「chanson」の共起表現一覧(1語右で並び替え)
該当件数 : 111件
| n 2008, Rosenberg released her first jazz and | chanson album, I'm a Woman. |
| The | Chanson also mentions his bravery at the Battle of Ni |
| Chromatic Beauty in the Late Medieval | Chanson: An Interpretation of Manuscript Accidentals |
| He has also recorded for the | Chanson and Open Loop labels. |
| Arkhangelsk is a mixture of pop songs, French | chanson, and jazz-groove. |
| The track is arranged in the style of a | chanson and its lyrics tell about a relationship brea |
| The | chanson appears to be based on William of Gellone's b |
| icipants sing the same local variation of the | Chanson as the courir in 1925. |
| certs, and is one of the most popular current | Chanson bands in Russia. |
| ical style was eclectic, ranging from rock to | chanson, but at this stage earned him little success. |
| "Une | chanson c'est une lettre" was performed fourteenth on |
| r, to be an unexpected hit and has remained a | chanson classic ever since. |
| Chanson D Amour | |
| 3. | CHANSON D'AMOUR |
| Chanson D'Amour - (Wayne Shanklin) - 2:36 | |
| My Lonely Lover ( | Chanson D'amour) |
| The most recent edition is La | Chanson d'Antioche edited by Suzanne Duparc-Quioc, Pa |
| The | Chanson d'Antioche was forgotten, until it was printe |
| The | Chanson d'Antioche is a chanson de geste in 9000 line |
| According to the | Chanson d'Antioche, Rotrou was under the command of B |
| The B-side of the vinyl, "La | Chanson d'Azima", became the fifth and last single fr |
| ark (1977, CBS single, her French version "La | Chanson d'Evita" peaked a #8 in France). |
| Chanson Dada: Tristan Tzara selected poems Coach Hous | |
| Chanson de la croisade albigeoise. | |
| Jackie (La | chanson de Jacky) - Mort Shuman |
| "La | Chanson de Van Horst" (Brel) |
| Chanson de Barberine, for soprano and orchestra (1884 | |
| "Jacky" (La | chanson de Jacky) is a song written by Jacques Brel. |
| The texts of the quire containing the | Chanson de St Alexis (pp. |
| Elgar scored | Chanson de Nuit (and Chanson de Matin) for a small or |
| Elgar scored | Chanson de Matin (and Chanson de Nuit) for a small or |
| as entitled "The Chronology of the old French | Chanson de Geste." |
| 2 contest by Veronique Mueller with "C'est la | chanson de mon amour". |
| Her rendering of "La | Chanson de Marie-Magdelane" taken from the cast recor |
| the Battle of Hastings Taillefer recited the | Chanson de Roland to the Norman troops while juggling |
| med his company after the French epic poem La | Chanson de Roland. |
| formed with him on the film's theme song, "La | chanson de slogan" - the first of many collaborations |
| Chanson de Nuit, Op. 15, No. 1, is a musical work com | |
| work than its more popular "companion" piece, | Chanson de Matin, Op. 15, No. 2. |
| th assurance, Elis saga, an adaptation of the | chanson de geste Elie de St. Gille, where he is calle |
| bout Charlemagne: the Old French 12th-century | chanson de geste "Quatre Fils Aymon". |
| Modelled on the Old French | chanson de geste, it was composed in two distinct par |
| terary model for the early thirteenth-century | Chanson de la Croisade Albigeoise of William of Tudel |
| th-century Occitan epic poem in the form of a | chanson de geste describing the First Crusade up to t |
| n 1959 on the thesis The Norse Version of the | Chanson de Roland (about The Song of Roland) and serv |
| d in 1899, and first performed, together with | Chanson de Matin, at a Queen's Hall Promenade Concert |
| the city and the Basque attacks in the rear ( | Chanson de Roland). |
| The | Chanson de Roland was translated somewhere in the twe |
| ion Song Contest 1972 with the entry C'est la | chanson de mon amour ("This the song of my love" ) wh |
| ars later, and first performed, together with | Chanson de Nuit, at a Queen's Hall Promenade Concert |
| ropean poems and epics, such as Turoldus' "La | Chanson de Roland", Ariosto's "Orlando Furioso", Boia |
| 17. - | Chanson des gueux (Gaspard) |
| 2 La | Chanson des Lavandieres |
| "La | Chanson des pommes de terre" (Potato Song) |
| The first known publication is a | chanson for 4 voices (a motet), which dates from 1548 |
| A | Chanson in the Prater” |
| First called The Great Lady Of | Chanson in her native Vienna, the nickname followed h |
| She began to perform French cabaret and | chanson in the Dallas-Fort Worth metroplex as a duet |
