「Sextet」の共起表現一覧(1語左で並び替え)
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Soon afterwards Abate formed a | sextet called Channel One. |
A | sextet of players from the group also recorded on the |
On tour, DAAU expanded itself to a | sextet with a new rhythm section. |
In 1948 Goodman asked him to play in a | sextet alongside Wardell Gray, Mary Lou Williams, and |
k band (1978-2001) established in Cottbus as a | sextet. |
), three string quartets (1901, 1910, 1921), a | sextet for strings (1920), and numerous songs. |
was out of the Club DeLisa and working with a | sextet instead of his usual mid-sized band. |
By mid-1947, Freeman was a member of a | sextet led by Johnny Griffin and Joe Morris and suppo |
e Mitchell, Art Blakey, and Percy Heath, and a | Sextet with Heath, Blakey, Kenny Dorham, Matthew Gee, |
Hayes in various combinations from a trio to a | sextet, with the unusual sound of pizzicato cello to |
ow Hampton band member Joe Morris had formed a | sextet made up of local musicians, including George F |
b called Cal's in Chicago in 1972-74 and led a | sextet at the Fantasy Club from 1975-80. |
rmed in 2000, the band currently operates as a | sextet, with Eric Earley (guitar/vocals), Erik Mentee |
and two additional compositions recorded by a | sextet at an earlier session as bonus tracks. |
He played in a | sextet led by Heikki Rosendahl during that time, and |
Rob Gowen, the group was soon pared down to a | sextet of: guitarist Jeff Raines, bassist Robert Merc |
Charles Lloyd had just joined Adderley's | Sextet and his tenor and flute were major assets". |
sic review by Scott Yanow states "The all-star | sextet stretches out on lengthy renditions of four of |
album Like Minds and the quartet, quintet and | sextet album Thirsty Work, which featured fellow reed |
from 1950s recordings with Davis's quintet and | sextet, it documented key moments in his career, unti |
Heatley was with Vic Ash's | sextet in 1958, together with Ian Hamer (tp), Johnny |
Chet Baker: | Sextet |
Max Bennett | Sextet (Bethlehem, 1956) |
Chris Biscoe | Sextet (Walking Wig) |
Late in 1965 Lonnie joined Art Blakey's | sextet, the Jazz Messengers, sharing the piano positi |
Diana Krall, Terence Blanchard | Sextet, Kyle Eastwood, Chris Potter, Joshua Redman, L |
lbums Mnemosyne's March, Zhen: The David Braid | Sextet Live, and Brubeck Braid: twotet/deuxtet have a |
His album Vivid: The David Braid | Sextet Live won the Juno Award for Traditional Jazz A |
al Philharmonic Orchestra; and Suite for Brass | Sextet for the Czech Philharmonic Brass Sextet. |
In 1946-47 he played with Simon Brehm's | sextet. |
Later he played in Tito Burns' | sextet and led his own group before being invited to |
change the band's name from the Jose Calderon | Sextet to the Joe Cuba Sextet and the newly named Joe |
corded two singles backed by the Red Callender | Sextet, with Callender on (bass), Maxwell Davis (teno |
Al Casey's | Sextet (recorded January 19, 1945, released by Capito |
In 2009 his chamber | sextet Brion was a Finalist for the Pulitzer Prize in |
In the Clar | sextet case the most stable structure for coronene ha |
, Houston Person, Gaye Delorme, The Bill Clark | Sextet, Von Freeman, Ernie Krivda, Johnny Frigo, Mart |
went on to record as The BBC Radio Rhythm Club | Sextet during 1943-45. |
that period he first joined the Graham Collier | Sextet. |
He worked in the Graham Collier | Sextet (1968-69), Keith Tippett Group (1968-70), Soft |
His Combs-Novak | Sextet is one of the headliners at the 1999 Chicago J |
e leader of Rio JAZZ, a Brazilian jazz concert | sextet formed in 1988. |
where as the musical director of the Joe Cuba | Sextet he was to arrange a concert. |
Willie Torres then left Joe Cuba's | Sextet, and replaced Santitos in Curbelos' orchestra. |
o recorded and performs with The Bill Cunliffe | Sextet and the David Roitstein Group. |
The Miles Davis | Sextet was also recorded at the same event and releas |
of his success as a sideman with Miles Davis' | sextet, Riverside Records gave Kelly an opportunity t |
