「orchestral」の共起表現一覧(1語右で並び替え)5ページ目
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be the future caretakers of Britain's strong | orchestral tradition, are not lost from the profession |
Colin Metters, is an English conductor, | orchestral trainer and conducting pedagogue and since 1 |
y's mission is to provide the finest quality | orchestral training and performance opportunities for s |
portunities in music - including exceptional | orchestral training, the pursuit of artistic excellence |
attention of Sir Henry J. Wood, who made two | orchestral transcriptions of it, both of which were rec |
r various stage productions and made several | orchestral transcriptions. |
was mainly responsible for the rich and lush | orchestral treatment given to the whole project. |
he group's goal is to reverse the mainstream | orchestral trend which features mostly older classical |
In 2004, another | orchestral tribute, this time to the Islay single malt |
Though the final | orchestral trumpet version appears on his 1996 album Pe |
John Van Houten is an American | orchestral tuba player. |
ular Bells albums; Tubular Bells (1973), The | Orchestral Tubular Bells (1975), Tubular Bells live (19 |
The | Orchestral Tubular Bells |
In the Act's finale, Newman likens the | orchestral turmoil which follows Tosca's stabbing of Sc |
ing of the first movement, with little of an | orchestral tutti to contrast with. |
ncy of the final cadence in a thick vertical | orchestral tutti, the melody ascends through chromatic |
a rock concert, or to heighten a large-scale | orchestral tutti. |
's first movement culminates with a dramatic | orchestral tutti. |
variation that I had difficulty hearing the | orchestral tutti." |
Instead, the edit features the | orchestral type sound, which features after the trumpet |
any of Fry's rival critics, may be the first | orchestral use of the saxophone, invented barely a deca |
In | orchestral use, the bars are mounted horizontally. |
y improved versions of the contrabassoon for | orchestral use, and by the tuba in wind bands. |
Indeed, it was regarded as too loud for | orchestral use, though it was suitable for outdoor use |
He composed a Mimodrama, | orchestral variations in the medieval style, a Dies Ira |
piano version was published in 1911, and an | orchestral version was published in 1912. |
ony Orchestra Project, has created a Chinese | orchestral version of Tan's Internet Symphony No.1, usi |
"If You Were with Me Now" ( | Orchestral version with Keith Washington) - 3:12 |
o the year in which he finished the original | orchestral version of his Night on Bald Mountain (which |
1 and was able to perform small parts of the | orchestral version on the piano. |
The full | orchestral version of the overture has been recorded by |
During the end credits, one can hear the | orchestral version of "Kuolema Tekee Taiteilijan". |
It also features the | orchestral version of the song "Doubleback" performed a |
on, on the track "Eclipse", a section of the | orchestral version of "Ticket to Ride" can very faintly |
The | orchestral version of the work was published in 1899, a |
ard predominantly throughout, is a reworked, | orchestral version of Dies Irae. |
It is an | orchestral version of his Piano Sonata No. 1. |
ing Quartet, the Thirteenth Symphony and the | orchestral version of From Jewish Folk Poetry. |
The Dutch composer Theo Verbey made an | orchestral version of 1.X.1905 which received its premi |
The | orchestral version of "Ashita e no Sanka" was included |
2), Neil Young (Harvest, 1972) and on a full | orchestral version of the Beatles' Sgt. |
ntain (Death Cover)" - previously unreleased | orchestral version - 4:16 |
It is believed that an | orchestral version of the song is barely audible in the |
The | orchestral version is included in the publisher's Willi |
The | orchestral version of the work was published two years |
An | orchestral version of Hergest Ridge was arranged and co |
An | orchestral version of the song was recorded by the band |
rt Farnon provides the soundtrack, his light | orchestral version of the folk tune Early One Morning p |
The | orchestral version of O King was, shortly after its com |
The | orchestral version was first heard in public on 11 Janu |
Both versions have been recorded: the | orchestral version on Rutter's own Collegium label cond |
"Hasta que tu Muerte nos Separe" ( | orchestral version) (Till your death unjoin us) - 5:31 |
Das Tier ( | Orchestral Version) * |
"Stand Away" ( | Orchestral version) |
"Veniality" ( | Orchestral version) - 4:37 |
"Restless" ( | Orchestral Version) (J Warnes) (4.10) |
"Both Sides Now" (2000 | orchestral version) - 5:46 |
"The Last Amazing Grays" ( | orchestral version) - 5:10 |
"Imperfect Tenses ( | Orchestral Version)" - 4:06 |
"Walk Away ( | orchestral version)" - 4:15 |
"The Main Street Electrical Parade ( | Orchestral Version)" 3:41 |
"HW / Hope of New Fields ( | Orchestral Version)" * - 2:32 |
t under the name "Kuolema tekee taiteilijan ( | Orchestral Version)". |
nown in its original form and the composer's | orchestral version. |
Liszt also made no | orchestral version. |
a project to release the entire album in an | orchestral version. |
ngement for two pianos concurrently with the | orchestral version. |
He also made | orchestral versions of piano works such as Beethoven's |
Orchestral versions of the accompaniments have been pro | |
f You", and both songs were also included as | orchestral versions alongside Jonathan Tunick's origina |
