「STAX」の共起表現(1語右で並び替え) - Weblio英語共起表現検索

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意味

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共起表現

「STAX」の共起表現一覧(1語右で並び替え)

該当件数 : 113件

a nod towards old Northern soul posters, 19960s	Stax album cover designs and Spinal Tap, the band ha
The track is included on her third	Stax album, entitled "Carla."
Hall produced Hayes' last	Stax album, and did percussion on Hayes' albums Hot
singer Mable John, who recorded for Motown and	Stax, and the father of Keith John, a long time back
as songwriter for other artists on labels like	Stax and others in the 1960s and following decades.
ribes it as a "brisk shot of R&B, worthy of any	Stax artist or sounds that were emanating from Muscl
Team from 1968-77, Hall backed dozens of major	Stax artists on recordings, including such artists a
Musically, it's very much in the school of slow	Stax ballads, by [Otis] Redding and some others, wit
e song in a duet with Jimmy Barnes and original	Stax band Booker T. & the MG's in Sydney during the
ital in Dallas, Texas on May 31, 2000, aged 66.	Stax billed Johnnie Taylor as The Philosopher of Sou
rie Bell (1988 Harpslinger); Little Sonny (1991	Stax Blues Masters: Blue Monday); Taj Mahal (1991 Li
Editor is Mike	Stax, born 1962, England.
ille after the slogan "Soulsville U.S.A." which	Stax called its studio on its former theater marquee
Concord Music Group, the current owners of the	Stax catalog.
they did not want Brown in the group; Brown and	Stax co-owner Jim Stewart forced them to reinstate W
With the	Stax connections, Ingram recorded at the Memphis lab
nd on Region 2 DVD as Witchcraft in the U.K. by	Stax Entertainment in 2002.
Also in 1967, they joined the now famed	Stax European tour.
phis Horns - Wayne Jackson and Andrew Love - of	Stax fame, usually with Willie's brother James Mitch
	Stax from IGN gave the film 2.5 out of 5, calling it
r, the rights to the recordings had reverted to	Stax from Atlantic in 1972 and erroneously submitted
ords and Sam Phillips in the 50s, the heyday of	Stax, Hi Records and soul music in the 60s and 70s,
s Band and Booker T. & The M.G.'s were also the	Stax houseband often collaborating with Otis Redding
, "Living A Life Without Love", was released by	Stax in May 1972, and was followed by "I Know It's N
Note, also released by	Stax in 1977 as The Pinch.
He began his solo vocalist career at	Stax in 1967, recording on Atco Records beginning in
e still in high school when they were signed to	Stax in late 1964.
"one of the heaviest pieces of soul put out by	Stax in the 70s", also made the R&B chart, reaching
the Streaming API for XML or	StAX interface (part of JDK 6; separate jar availabl
Currently	Stax is working as co-writer (with Rick Brown) on a
(	Stax keyboard player Booker T.
ection as well as in-house veterans like former	Stax keyboardist Carson Whitsett and guitarist/bandl
r went on to engineer the brief relaunch of the	Stax label in 1978, after the bankrupt label's asset
rects the mistake by reissuing the album on the	Stax label while including additional bonus material
m My Soul - her debut release for the legendary	Stax label - was released on May 24, 2010, and debut
61 and appeared on the first LP recorded by the	Stax label.
Concord Music Group, which purchased the	Stax masters through its merger with Fantasy in 2004
Construction began on the	Stax Museum and adjacent Stax Music Academy on April
The	Stax Museum is a replica of the Stax recording studi
rming again, and in 2003, at the opening of the	Stax Museum, she performed "What a Man" live for the
The	Stax Music Academy is a state-of-the-art facility wh
Wexler convinced	Stax president Jim Stewart to release Floyd's versio
ection of Billboard's June 3, 1972 “The Deck is	STAX” promotion.
al drummers in the history of recorded music at	Stax, providing an instantly recognizable backbeat b
egend Carla Thomas, who recorded on the classic	Stax record label.
s recorded between July and December of 1966 at	Stax Recording Studio.
wood, RCA Studio B in Nashville, Tennessee, the	Stax Recording Studio and the Mid-South Coliseum in
uitar), together with drummer Howard Grimes (or	Stax Records legend Al Jackson, Jr. on most singles
o musicians Steve Cropper and Al Jackson of the	Stax Records house band, which also included bassist
It was released by	Stax Records in 1961.
In 2007, Hathaway signed to	Stax Records and in 2008 released her fifth album Se
After leaving	Stax Records in 1968, John rejoined The Raelettes fo
It was issued by	Stax Records on the Volt Records label on April 14,