The Basin Street Six was a Dixieland | sextet founded in 1950 in New Orleans that had some f |
a's Dance by Edvard Grieg, Gaetano Donizetti's | Sextet from Lucia di Lammermoor and Jules Massenet's |
ong with Reich's Pulitzer Prize-winning Double | Sextet on the album Double Sextet/2x5. |
er writing the predominantly rhythmical Double | Sextet, Reich was interested in writing a similar com |
The Chuck Dukowski | Sextet |
Aretha Franklin, and subsequently, the entire | sextet appeared in a routine set to "US Male" by Elvi |
Robin Eubanks | Sextet: 4:JJ/Slide/Curtis and Al (TCB, 1998) |
Harry Felbert's | sextet, Cond.: Harry Felbert recorded it in Copenhage |
rtet No. 1 in D Op. 11, "Souvenir de Florence" | Sextet Op. 70 (with Boris Kroyt and Mischa Schneider) |
In 1944 he joined the Flores | Sextet, led by composer Pedro Flores. |
a 1963 album by the Elvin Jones/Jimmy Garrison | sextet. |
(Iron Man) and the Elvin Jones/Jimmy Garrison | Sextet featuring McCoy Tyner (Illumination!). |
obably the best known version is by the German | sextet, the Comedian Harmonists in 1930. |
is one of the most popular songs by the German | sextet, the Comedian Harmonists. |
was first performed by the very popular German | sextet, the Comedian Harmonists, who recorded the son |
avid Amram, and the Curtis Fuller-Benny Golson | Sextet. |
Rare Paul Gonsalves | Sextet in Europe (1963, Jazz Connoisseur) |
Rare Paul Gonsalves | Sextet in Europe is an album recorded in 1963 by Paul |
Hickman, H. Williams) - Benny Goodman | Sextet - 2:45 |
ve performances as member of the Benny Goodman | Sextet, Vintage Jazz Classics, 2003) |
June 1945, while a member of the Benny Goodman | Sextet, he recorded a session for Comet records using |
195? - Shafi Hadi | Sextet; |
3 (1957, Original Jazz Classics) - Shafi Hadi | Sextet |
Concierto is an album by Jim Hall | sextet featuring Paul Desmond, Chet Baker, Ron Carter |
had developed into his own band, the Ian Hamer | Sextet. |
and Abbey Lincoln, Nina Simone, Herbie Hancock | Sextet, Tony Williams, Zutty Singleton, Roy Haynes, A |
1954 Roy Haynes | Sextet |
adge Evans, Joan Marsh, and Jackie Coogan head | Sextet Surviving, Sunday Morning, July 19, 1931, Sect |
Goodman) - Benny Goodman and His | Sextet - 3:06 |
in jazz clubs and festivals in Paris with his | sextet. |
s Davis began using with this approach and his | sextet. |
In 1964, Russell toured Europe with his | sextet and lived in Scandinavia for five years. |
th Tippett and became a founding member of his | sextet. |
ed by the pianist Kjell Karlsen to sing in his | sextet. |
ver 100 titles for Parlophone Records with his | sextet, which included George Shearing and Doreen Vil |
iguing writing by Muhal Richard Abrams for his | sextet that the group sounds like an orchestra at tim |
r music - he is remembered principally for his | Sextet for piano and wind instruments (1886-88), the |
ving to New York he had a regular gig with his | sextet at the Onyx Club starting in 1935 and also per |
in Shanghai where he plays regularly with his | Sextet as the house band for Asia Uncut, an Asia-wide |
The Lion's Eyes, Steve Holt, | Sextet (Plug Records) |
Freddie Hubbard | Sextet Bolivia Musicmasters 5063 |
Paul Humphrey | Sextet (Discovery Records, 1981) |
London stage shows have included, | Sextet, Run for Your Wife, See How They Run, Wife Beg |
Robin Jones Latin Jazz | Sextet: “Latin Underground” (1999) |
Ferguson and his Chamber Jazz | Sextet collaborated with the poet Kenneth Patchen on |
He established the Chamber Jazz | Sextet in the 1950s, combining classical and jazz inf |
he first studio recording of the acoustic jazz | sextet Origin featuring Chick Corea on piano. |
z on the Line is a San Francisco Bay Area jazz | sextet formed in the early 1980s by Rent Romus . |
chen's readings, Ferguson and the Chamber Jazz | Sextet performed jazz accompaniment which Ferguson co |
brothers, Pete formed Escovedo Bros Latin Jazz | Sextet, before Santana hired Pete and Coke Escovedo f |
