「boogiewoogie」の共起表現一覧(1語右で並び替え)
該当件数 : 34件
Ammons was a player of | boogie-woogie, a bluesy jazz style popular from the late |
iations in technique led to styles such as | Boogie-Woogie and Swing Boogie, with "Jive" gradually em |
tap-dancing into the blues idiom known as | boogie-woogie and moved on to perform in Chicago, Illino |
Charles was my first influence outside the | boogie-woogie and stride pianists like Albert Ammons and |
mmer (pronounced "case-hammer") discovered | boogie-woogie and stride piano as played by Albert Ammon |
g traditional jazz, bebop, blues, skiffle, | boogie-woogie and rock. |
blend of swing, rock and roll, jump blues, | boogie-woogie and soul has earned it five Grammy Award n |
incorporating "elements of Southern rock, | boogie-woogie, and AC/DCism into one compact sound", ", |
s Duo, as well as with Ian "Stu" Stewart's | boogie-woogie band, Rocket 88. |
dern music and dance genres such as swing, | boogie-woogie, blues and rock 'n' roll, and taught himse |
and Lewis, an event that helped launch the | boogie-woogie craze. |
ler was a regular member of Rocket 88, the | boogie-woogie fun band set up by Ian "Stu" Stewart and B |
Broadway | Boogie-Woogie is a painting by Piet Mondrian completed i |
sitions ranging in styles from Latin, R&B, | Boogie-woogie, Jazz waltz, Funk and Jazz/Classical Balla |
He is considered one of the finest | boogie-woogie music masters in the world. |
music short by Norman McLaren, set to the | boogie-woogie music of African-American jazz pianist Alb |
) was an African American, blues, jazz and | boogie-woogie pianist and singer. |
7, 1977, Offenburg, Germany) is a Canadian | boogie-woogie pianist, vocalist, composer, and arranger. |
7, 1955, Hamburg, Germany) is a blues and | boogie-woogie pianist, and songwriter. |
1936 - September 5, 1999) was an American | boogie-woogie pianist. |
est Byfleet, Surrey), is a leading English | boogie-woogie pianist. |
impressed him at the earlier concert: the | boogie-woogie pianists Albert Ammons and Meade Lux Lewis |
In three years, he was playing | boogie-woogie piano in clubs, concerts, and festivals al |
mportant influence on the formation of the | boogie-woogie piano style, as indicated by Jelly Roll Mo |
r when Estelle Yancey, wife of pianist and | boogie-woogie pioneer Jimmy Yancey, coaxed him to fill i |
blues mood and the third movement is in a | boogie-woogie rhythm. |
nted with Cale who quickly finds fame as a | Boogie-Woogie star and wallows in an accompanying life o |
Boogie-Woogie String Along for Real (1977) | |
ration that led listeners to Blacknuss and | Boogie-Woogie String Along for Real, and it is worth eve |
played in a raucous good time barrelhouse | boogie-woogie style, although the elder Speckled Red pla |
studying classically, it was the blues and | boogie-woogie that captured his imagination and this pro |
Art critics consider Broadway | Boogie-Woogie to be Mondrian's masterpiece, and a culmin |
It follows the American | boogie-woogie tradition of syncopated piano music. |
The song was an up-tempo | boogie-woogie which had become Johnson's signature tune |
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