ury and Capitol in New York before signing with	Stax Records in 1972.
In 2008, Floyd returned to	Stax Records which is now owned by Concord Music Gro
He won her a contract with	Stax Records in 1971, and she took the stage name of
After	Stax Records went bankrupt and closed in 1976, the S
In 1966, Taylor moved to	Stax Records in Memphis, Tennessee, where he was dub
were closely associated with the Memphis based	Stax Records label during the height of its commerci
were known as United Image and recorded on the	Stax Records label.
ul album by Booker T. & the M.G.'s, released on	Stax Records in June of 1967.
e Mar-Keys and Booker T & The MG's, released on	Stax Records in 1967.
The 2002 reissue of the album by	Stax Records received a 2003 Blues Music Award for "
n't Want to Be Right" is a soul song written by	Stax Records songwriters Homer Banks, Carl Hampton a
aying with Eric Mercury before an invitation to	Stax Records where Tim Whitsett was now in charge of
at'll I Do" is a rewrite by Jackson of the 1967	Stax Records single, "What'll I Do for Satisfaction"
hind and a co-owner of Memphis, Tennessee-based	Stax Records during the latter half of the label's n
rground during the late 1980s and is the son of	Stax Records drummer, Willie Hall.
Atlanta disc jockey Dave Crawford tipped her to	Stax Records producers Isaac Hayes and David Porter.
ns of soul music" and "the driving force behind	Stax Records"
All albums issued on	Stax Records' Enterprise label.
"The Hunter" was written by	Stax Records' house band, Booker T. and the MGs, and
Big Stuff" would become one of	Stax Records's most popular and recognizable hits.
high school, he worked as a staff musician for	Stax Records, appearing as sideman on many recording
f those two influences, soul music, the home of	Stax Records, Hi Records, and American Sound Studio.
an, Rob (1997) Soulsville, U.S.A.: The Story of	Stax Records, Schirmer Books.
where Taylor signed after his long-time label,	Stax Records, went bankrupt.
Early in 1968, Hughes moved to	Stax Records, where his recordings were issued on th
n was originally a session musician employed by	Stax Records, and he played on recordings by The Bar
King & Queen, released in 1967 by	Stax Records, is a duets album by Otis Redding and C
ng by Sam & Dave, and first released in 1967 by	Stax Records.
Estelle Axton - Co-founder of	Stax Records.
He later became head of	Stax Records.
It was released on Enterprise, a subsidiary of	Stax Records.
nd her brother Jim Stewart were the founders of	Stax Records.
musicians whose career touched both Motown and	Stax Records.
she attempted a solo career again, signing with	Stax Records.
Holiday, Dionne Warwick, Teddy Pendergrass, and	Stax Records.
er/song-writer Eddie Floyd, released in 1967 on	Stax Records.
d company executive and producer who co-founded	Stax Records.
ame locally successful the master was leased to	Stax Records.
	Stax released two more singles by the group, "In My
He played an important part in the	Stax reunion of 1988, and had a small role in the 19
ncord announced the re-launch of the soul label	Stax; rights to the name were formerly held by Fanta
1971 Memphis Experience (	Stax S2036)
1966 Great Memphis Sound (	Stax S707)
drummer Al Jackson, Jr. to reemerge, along with	Stax session guitarist Bobby Manuel in place of Stev
idea for the title and the shouts had come from	Stax songwriters Isaac Hayes and David Porter.
ked on his version by Booker T. & the MG's, and	Stax staff producer Isaac Hayes worked on the arrang
In 2002 Mike	Stax started his own record label and released an al
1972 Crown Prince of Dance (	Stax STS-30048)
wood, Western Recorders in Burbank, California,	Stax Studio and in The Jungle Room in Memphis, Tenne
' on the Dock of the Bay" with Steve Cropper at	Stax studios on the Friday before Redding's death.
The duo had originally been members of a	Stax style soul band called The Big Sound, working m
"Smell Of Incense," nationally released on the	Stax subsidiary label Hip Records.
e the “Memphis Sound” internationally, and made	Stax the second-largest African American-owned busin
Dubbed “Hit the Road,	Stax!”, they performed and backed up the label's sta
Bell continued to record for	Stax through the label's dissolution in 1975, with m
x/Volt releases, was purchased by Warner Bros..	Stax was required to renegotiate its distribution de
	Stax was unable to regain the rights to its recordin
At the time,	Stax was undergoing a major reorganisation with new
After	Stax went bankrupt in 1976, Stewart kept a low profi
t of these is called the STAf eXecution engine (	STAX), which executes test scripts.

共起表現