「Shostakovich」の共起表現一覧(2語右で並び替え)
該当件数 : 110件
ntrast to Beethoven's exuberant conclusion, | Shostakovich provides a pastoral rondo in which solo woo |
October mystique, so they considered taking | Shostakovich as a court composer. |
dings included the Symphony No. 8 of Dmitri | Shostakovich, and a Gramophone Award-winning release of |
Shostakovich expressed admiration for the work, and it m | |
ory and influenced composers such as Dmitri | Shostakovich and Alfred Schnittke. |
ng years, the Concerto underwent edits from | Shostakovich but also from Oistrakh. |
Maxim | Shostakovich, Conductor and Pianist, Private Collection |
eased in 2006, his first disc of sonatas by | Shostakovich, Weinberg and Boris Tchaikovsky won an ECHO |
liam Walton, Ralph Vaughan Williams, Dmitri | Shostakovich and Arnold Schoenberg. |
rector contacted the young composer Dimitri | Shostakovich and asked him to write music to accompany t |
As part of the festival, | Shostakovich was asked to sit on the judging panel for t |
Though | Shostakovich had been commissioned by Muzsektor rather t |
embers of major competitions such as Evian, | Shostakovich, and Bordeaux. |
Dmitri | Shostakovich - classical composer |
Semitic campaign was already under way, and | Shostakovich had close ties with some of those affected. |
Maxim | Shostakovich recently completed a cycle of his father's |
Dmitry | Shostakovich - composer, decorated for his courage in th |
He performed a | Shostakovich piano concerto at the age of 10 at Queen El |
with recent notable performances including | Shostakovich Cello Concerto No. 1 with Guy Johnston, and |
2008 Dmitri | Shostakovich Cello Concertos No.1 and 2, Yakov Kreizberg |
e touring and recording of the Schumann and | Shostakovich cello concertos with the Australian Chamber |
Younger composers such as Prokofiev and | Shostakovich eventually considered his music old-fashion |
e symphony is comparable to works by Dmitri | Shostakovich, American counterpart Samuel Barber, and th |
Shostakovich had criticized the work's materials being u | |
new work to open the concert, and contacted | Shostakovich just days before. |
For the composer and father of Maxim | Shostakovich, see Dmitri Shostakovich. |
He has a son, Dmitri Maximovich | Shostakovich or Dmitri Shostakovich Jr. who is a pianist |
e conductor Nikolai Malko challenged Dmitri | Shostakovich to do an arrangement of a piece in 45 minut |
television production featured the works of | Shostakovich and Dvorak. |
Shostakovich: Concerto For Piano, Trumpet And Strings In | |
P "Concerto In C Minor For Piano" by Dmitri | Shostakovich, "The Four Temperaments" by Paul Hindemith |
Shostakovich makes frequent use of early 20th-century Ru | |
However, although a local critic lauded | Shostakovich for further freeing himself from formalisti |
ertoire includes modern composers including | Shostakovich, Schnittke,Kancheli, Gubaidulina, Piazzolla |
t for all the importance he played on them, | Shostakovich may have been right in writing the symphony |
tten by the composer to his daughter Galina | Shostakovich for her study on piano. |
syganov, the first violinist, recalled that | Shostakovich told him that the first Ninth Quartet was b |
Dmitri | Shostakovich, in his Fourteenth Symphony op. |
an composers, including most notably Dmitri | Shostakovich (in his late symphonies) and Sergei Prokofi |
heinz Stockhausen, Maurice Ravel and Dmitri | Shostakovich as his main classical influences. |
Ironically, | Shostakovich withdrew his symphony from its Leningrad pr |
strations to the Jewish Folksongs of Dmitri | Shostakovich (1977), illustrations to Aleichem's Tevye t |
This was the situation | Shostakovich faced in April 1937. |
Prokofiev: Sonata in C major; | Shostakovich: Sonata in D minor; Rachmaninov: Vocalise, |
for Elmira Nazirova, pupil of Dmitri | Shostakovich, used in his Symphony No. 10 |
ssian composers Sergei Prokofiev and Dmitri | Shostakovich, but its instrumentation, somewhat akin to |
ch, Rudolf Kehrer, Vladimir Krainev, Dmitri | Shostakovich, Vakhtang Jordania, Mikhail Pletnev, Vladim |
Shostakovich seated left, Fleishman seated right | |
Maxim Dmitrievich | Shostakovich (born Leningrad on May 10, 1938) is a Russi |
Wilson, Elizabeth, | Shostakovich: A Life Remembered(Princeton: Princeton Uni |
Shostakovich: A Life. Oxford University Press. | |
show involved Heather's best friend Angela | Shostakovich (Michele Matheson), often mispronouncing Mr |
a sang with I Musici the Symphony No. 14 by | Shostakovich in Montreal in 2004. |
War was a humiliation for the Red Army, and | Shostakovich would never lay claim to the authorship of |
