「psalms」の共起表現一覧(1語右で並び替え)
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converted to Christianity; when he was singing | psalms, a dove came down from the sky and flew around |
His extant works include a commentary on the | Psalms, a letter to Eusebius, the Syntagmation, and a |
ey recited prayers and chanted the penitential | psalms all along the route. |
The scribe who wrote the | psalms also wrote a series of prayers on folios 197-2 |
have written an Old English translation of the | Psalms, although this is disputed. |
s time he had created ten glees and madrigals, | psalms and anthems, as well as several others clerica |
ond") in an ancient cathedral foundation sings | psalms and Preces and Responses after the Precentor. |
bration, members of the community fast, recite | Psalms, and gather in Jerusalem where Kessim read fro |
ieces: 4-, 5-, 6-, and 8-voice masses, motets, | psalms, and hymns. |
1673 Puritan Preface to the Scottish Metrical | Psalms and contributed one of the "Cripplegate Sermon |
Psalms and hymn settings | |
In 1887, Verbeck translated the Old Testament | Psalms and Book of Isaiah into Japanese, which had a |
d numerical patterns in the Hebrew text of the | Psalms, and soon afterwards in the Greek text of the |
used to conclude the singing or recitation of | psalms and canticles at the Daily Offices of Morning |
Psalms and Hymns follow Epistles. | |
ck van psalmen en fantasyen (Tablature-book of | psalms and fantasies), a collection of organ music, p |
2000 Rebelo: Vesper | Psalms and Lamentations. |
It consists mainly of | psalms and is said around 3 p.m. Its name comes from |
ntemporary European Classicism, ancient Hebrew | psalms and modal scales. |
This work was a metrical version of the | Psalms, and largely ousted the old version of T. Ster |
involves the weekly use of Anglican chant for | psalms and canticles. |
It consists mainly of | psalms and is said at noon. |
rote masses, litanies, offertories, antiphons, | psalms and sacred cantatas. |
translation of the New Testament (and Genesis, | Psalms, and Proverbs), titled The Everlasting Gospel, |
Psalms and Canticles: Jewish Choral Art in America | |
t from his Bible translations, he versified 27 | Psalms and translated 800 Psalms and hymns, as well a |
playing of the instruments, the singing of the | Psalms, and the blare of the trumpets sounded as one |
similar commentaries on Genesis (1561), the | Psalms, and the Song of Solomon (1562); |
he Islamic call to prayer, the Bible (e.g. the | Psalms and Revelation), and the Mahabharata. |
including the singing of hymns (especially the | Psalms) and reading from the Scriptures (Old and New |
Peter Lombard wrote commentaries on the | Psalms and the Pauline epistles; however, his most fa |
ese are commentaries on the Apocalypse, on the | Psalms, and on the Song of Solomon; Lives of Saints P |
they give evidence that helps in dating of the | Psalms and identifying their original use. |
and her complete works (144 hymns, 34 metrical | psalms and 50 moral poems) appeared in one volume in |
2 he edited a Unitarian Collection of Prayers, | Psalms, and Hymns. |
ts, settings of the Lamentations, Magnificats, | psalms, and 170 villancicos; he also wrote some secul |
ich included many hymns and paraphrases of the | psalms, and a book called Without Faith, without God, |
d Leonard Bernstein to compose the 'Chichester | Psalms' and also worked with John Piper, Geoffrey Cla |
hymns that had fallen out of use, emphasising | psalms, and adding of more modern musical settings an |
A collection of | psalms and hymns for the use of parish churches (1793 |
, by laity as well), principally at the end of | psalms and canticles and in the responsories. |
hors, Intended to Be an Appendix to Dr. Watts' | Psalms and Hymns, commonly known as Rippon's Selectio |
tial in subsequent settings of the Penitential | Psalms, and was itself probably inspired by the recen |
ip (1838), known as his Lutterworth Collection | Psalms and Hymns for Public Worship, Selected for Som |
Critical essay - "Marilynne Robinson's | Psalms and Prophecy," from Open Letters Monthly |
ollects and prayers, the suffrages, canticles, | psalms, and miscellaneous tables, TLH became an extre |
A Selection of | Psalms and Hymns for Public and Private Use, with Jon |
h influenced by wisdom literature, such as the | Psalms and Proverbs of the Old Testament scriptures. |
cient Jerusalem temple and was reused in later | Psalms and prophetic texts, particularly the ambiguou |
t chants, various mantras, and the chanting of | psalms and prayers especially in Roman Catholic, East |
imself in making a poetical translation of the | Psalms and in writing a sacred tragedy. |
A Collection of | Psalms and Hymns for the Use of Universalist Societie |
s - Pathodia sacra et profana, a collection of | psalms and songs, published in Paris |
There is provision for the chanting of | psalms and canticles such as the Magnificat and the s |
is principal writings were a commentary on the | Psalms and a number of letters, histories, and homili |
hey wish to divide by volumes, one to take the | Psalms and another the Chronicles" (Yer. |