for his performances with Benny Goodman's jazz | sextet with which he toured internationally. |
otions with Toshiko and her International Jazz | Sextet was recorded in New York in 1958 and released |
band, Christian Scott's group, the Sean Jones | sextet, Jason Moran's Big Bandwagon (In My Mind:Monk |
y" jazz groups (like Raymond Scott), the Kirby | sextet is not particularly well remembered today, alt |
ky Millinder and he then joined the John Kirby | Sextet (1938-1942), a perfect vehicle for his style. |
He was also in the John Kirby's | Sextet, Cootie Williams' Orchestra and Louis Armstron |
38 Procope replaced Pete Brown in John Kirby's | sextet, with whom he played exclusively alto sax unti |
Jazz: featured Moe Koffman | Sextet, Peter Appleyard, Aura and Clark Terry |
Miles's | sextet can be considered on the "cooler" side of hard |
Charles Mingus | Sextet In Berlin (1970, Beppo) |
Charles Mingus | Sextet with Eric Dolphy Cornell 1964 (2007, Blue Note |
a live concert recording of the Charles Mingus | Sextet featuring Eric Dolphy recorded at Cornell Univ |
rt as a featured vocalists with the T. S. Monk | Sextet, and is currently working with Grammy Award wi |
Lee Morgan | Sextet (1957) |
It was originally recorded by the Mwandishi | Sextet that was built around Herbie Hancock and progr |
utstandingly original (and unjustly neglected) | sextet date…." |
these sessions marked the advent of Davis' new | sextet, during what had already become a pivotal year |
ensemble (sometimes recording as a quintet or | sextet) toured together until 1958 after a tour of Au |
As a quartet, quintet, or | sextet, a Lenny Hambro-led and named ensemble would c |
for Esa Pethman's quartet and Hazy Osterwald's | sextet in the early 1960s, Carola made fame in Finlan |
Russell formed his own | sextet in which he played piano. |
1989, Derrick has writes for and leads his own | sextet known as The Jazz Prophets. |
In the early 2000s he worked with his own | sextet, including for performances at Lincoln Center |
57, worked further with Hayes, and led his own | sextet in 1958. |
in New York, and around 1949 he formed his own | sextet, which recorded for the Jubilee, Decca and RCA |
Oscar Pettiford: | Sextet (Vogue, 1954) |
his studies in 1969 and founded a professional | sextet with which he released numerous albums. |
The Dik Van Dykes were a garage punk | sextet based in Hamilton, Ontario, Canada who first f |
951 Griffin was playing baritone sax in an R&B | sextet led by former bandmate Arnett Cobb. |
"Never Let Me Go" (With the Josh Rager | sextet Time and Again Effendi records 2008) |
He later joined the Don Rendell | Sextet (1954-55) and The Ivor and Basil Kirchin Band |
raduating in 1963 and worked in the Buddy Rich | Sextet the same year. |
1960: George Russell - George Russell | Sextet at the Five Spot ("Dance Class" and "Beast Blu |
George Russell | Sextet at the Five Spot is an album by George Russell |
Between 1960 and 1963, the Russell | Sextet featured musicians like Dave Baker and Steve S |
thers were a Canadian vaudeville era saxophone | sextet consisting of six brothers. |
r Harris (1983), The Julius Hemphill Saxophone | Sextet (1987), “The Six Winds” Dutch Saxophone Sextet |
'30s, where his bass sax anchored a saxophone | sextet led by Stabile (which did not record). |
GC 6027b is a galaxy that is part of Seyfert's | Sextet, a compact group of galaxies, which is located |
a is a spiral galaxy that is part of Seyfert's | Sextet, a compact group of galaxies, which is located |
GC 6027c is a galaxy that is part of Seyfert's | Sextet, a compact group of galaxies, which is located |
e vibes which he did first in the Ralph Sharon | Sextet and later in the Roy Fox band. |
He went on to the Sirone | Sextet in New York (1987); the Hidden Quartet (with D |
d Friends" that featured him leading a smaller | sextet that allowed freedom and improvisation. |
In 2007 he formed his new band Soyka | Sextet Plus. |
String | Sextet in G Major op.5 (1901) |
String Quintet No. 2, String | Sextet. |