| the XVII International Film Music Encounter ( | chanson) in the Maestranza Theater; the United Nation |
| nt in its tenor voice, but the structure of a | chanson insofar as there is only one other text sung, |
| Chanson Irresponsable (2003) | |
| Les Compagnons de la | chanson made over 350 records and undertook around 30 |
| Most of his masses are based on | chanson melodies, which are stated clearly in the ten |
| works include Les Heures perdues, L'Eternelle | chanson, Minuit, and Evocation. |
| The song is in the | chanson mode popular at the early Contests and is in |
| The song is in the classic | chanson mode and laments the lost loves of the singer |
| The song is in the | chanson mode, popular in the early years of the Conte |
| ny respects the predecessor of the polyphonic | chanson of the Late Middle Ages (14th-15th centuries) |
| ongs by Duke Ellington, American jazz, French | chanson, or Gregorian chant. |
| In his | chanson Pluseurs gens he mentioned Jacqueline, the gr |
| Fors seulement is a French | chanson, popular as a basis for variations and as a c |
| Chanson pour boire is a term for a French drinking so | |
| y replaced Si aujourd'hui tu m'abandonnes and | Chanson pour un bagarre on the 2000 or 2002 reissue. |
| two more, in 1576 and 1583, for a motet and a | chanson respectively. |
| and released three solo recordings, including | Chanson Sans Paroles (1977), Cantabile (1980) and A L |
| She interpreted | chanson, schlager, jazz, blues, soul, and folk music. |
| Cholji (ref. 1) lists five | chanson settings, including those by Alexander Agrico |
| in the first half of the Les Compagnons de la | chanson show at the Paris Olympia and then undertook |
| he uses the name Yukio Aki and his alias as a | chanson singer is Claude Nosaka. |
| The song is in the | chanson style popular in the early years of the Conte |
| The song itself is a ballad in the | chanson style popular in the early years of the Conte |
| The song is in the | chanson style and features Makulis singing about the |
| Lyrically, the song is in the | chanson style popular at the early Contests, with Dau |
| The song is in the | chanson style and describes the singer's wedding, whi |
| The song is in the | chanson style popular at the Contest at the time, wit |
| The song is in the | chanson style popular in the early years of the Conte |
| The song is in the | chanson style popular in the early years of the Conte |
| The song is in the | chanson style typical of the early years of the Conte |
| The song is in the | chanson style and features Horten describing some of |
| The song is in the | chanson style, popular at the early Contest. |
| The song is in the | chanson style, popular in the early years of the Cont |
| His songs have been covered by others in the | chanson style, such as Mikhail Shufutinsky |
| The song is in the | chanson style, popular in the early years of the cont |
| It is in the | chanson style, popular in the early years of the Cont |
| The song is in the | chanson style, and features Berry singing about the u |
| The song is in the | chanson style, popular in the early years of the Cont |
| 1998 | Chanson terminale: Effeuillage des Vagues |
| It is a | chanson that recounts the feelings of a lower-class " |
| nd he performs on Jungr's albums Bare (1999), | Chanson: The Space In Between (2000), and Every Grain |
| "madrigal", is their patterning on the French | chanson, then becoming influential in Italy; their re |
| L'Eternelle | chanson, triolets (1884) |
| Allez regrets is a | chanson usually credited to Hayne van Ghizeghem. |
| No. 2, La | Chanson villageoise (Village Song) |
| The | Chanson was later reworked and incorporated in an ext |
| Les Compagnons de la | chanson were a French vocal group from Lyon, France, |
| Mille Regretz is a French | chanson which in its 4 part setting is usually credit |
| His Missa Fors seulement is based on his own | chanson, which he used as the cantus firmus. |
| Their music is in the style of Russian | chanson, which is music from the perspective of the c |
| tonaire is a genre of early French poem, then | chanson, with the text divided into eight-verse secti |
| unced bands that sing in the style of Russian | Chanson, with Vladimir Ustinov, the former prosecutor |
| s, musically combining influences from French | chanson with rock, blues and reggae and in his later |
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