「etching」の共起表現一覧(1語右で並び替え)
該当件数 : 138件
rners of County Galway into Wessex, including | etching a 200-feet long white horse into the hill at |
, tanning, production of dyestuffs, and as an | etching agent in the production of electronic compone |
of techniques including painting, enameling, | etching, and engraving. |
unch and die, cutting/slitting, photochemical | etching, and other methods. |
, and monotype printing, as well as drypoint, | etching and engraving techniques. |
These ion sources are used for substrate | etching and cleaning, sputtering the target and contr |
ilm deposition, photolithography, dry and wet | etching, and metrology measurements. |
lored the intersection between artwork/copper | etching and printed circuit board in a number of touc |
al war artist during World War I, and took up | etching and drypoint under the influence of Francis D |
both one of the earliest impressions of this | etching and the actual copper plate from which the im |
Etching and aquatint | |
The Power of Tunniq, 2006, | etching and aquatint. |
Additionally he did some sculpting, | etching, and authoring. |
He works mainly in | etching, and copper engraving techniques. |
His main techniques were | etching and serigraphy, but he also did paintings and |
He was a keen innovator and experimented with | etching at a time when woodcut and engraving were dom |
st Scholar to Scotland to learn Photo-polymer | Etching at Edinburg printmakers in 2006. |
er" small discontinuities in the part, and an | etching bath is recommended as a post-bath treatment. |
re printed with great pressure, but in relief | etching, because the printed material was a raised su |
r" at the Gallery ‘Il Bisonte', Firenze; "III | Etching Biennal" at Rotary Club of Acqui Terme, Ovada |
ntly used engraving on a plate in addition to | etching, but produced no pure engravings. |
strially produced pinholes benefit from laser | etching, but a hobbyist can still produce pinholes of |
"Cleopatra" | etching by Giovanni Battista Cipriani after a wax mod |
rtcullis, as it appeared in the 18th century, | etching by Piranesi. |
on one side of the 12", and the B-side is an | etching by Nikki McClure. |
e the presence of contaminants like oxides or | etching by products could alter its metallic behavior |
"Portsmouth Point", an | etching by Thomas Rowlandson. |
An | etching by Goya described in Tallis |
Imaginary portrait of Dagobert II, | etching by Virgil Solis |
Etching by Charles John Smith, after William Capon, h | |
Etching by Schelte a Bolswert, after painting by Chri | |
The Mineral Spring, | etching by Wenceslas Hollar (1607-1677). |
Etching by Berol after a drawing by Friedrich Kauke ( | |
The Three Crosses, | etching by Rembrandt, 1653, State III of IV. |
Trains That Come, the Trains That Go (1919), | etching by Joseph Pennell. |
a collection of Old Masters' drawings and an | etching by Wenceslas Hollar. |
S.A. Schoff, | Etching by J.B. Small after a painting by A.B. Durand |
Etching by Jan Luyken illustrating the parable, from | |
Etching by Jan Luyken showing the triumphant return o | |
tical delivery of reactive ions, reactive-ion | etching can produce very anisotropic etch profiles, w |
He was a founding member of the New York | Etching Club in 1877, and active in the promotion of |
Etchings For The Art-Union Of London by The | Etching Club (London: Art Union of London, 1857). |
Horsley was a member of the London-based | Etching Club contributing illustrations to editions o |
Cope founded an artists' society called "The | Etching Club" which included artists such as William |
A full member of the New York | Etching Club, he was made an honorary member of the N |
The | Etching Club. |
he was made an honorary member of the London | Etching Club. |
e Royal College of Art, rising to Head of the | Etching Department where he was influential to many y |
Consequently he was professor | etching, drawing and lithography at the Royal Academy |
It also operates a dark room for wet | etching, electroplating and porous silicon fabricatio |
Etching: Esther L. Martin, circa late 1910s | |
m, 22.5% lead, and 22.5% antimony, by surface | etching followed with heating-cooling cycles. |
self had learned landscape drawing and copper | etching from Adrian Zingg at the same establishment. |
Johann Strauss I, | etching from 1835 |
Dirk Willems saves his pursuer in this | etching from the 1685 edition of Martyrs Mirror. |
An 1857 | etching from Ballou's Pictorial in which the "Pittsbu |
HF is a highly corrosive and toxic gas, even | etching glass surfaces. |
ds use as a disinfectant, and it is useful in | etching glass, metal casting, and electroplating. |
the King's Plate at Newmarket (engraving and | etching), Government Art Collection |
Jacoby in engraving, and of William Unger in | etching, he completed his studies traveling in Italy, |
Etching Hill is also the home of Rugeley Cricket and | |
Etching Hill is a very short distance away from the f | |
, Cannock North, Cannock South, Cannock West, | Etching Hill and the Heath, Hagley, Hawks Green, Heat |
Etching Hill is situated just over one mile from the | |
Smith was ejected and served with 57 minutes, | etching his name in Maple Leaf records as the most pe |
Contact Hole | Etching in Load-Locked Hexagonal Reactive Ion Etch Sy |
agazines, and then his first novel, Grenadine | Etching in 1947. |
g on from his initial experiments with relief | etching in the non-textual The Approach of Doom (1787 |
Etching in America (1886) | |