The Raphael Ensemble is a classical string | sextet formed in 1982 that concentrates on expanding |
String | Sextet for 2 violins, 2 violas and 2 cellos (1980) |
Homage to Delius, for string | sextet (1934) - Reed was passionate about the music o |
The String | Sextet in D minor "Souvenir de Florence", Op. 70, is |
The String | Sextet No. 1 in B-flat major, Op. 18, was composed in |
ncertos, an opera (Hans Wacht, 1852), a string | sextet for three violins, viola and two cellos, and a |
He wrote concerning the String | Sextet No. 2 in B minor: "[It] is a work with artisti |
also recorded and toured extensively with the | sextet One for All. |
The | sextet is unchanged except for Jeff Ballard replacing |
The second movement of the | Sextet was featured in Star Trek: The Next Generation |
The | sextet is scored for two violins, two violas, and two |
Yell&Ice is the fourth release by the | sextet Subtle on Lex Records. |
Swedish composer Kurt Atterberg arranged the | sextet for String orchestra in 1939. |
The | Sextet was also the first jazz band to perform at the |
The | sextet was initially renamed from 'The Bumblies' whic |
ntil September 1946 and recorded with both the | sextet and the orchestra. |
In 1965, the | Sextet got their first crossover hit with the Latin a |
Six; Robert Carter was the trombonist for the | sextet. |
Keyboardist Johnny Cummings rounded out the | sextet and they began playing ... and recording the t |
The | sextet, who use the stage names Toonie, Sponge, Shoot |
The | Sextet featured variously South, Dick Morrissey, Keit |
om the late 1950s and into the early 1960s the | Sextet recorded on the Mardi Gras label, constantly i |
outh Africa, who played tenor saxophone in the | sextet The Blue Notes alongside Chris McGregor, Dudu |
dman and cellist Rebecca Lessard completed the | sextet, and the group fell into a more immediate pop- |
e 18 Sylvesters depicted overall), singing the | sextet from "Lucia di Lammermoor". |
ding of the three Tchaikovsky Quartets and the | Sextet on Telarc. |
The | sextet was founded and managed by Dick Voigt, and cou |
eparting from the norm at the time in that the | sextet played instruments themselves (including a set |
Eurovision Song Contest 1986, performed by the | sextet Ryder, led by Maynard Williams. |
rst broadcast in 1972 as part of BBC Two's The | Sextet series of eight plays featuring the same six a |
o What" and "All Blues" had been played by the | sextet at performances prior to the recording session |
The | sextet of Bramblett, Causey, English, Leavell, Nalls |
At the same time, the | sextet began receiving and accepting offers to play f |
he Facts and Pass the Bucket (Henry Threadgill | Sextet) |
Whitehead played at times in Keith Tippett's | sextet in the late 1960s, including alongside Elton D |
Clark Tracey | Sextet - Full Speed Sideways |
no concertos, four symphonies, a chamber trio, | sextet, several piano works, and two song cycles. |
Magnificat for mixed vocal | sextet and organ (1967) |
For the vocal | sextet Die Singphoniker he wrote new works and arrang |
also toured at home and in Europe in the vocal | sextet called "The English Singers". |
Julius Watkins | Sextet (Blue Note, 1955) |
an's band and after that joined Teddy Wilson's | Sextet. |
The wind | sextet existed long before 1782. |
S 73: Partita for wind | sextet in D major |
n wrote a substantial number of works for wind | sextet. |
en the harmoniemusik and the very similar wind | sextet for pairs of clarinets, horns and bassoons. |
erial from his original group, the Paul Winter | Sextet, titled Early Winter. |
ity, the band that he founded, the Paul Winter | Sextet, won the Intercollegiate Jazz Festival and was |
From 1961 to 1964 he worked in Paul Winter's | sextet, which led to his return to New York. |
, Davis re-entered the studio with his working | sextet to record what is widely considered his magnum |
Benson joined Yorkshire-based | sextet Edna Croudson's Rhythm Girls in 1929, touring |
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