The Philly Pops plays | orchestral versions of popular jazz, swing, Broadway so |
The | orchestral versions on tracks 24-27 were from a January |
it from folk instrumentations to full modern | orchestral versions, and making it palatable to interna |
anos (S.654) (both shorter than the solo and | orchestral versions, and one with a completely re-writt |
it from folk instrumentations to full modern | orchestral versions, and making it palatable to interna |
The opera exists in two | orchestral versions. |
Blame It On The Weatherman [ | Orchestral Version] 3:31 |
8, 1911 - July 30, 1991) was a British light | orchestral violinist and bandleader. |
These included Rimsky-Korsakov's | orchestral virtuosity, Tchaikovsky's lyricism and Taney |
the band plays a version of the traditional | orchestral warmup tune before launching into the song w |
There is also an arrangement for | orchestral wind band. |
Threnos (1998), for | orchestral winds |
Philarmonia | Orchestral Winds: Conductor, Carly Kulawitz. |
y sort of rock or pop group, they are mostly | orchestral with sound effects created in the recording |
17), completed 15 March 1942 is an | orchestral work in one movement. |
Capriccio burlesco is an | orchestral work by Sir William Walton, written between |
He recorded an | orchestral work entitled The Choctaw Diaries by the Cho |
His | orchestral work Memorial to Lidice was written in remem |
He later re-worked the piece into a longer | orchestral work named Blue Hills Rhapsody, a recording |
g oder die Schlacht bei Vittoria) is a minor | orchestral work composed by Ludwig van Beethoven to com |
In 1937 her | orchestral work Punto premiered at the Teatro Cervantes |
In 1970 his | orchestral work The Sound of Milo won first prize in th |
too modern for Nordic music circles, and his | orchestral work Joutsenet (The Swans, Les Cygnes) of 19 |
The Masquerade suite is an | orchestral work by the Soviet-Armenian composer Aram Kh |
in early 1951, as Boulez was completing his | orchestral work Polyphonie X, and finished in 1952. |
It is an | orchestral work inspired by the poem "Feuilles d'automn |
s the inspiration for Elliott Carter's large | orchestral work Symphonia: sum fluxae pretium spei. |
elites, and The Eye of the Wind Rhapsody, an | orchestral work celebrating the exploration of the New |
Tristan is a six-movement | orchestral work by the German composer Hans Werner Henz |
n releasing world premiere recordings of the | orchestral work of romantic composers. |
sometimes known as The Arabian Nights, this | orchestral work combines two features common to Russian |
ly titled "Suite from Porgy and Bess", is an | orchestral work by George Gershwin based upon music fro |
Martyn Ford was brought in to supervise the | orchestral work after Robert John Godfrey departed over |
ize from the The Gentlewoman for an original | orchestral work The Winds of the World. |
His | orchestral work Interventions was commissioned and prem |
Friedheim Award (second prize, 1994, for his | orchestral work Bright Sambas), a Naumberg Recording Aw |
he composer's most popular and most-recorded | orchestral work, although in recent decades it has larg |
In 1885 he wrote his only | orchestral work, the Piano Concerto in E-flat major. |
oscia (1954), the first Finnish dodecaphonic | orchestral work, Trittico sinfonico (1958), and Aurea d |
anus encouraged Sibelius to compose a purely | orchestral work, which turned out finally to be this wo |
ion, Delius used the song as the basis of an | orchestral work, which was first performed in 1908. |
In addition to his | orchestral work, he has made CDs and other recordings f |
m, including what is probably his best known | orchestral work, the Variations and Fugue on a Theme by |
e at the Auckland Philharmonia and her major | orchestral work, The Improbable Ordered Dance, written |
Orchestral work- commissioned work- Jazz Passengers w/ | |
amson was barely 25, it was his first mature | orchestral work. |
poser, he was known for his church music and | orchestral work. |
a choral-orchestral-dance piece and a choral | orchestral work. |
pedals, free jazz and drones, being a mostly | orchestral work. |
ld Bax in 1919; it is perhaps his best-known | orchestral work. |
st, having already wanted to compose a large | orchestral work. |
Kulhawik performs as a guest narrator in | orchestral works and has performed with The Boston Pops |
d some of her scores, including three of her | orchestral works (Piano Concerto, Symphony, and Phantas |
0 commercial recordings, including the major | orchestral works of Howard Hanson and David Diamond, fo |
He has recorded solo, chamber, and | orchestral works composed by Britten, Haydn, Messiaen, |
His | orchestral works included Five pieces for orchestra, Si |
works for voices and instruments, choral and | orchestral works and an opera for children. |
His | orchestral works include the musical scores of Battle R |
Orchestral works | |
duced a great variety of music, ranging from | orchestral works such as his Violin Concerto, Op. 36, a |
owever, it is only recently that a CD of his | orchestral works has been produced. |
The complete | orchestral works by Paul Hindemith and Erich Wolfgang K |
The | orchestral works of Hans Pfitzner (and a substantial am |
Mumford's | orchestral works have been performed by the National Sy |
hree piano trios, song cycles, choral works, | orchestral works and organ music. |
he manuscripts of several further operas and | orchestral works remain unpublished. |