in his output of Anglican chant (used for the | psalms and canticles), hymns, and anthems. |
um) are a selection of verses from the book of | Psalms, appended subsequently to the original hymn. |
The | Psalms are shown to reflect the life of the entire He |
Three fixed | psalms are read at the Third Hour: Psalms 16, 24, and |
Ali Ufki's versions of the | psalms are relatively simple; with careful attention |
Three fixed | psalms are read at the Third Hour: Psalms 83, 84, and |
The divisions of the Chumash and the | Psalms are many centuries old, but the Tanya was divi |
Therefore, | psalms are sung in public worship solely and without |
tion to ascribing authorship to David, several | Psalms are identified with specific events in David's |
The appointed | psalms are then said or sung, one or two lessons are |
English half-uncials, while the titles of the | Psalms are written in rustic capitals. |
dition contains 901 hymns, carols and metrical | psalms arranged into 14 sections. |
Black wrote consorts and "lessons" on | psalms as part of his work as a teacher, some of whic |
The recitation of these six | psalms as an alternative to 113-118 is a compromise o |
eek (the week following Easter Sunday) when no | psalms at all are read. |
It is a Latin psalter, of the | Psalms, attributed to St Colm Cille (or Columcile). |
I would suggest that the numbering of | Psalms be reconsidered here, and for Wikipedia as a w |
strong, Jenkins organised choral services with | psalms being sung to Anglican chants and the canticle |
merfelt in an evening of Bernstein (Chichester | Psalms), Brahms (Alto Rhapsody), and Bruckner (Te Deu |
he early Christian hermits not only prayed the | Psalms, but also sang hymns and recited prayers (ofte |
was mostly intended for the singing of vespers | psalms, but falsobordone can also be found in Passion |
ld Testament includes a new translation of the | Psalms by Donald Sheehan of Dartmouth College. |
nted in A Supplement to the New Version of the | Psalms by Dr Brady and Mr Tate, published in 1700.:11 |
lost, is believed to have contained nine fresh | psalms by Whittingham; these were reprinted in the ed |
Sometimes at night, the singing of | psalms by sowha can be heard in the mountain canyons |
ngs of Italian sonnet-form translations of the | Psalms by Francesco Bembo. |
d, but included an oratorio, cantatas, masses, | psalms, canons, organ pieces, and clavichord music. |
Psalms, canticles, and other resources are also found | |
Main article: Chichester | Psalms casts |
n sing a number of appropriate verses from the | Psalms, chanting the Megalynarion between each one. |
Their recording of Symphony of | Psalms, conducted by Stravinsky, was nominated in 196 |
tern Lauds-notably the canticles and the three | psalms, cxlviii-cl, which in the Greek Liturgy bear t |
A new translation of the | psalms, daily recited by the religious and priests, i |
chiefly of the psalter, an arrangement of the | Psalms distributed over a period of a week or a month |
ed into three sections (called stases) of five | psalms each. |
On the Book of | Psalms: Exploring the Prayers of Ancient Israel, Scho |
ur (Prime) begins with the recitation of three | psalms followed by a doxology, two stichoi, a doxolog |
recently composed Cantones de Nuestro Tiempos ( | Psalms for our Times): The Cambridge Psalms, a commis |
in the Reformed Presbyterian Church's Book of | Psalms for Worship. |
are for the church, including settings of the | psalms for three, four, five and eight voices, and se |
Its complete title is Crippled Lucifer (Seven | Psalms for Our Lord of Light) but it is rarely referr |
His first album, | Psalms For I, featuring the Lord's Prayer and various |
‘A Selection of | Psalms for Social Worship' and ‘An Alphabetical Expli |
Psalmorum Davidicorum II consists of fifteen | psalms for four to eight voices, a concerto for four |
lating Johannes Bugenhagen's commentary on the | Psalms, fraudulently replaced Bugenhagen's statements |
de which use a metrical version of the Book of | Psalms from the Bible as the only manual of songs tha |
n the conjure tradition, and the recitation of | Psalms from the Bible is also considered magically ef |
At the age of 17 he began to learn to sing | psalms from Samiylo Yashny. |
Despite its riches, Hymns and | Psalms has never quite been regarded with the same wa |
his Pentateuch commentary, and the one on the | Psalms has been preserved only in part. |
Outside Dresden only a few of these | Psalms have become popular. |
Settings of individual penitential | psalms have been written by many composers. |
propers for the Royal Hours include particular | psalms, hymns (stichera), paroemia, and Epistle and G |
ith the title ‘'Songs of Syon: A Collection of | Psalms, Hymns and Spiritual Songs for Public and Priv |
ns of older Latin hymns, were published in his | Psalms, Hymns and Spiritual Songs. |
Psalms, Hymns, & Spiritual Songs; Kurt Kaiser | |
irst Part: In the Ancient Way of Offices, With | Psalms, Hymns, and Prayers for every Day in the Week, |