He was the second child of Dmitri | Shostakovich and Nina Varzar. |
avinsky with Symphonieorchester Vorarlberg, | Shostakovich Symphony No 4 with the Kensington Symphony |
Shostakovich, Symphony No. 8 (1989) | |
Shostakovich: Symphony No. 11, "The Year 1905" | |
Recent conducting engagements include | Shostakovich Symphony No. 5 with the Simon Bolivar Orche |
on a Theme of Paganini; Schumann - A minor; | Shostakovich - No. 1; Taktakishvili - No. 1, 2, 4; Tchai |
Dmitri | Shostakovich wrote of Richter: "Richter is an extraordin |
Shostakovich died of lung cancer on 9 August 1975 and af | |
ad been commemorated with the naming of the | Shostakovich Peninsula on Alexander Island, Antarctica. |
Dmitri | Shostakovich's Piano Sonata No. 2 in B minor, Op. 61 was |
Petersburg | Shostakovich Philharmonic Orchestra). |
(Dmitri | Shostakovich, “Testimony”, p. 225) |
Whilst the style reflects | Shostakovich, the piece as a whole uses very conventiona |
Most importantly for | Shostakovich, the piece took little time to compose, all |
Concerto had been written for Oistrakh and | Shostakovich initially played the work through for the v |
Sony (2008, | Shostakovich, Kammerakademie Potsdam) |
Shostakovich: 24 Preludes, op.34; Charles-Valentin Alkan | |
fluencing famous, noteworthy composers like | Shostakovich and Prokof'ev. |
Richter, Nina Dorliak, Emil Gilels, Dmitri | Shostakovich, Mstislav Rostropovich, Victor Merzhanov, K |
dings are selections from Brahms, Schubert, | Shostakovich and Schnittke. |
ed an allegiance to tonality; thus Nielsen, | Shostakovich and Sibelius featured largely in his output |
rgei Prokofiev, Sergei Rachmaninoff, Dmitri | Shostakovich, Vladimir Sofronitsky, Yuri Temirkanov, and |
Shostakovich wrote some music for the film in 1933-34 bu | |
Shostakovich Cello Sonata (1988) | |
For | Shostakovich the story of 1936 was repeated, only this t |
ncert (featuring the works of Rachmaninoff, | Shostakovich, and Stravinsky) to him. |
estral works by composers including Mahler, | Shostakovich, Tchaikovsky, Stravinsky, Beethoven, and St |
2000 | Shostakovich: The String Quartets |
Shostakovich: the string quartets | |
Dmitri | Shostakovich - Symphony No. 14 |
ighi, and in a legendary performance of the | Shostakovich Fifth Symphony, arguably the greatest by St |
erto No. 2, Opus 126, was written by Dmitri | Shostakovich in the spring of 1966 in the Crimea. |
Sollertinsky introduced | Shostakovich to the music of Gustav Mahler, which had a |
essful, and there are several recordings of | Shostakovich performing the work for large audiences. |
Shostakovich preferred the revised version, but since hi | |
Modest Mussorgsky, Ernst Krenek and Dmitri | Shostakovich at the Juilliard School. |
her CD, of the Thirteenth String Quartet by | Shostakovich and the quintet by Brahms (Sony Classics), |
a ballet score, Op. 39, composed by Dmitri | Shostakovich on the libretto by Adrian Piotrovsky and Fe |
inserting works of Bartok, Bloch, Martinu, | Shostakovich, expanding the musical depth for enthusiast |
Shostakovich develops this material in his typical style | |
Shostakovich took three years to complete the new Ninth | |
Shostakovich returned to Jewish themes in 1959, includin | |
Both Prokofiev and | Shostakovich came under particular scrutiny for "formali |
conceived in 1969, and completed in 1970 as | Shostakovich was undergoing treatment at an orthopedic c |
festive quality that many, including Dmitri | Shostakovich, found very powerful. |
The production featured additional music by | Shostakovich and was released in the following year, und |
also recorded works by Barber, Kabalevsky, | Shostakovich, Vaughan Williams, John Ireland, Peggy Glan |
Shostakovich: Sonatas with Annette Batorldi (Naxos, 2003 | |
CD with works for small orchestra by Dmitri | Shostakovich recorded with the Kammerakademie Potsdam. |
In this work, | Shostakovich dispensed with the Jewish idiom, as the tex |
Suites won prizes, and his recording of the | Shostakovich concertos won the Grand Prix du Disque. |
Shostakovich began working on the piece while he was vis | |
This work inspired Dmitri | Shostakovich to write his Cello Concerto No. 1, also ded |
Symphony No. 6 in B minor, Op. 54 by Dmitri | Shostakovich was written in 1939, and first performed in |
W. Bouis, Testimony: The Memoirs of Dmitri | Shostakovich (New York: Harper & Row, 1979). |
edicated to his third wife, Irina Antonovna | Shostakovich, a young editor whom he had married in 1962 |
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