Etching in the runout groove on side B: "I cannot be | |
Vinyl | etching: IS REPAIRABLE |
amously through the graphic means of drawing, | etching, lithography, and woodcut, embraced the victi |
During that time he also taught | etching, lithography, and painting at the Museum Scho |
Hind, A. M. A Short History Of Enqravinq & | Etching; London; Archibald Constable & Co 1908 p. 90 |
also a good etcher, as could be seen from his | etching made in Paris of Ulysses after Francesco Prim |
at treating, cleaning, masking, pickling, and | etching may be used. |
matter without requiring heat as the dominant | etching mechanism. |
John Byrom by Dorning Rasbotham, | etching, mid 18th century NPG D18110 |
, and appeared as such in Thomas Rowlandson's | etching named after the Point. |
st products, where they may become visible by | etching of a polished specimen. |
igh-resolution patterning and high-resolution | etching of circuits onto nanoscale materials. |
man and others of the Norwich school, made an | etching of Hoveton in 1812. |
Millard Sheets to resemble (from the air) an | etching of a mythical Anasazi Thunderbird. |
key stages of developing dentine bonding are: | etching of tooth structure to create micro mechanical |
surface and the irregularities formed by acid | etching of the tooth. |
image of the garden is to be found on an the | etching of a view of Toledo from 1585 by Ambrogio Bra |
Muller-Ury made an | etching of Depew (copies, signed by the artist and th |
Etching of Cape Palmas, c1853. | |
Etching of John Benton Callis | |
1856 | etching of castle and church |
An 18th century | etching of ladies 'mounted' on bidets |
Jonathan Mayhew, from Cipriani's London | etching of 1767. |
Etching of the Penang Mission Chapel, circa 1824 | |
Etching of the Durham Ox by John Boultbee (1753-1812) | |
Etching of Aert van Nes by Jacobus Houbraken | |
Etching of the Raising of Lazarus c. 1648. | |
Necessary for the | etching of photogravure plates for printing photograp |
used in the semiconductor industry in plasma | etching of silicon oxide and silicon nitride. |
An artist's | etching of the Bell home, originally published in 189 |
glass is produced by the sandblasting or acid | etching of clear sheet glass. |
ised her skill at singing, painting, carving, | etching on glass and tapestry work. |
n grating) comprising fine parallel wires, an | etching on a glass plate, a photograph negative or co |
er it is ground and polished, such as bluing, | etching, or various other chemical surface treatments |
His trademark is an | etching or carving of a hare which he included in eve |
His | etching plates are now held at the Ashmolean Museum, |
ography presses, a 40x60 American French Tool | etching press and various other etching presses, a po |
reason, vitreographs are always printed on an | etching press, whose rigid bed will support the glass |
the workshop and print them onto paper in his | etching press. |
History: Taff's Well | Etching prior to 1861 |
eded for the design are usually removed by an | etching process - the figure areas are covered with a |
The key to developing successful complex | etching processes is to find the appropriate gas etch |
The Side A | etching reads "BEWARE...", while the Side B etching r |
He also completed a highly-finished | etching representing the ''Resurrection of Lazarus'' |
During the last 10 years of the | etching revival between 1920 and 1930 he produced etc |
period, Farrer became a driving force in the | Etching Revival in America. |
The | Etching Room, with etching presses and workstations |
gital LG Quiz), Extra Extra, Extra Challenge, | ETChing, S-Files, Mornings @ GMA, Whammy! |
t glass in a variety of techniques including; | etching, sand blasting, blowing, stained, dichroic, b |
Supported by the State, he opened an | etching school for Danish artists in Copenhagen where |
A commercial reactive-ion | etching setup in a cleanroom |
This 1789 | etching shows the Dutch influence on the architecture |
It is highly selective in | etching Si3N4 instead of SiO2, silicon dioxide. |
As such, relief | etching tackled the problem of the division of labour |
techniques of photoresist masking and plasma | etching that had been used with great success with al |
He was an excellent draughtsman, and learnt | etching to such good effect that the illustrations in |
s called photochemical machining, or chemical | etching, to companies in the aerospace, medical, elec |
in oils and watercolours and in 1990 he added | etching to his folio. |
In 1861 Edwards made an | etching trip along the Thames with Whistler, Fantin-L |
turned to the College in 1919 when he studied | etching under Sir Frank Short and was awarded a schol |
terial sample (cutting, microtomy, polishing, | etching, vapor-deposition etc.). |
(This | etching was also the inspiration for William Walton's |
effects possible, a major advantage of relief | etching was that Blake could print the material himse |
Relief | etching was the same basic method used for woodcuttin |
on from his youth, and added to it the art of | etching, which he developed with great success, being |
ver Europe with the first published manual of | etching, which was translated into Italian, Dutch, Ge |
On the other hand, anodizing or | etching will also decrease the thermal resistance. |
She studied lithography and | etching with Nathan Oliveira between 1956 and 1959. |
Kollwitz made a total of 275 prints, in | etching, woodcut and lithography. |
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