r to six concerts per year, concentrating on | orchestral works and concerti, but often featuring cham |
His complete | orchestral works have been recorded by the German condu |
ccasional use of 3/1, and is one of very few | orchestral works to use either of these time signatures |
Though Lucier had composed chamber and | orchestral works since 1952, the composer and his criti |
ht-ahead” modern jazz as well as chamber and | orchestral works that utilize certain elements of the N |
Purcell, Dido and Aeneas and | orchestral works |
Orchestral works - 18 works including 9 symphonies | |
ic group who transcribed and performed great | orchestral works for two pianos and piano four hands. |
use a post-Wagnerian tonal idiom and for her | orchestral works which exhibit a wide range of influenc |
, masses, and cantatas, and adapted numerous | orchestral works to four to eight pianos for use in his |
nly chamber music and piano pieces, but also | orchestral works and concertos. |
sport, Pennsylvania, he composed a number of | orchestral works as well as a good deal of chamber musi |
which won a French radio award in 1958, and | orchestral works including four piano concertos and a v |
He composed church music as well as | orchestral works and chamber music. |
He is best known for | orchestral works on his native Galloway, such as A Solw |
the first time the composer heard one of his | orchestral works performed publicly. |
Among his | orchestral works are "Four Fancies - Suite" (1925); "Fu |
ey are invited to rehearse and perform major | orchestral works by composers including Mahler, Shostak |
His | orchestral works have been performed by the Cincinnati |
He achieved some minor success with his | orchestral works Berceuse and Praeludium. |
Another feature particularly of his recent | orchestral works is a refined and instantly recognizabl |
He started with light | orchestral works in the first part, a concerto in the m |
Searle, Humphrey, "The | Orchestral Works" |
ties, "was producing a series of chamber and | orchestral works, each one longer and grander than the |
one quartet, woodwind quintet), many shorter | orchestral works, works for wind ensemble and band, cha |
Vincent wrote numerous | orchestral works, chamber music pieces, art songs, and |
nd performers between 1981 and 2008 included | orchestral works, four symphonies, seven concertos (for |
ncompass a wide variety of genres, including | orchestral works, chamber music, opera, ballet, and pie |
His output includes | orchestral works, ensemble works, chamber music and sol |
olin concerto, instrumental & chamber works, | orchestral works, motets and an opera. |
ed copies of the initial versions of Liszt's | orchestral works, making suggestions on scoring. |
of the time, including opera, church music, | orchestral works, and many varieties of chamber music. |
American | Orchestral Works, released June 27, 2006 |
d Maske), three operettas, incidental music, | orchestral works, and chamber music, as well as over 20 |
Wolf-Ferrari: | Orchestral Works, BBC Philharmonic Orchestra |
composed in the Romantic style and produced | orchestral works, pieces for chamber orchestra, and oth |
A CD of two | orchestral works, Vixen and In Transit, featuring the B |
includes 85 works for wind instruments, ten | orchestral works, 19 Lieder and 34 choral works. |
pieces for wind bands, chamber ensembles and | orchestral works, many of which have been recorded. |
He also composed a number of | orchestral works, songs, and jazz pieces. |
er's series of three exceptionally brilliant | orchestral works, preceded by Capriccio Espagnol and Sc |
itals, concerto performances, and conducting | orchestral works, Fischer also played chamber music. |
ra Medea, ballet music, a symphony and other | orchestral works, many songs with piano or instrumental |
e a wide variety of songs, chamber music and | orchestral works, some (such as his Symphonic Monument: |
Her compositions include large-scale | orchestral works, as well as songs, keyboard, and chamb |
Symphony and Cabrillo Festival Orchestra for | orchestral works. |
n Gothenburg, and began to write large-scale | orchestral works. |
for piano and violin, choral works and some | orchestral works. |
chard Strauss*' “Ein Heldenleben”, and other | orchestral works. |
ks, including piano music, chamber music and | orchestral works. |
served as orchestrator for Duke Ellington's | orchestral works. |
young composers to receive hearings of their | orchestral works. |
or Chandos Records as well as discs of other | orchestral works. |
st, giving performances of chamber music and | orchestral works. |
n oratorio, The Guardian Angel, and numerous | orchestral works. |
Berlioz: Complete | Orchestral Works: John Shirley-Quirk, Robert Tear, Sir |
Orchestral works: Thalassa Symphony in D minor (Boosey) | |
Notes to Deutsche Grammophon 5262148, Liszt: | Orchestral Works; Shura Cherkassky, piano; Berlin Philh |
hopefully, meet the quality standards of the | orchestral world.”. |
A characteristic feature of his | orchestral writing is the near-omnipresent piano; many |
The most elaborate | orchestral writing is the Fantasia, but even this is fa |
Critics saw the work as a clumsy attempt at | orchestral writing that departed too stridently from th |
le larger one, and establishes the soloistic | orchestral writing which is sporadically found in works |
from 1949 to 1951 was a fruitful one for his | orchestral writing, another notable area of his work; d |
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