
This changes the whole feel of the | raga, making Sahana a beautiful to listen to Raga. |
In Satyajit Ray's film Jalsaghar, | Raga Malhar is used to link the powers of nature and |
h (1882), a band of yogis sing Vande mataram in | Raga Malhar. |
apable of starting rains using various kinds of | Raga Malhar. |
There are many written accounts of | Raga Malhar. |
(2) Parent | Raga: Malkaus raga |
These include famous kritis like varukalAmO ( | rAga mAnji), varuvArO (sAma) and ennEramum (rAga dEv |
Hennix met La Monte Young and Hindustani | raga master Pandit Pran Nath at the Nuits du Fondati |
Though singing the | raga may seem simple, perfectly rendering the many s |
irst composition "Shri Nathadi Guruguho" in the | raga Mayamalavagowla. |
Raga MechaKalyani | |
Megh Malhar is similar to | raga Megh. |
Ashrayami (on Mercury or Budha, in Nattakurunji | Raga, Misra Jhampa Tala) |
"30 Minut (30 Minutes)" ( | Raga Mix By That Black) 5:54 |
This composition makes use of the | raga mudras in the Sahityam (lyrics) of the song. |
The | Raga Music is a set of pieces composed by notable In |
midable authority on the theoretical aspects of | raga music, which he took great pains to translate a |
Nad Understanding | Raga Music, Bagchee, Sandeep |
mmes on the genesis and evolution of Hindustani | Raga Music. |
pecially his incorporation of ideas from Indian | raga music. |
The | raga Naata has a particularly distinctive use of the |
The | raga name is in the anupallavi. |
Manuel ("Manolo") | Raga Navarro (born March 14, 1944 in Aldama, Tamauli |
ayana Das composed a lyric, entitled Dasa Vidha | Raga Navathi Kusuma Manjari employing 90 ragas in th |
The pakad for a particular | raga need not be unique, its sole purpose is to clar |
However, | Raga never played in the NBA. |
This is neither accepted as a full-fledged | Raga nor is it reckoned among the freely rendered fo |
and started playing with bands like Sawa Teen, | Raga Nova and Nshwa with which he played in importan |
In Malahari, which is janya | raga of 15th melakarta Mayamalavagowla, the avarohan |
In Sahana, a janya | raga of 28th melakarta Harikambhoji, the Avarohana i |
since it is the | raga of spring, it can be considered that the raga h |
re are also some Tamil movie songs based on the | raga of abhogi. |
bly, it takes the lower madhyamam being a janya | raga of Kharaharapriya. |
Kabra became the first Indian musician to play | raga on the guitar, performed publicly, and recorded |
The pakad contains the melodic theme of the | raga, on listening to the pakad a person who knows t |
To bring out the quintessence of a | raga, one has to resort to the exclusive and distinc |
om each thaat many ragas are derived, the thaat | raga or the raga which consists of the notes belongi |
Although it may be played in a | raga, or mode (often light ragas such as Khamaj), it |
The present day Gurjari | raga owes its origin to the Gurjars (or Gujjars).The |
rformer gives a step-by-step elaboration of the | raga, pausing at each major note or swara. |
aka, or ornamentation, is essential in Carnatic | raga performance. |
Because of the focus on exploring the | raga, performances have traditionally been solo ende |
Nicknamed the "Flying Mexican", | Raga played professionally for Pallacanestro Varese |
Darbari is a grave | raga, played deep into the night, considered to be o |
The Hundred-Minute | Raga: Purabi Kalyan (live) (1982) |
Raag Purvi's structure is very close to that of | raga Puriya Dhanashree therefore in order to differe |
et Woodstock 40 Years On: Back To Yasgur's Farm | Raga Puriya-Dhanashri/Gat In Sawarital the actual Wo |
He is known to have composed the | raga, Raga Vihanginee for the bhajan sung and popula |
Goda | raga, Ragamala, ca 1710. |
He takes every care to sustain and develop the | Raga rasa and tries to harmonize it with the bhava o |
However, a word of caution; this | raga requires many years of experience at both perfo |
styles of psychedelic rock, psychedelic pop and | raga rock. |
The Beginning of The | Raga Rockers (1993) |
Raga Rockers is a Norwegian rock band from Oslo with | |
ed rock played by bands such as Dum Dum Boys or | Raga Rockers. |
r first album in 1983, called The Return of the | Raga Rockers. |
Smaramyaham Sadarahum (on Rahu, in Ramapriya | Raga, Rupaka Tala) |
Mahasuram Ketumaham (on Ketu, in Shanmukhapriya | Raga, Rupaka Tala) |
m Ashrayamyaham (on Mars or Angaraka, in Surati | Raga, Rupaka Tala) |
aa and Gunjan, Rele was the author of a work on | Raga Sangeet, entitled Svara Pravaaha, a reference t |
f the pentatonic scale Mohanam and the sampurna | raga scale Shankarabharanam. |
For the Hindustani | raga, see Shree (raga). |
Raga Series - TODI - Charsur Digital Workstation | |
aving five Raginis and eight Ragaputras, except | Raga Shri, which has six Raginis and nine Ragaputras |
Alhaiya | raga, Son of Bhairava Raga, Ragamala, c1720. |
the first Western rock song to integrate Indian | raga sounds, being released four months before The B |
erest in non-Western music (for instance Indian | raga) sparked by the meeting with Messiaen's music c |
(5) Parent | Raga: Sri raga |
Raga Sri, Ragamala, 1590-1600. | |
preceded by improvised alap to sketch the basic | raga structure without drum accompaniment; alap is g |
onents are meaningful words, which are set in a | raga structure (scales) correlating with a tala (rhy |
Susheela), Salalitha | Raga Sudharasa Saaram (singer: Mangalampalli Balamur |
which exposes her dexterity in bringing out the | raga swaroopam in just one avarthana each. |
Gauri is an India musical | raga that appears in the Sikh tradition from norther |
Doordarshan video Baje Sargam (also called Desh | Raga), that featured many respected Indian classical |
role that a capable artiste may never render a | raga the same way twice. |
r of which is supposed to be identical to Surya | Raga Theertha of Manasa Sarovar. |
While the khayal singer does include " | Raga Vistar" (Melody Expansion) and "Raga Alankaar" |
lly to be avoided during the playing of a given | raga, they are occasionally added by skilled perform |
It takes | Raga Tilang for its base which itself is derived fro |
Tarapathe (on Jupiter or Brihaspathi, in Atana | Raga, Tisra Triputa Tala) |
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