Royal Hours in the forenoon, includes many | Psalms, hymns, Old Testament and New Testament readin |
Psalms I 1-50, Mitchell Dahood, 1966 | |
The Book of | Psalms in Hebrew, with Selections from various Readin |
Other works by him include the | Psalms in an English Metrical Version (1842) and a Hi |
Psalters (as distinct from copies of the | Psalms in other formats) developed in the Latin West |
, it was reprinted with the Confession and the | Psalms in metre in 1564, and it remained the standard |
Its meaning in these | Psalms in uncertain. |
James Merrick, "The | Psalms in English Verse" (Reading, England, 1765); |
It was considered legal to print the | Psalms in America. |
include, English Farming Past and Present, The | Psalms in Human Life, Life and Correspondence of Arth |
numbering) is one of the most frequently used | psalms in the Eastern Orthodox Church and those Easte |
n sings hymns while the Scottish one uses only | psalms in public worship), and a different emphasis w |
League and Covenant, and exclusive use of the | Psalms in singing. |
The book contains the | Psalms in the arrangement of the Septuagint, and the |
recht Psalter, although the Gallic form of the | psalms in this work was substituted for the Roman for |
known as a "Dutch door" psalter) is a book of | Psalms in metrical form, in which each page is cut in |
Besides these Whittingham translated four | psalms in the Scottish psalter, which do not appear i |
e devotionals and contains a calendar, the 150 | Psalms in Latin plus other liturgical texts. |
Psalmodic chants, which intone | psalms, include both recitatives and free melodies. |
e Rev. F.G. Holbrooke, Vicar of Portslade; the | psalms included in the service being chanted by the b |
h and composed or edited a number of hymns and | psalms including: "A Collection of Psalm Tunes with a |
However, their place in between the | psalms indicates that they were intended to be part o |
arola wrote two impassioned meditations on the | psalms, Infelix ego and Tristitia obsedit me (on psal |
the first translation of the New Testament and | Psalms into Haitian Creole. |
ble for the first translation of the Bible and | Psalms into the Xhosa language, and composed a large |
The number of | psalms is not stated. |
ch book of the Bible and the major sections of | Psalms is introduced by a large historiated initial i |
Chichester | Psalms is a ballet made by New York City Ballet balle |
A manuscript of his commentary on | Psalms is at the Bodleian Library, Oxford. |
Hymns and | Psalms is the hymn book of the Methodist Church in th |
The entire book of | Psalms is read, with Kabbalistic prayers being recite |
Joye's translations of | Psalms, Isaiah, Proverbs, Ecclesiastes, Jeremiah and |
As a general rule for refs to | Psalms it might be worth considering the use of this |
ng books of the Bible: Isaiah, Minor Prophets, | Psalms, Job, Pentateuch, Daniel; the commentaries on |
In this small collection of | psalms, known as Mezmurlar and released in 1665, Ali |
Thoughts on the Hebrew Titles of the | Psalms, London, 1749; new edition, 1855. |
People who cherish the | Psalms may bemoan "is nothing sacred?" |
laments, more present than communal laments in | Psalms, may have been kept for home use rather than i |
rate publications to his credit: they included | psalms, motets, litanies, "Scherzi sacri," masses, po |
Broughton, Len G. (1920), Heart Talks from the | Psalms, New York: The Book Stall, pp. |
She translated the | Psalms of David into German verse and wrote a poetry |
The | Psalms of David; |
h produced one famous work, New Version of the | Psalms of David (1696). |
Frontispiece for the | Psalms of St. Augustine; Gaspar Boutats fec. |
Psalms of communal laments were more commonly found i | |
His publications are: The | Psalms of David in Meter (1599) and An Hour's Recreat |
collaborator Nahum Tate, is New Version of the | Psalms of David, a metrical version of the Psalms. |
The | Psalms of David Evangelized, wherein are seen the Uni |
e was later released on the bands third album, | Psalms of Conscious Martyrdom |
He also wrote | Psalms of David (in 1615) and Regia Pietas (in 1622). |
ry and his Ph.D., on the interpretation of the | Psalms of Martin Luther, at Princeton Theological Sem |
The | psalms of David truly opened and explained by Theodor |
The | psalms of communal lament are a group of Psalm Forms |
h of England hymn-book, Select Portions of the | Psalms of David etc. (1828). |
The | Psalms of David for the Use of Parish Churches, 17 |
areas such as the use of hymns instead of only | Psalms, offering communion to non-Reformed people, ne |
ns, all in Latin, comprise commentaries on the | Psalms, on the Apocalypse, on the Gospels of Sundays |
d Presbyterian denominations worship God using | Psalms only, unaccompanied by music, which they argue |
The Penitential | Psalms or Psalms of Confession is a name designation |
grin Cyrillic: Октоих), in English the Book of | Psalms or Psalter, is an incunabula printed in Cetinj |
hymns whose lyrics were not based on Biblical | psalms, overlooked catechism preaching, and did not s |
(Greek numbering: Psalm 88) is in the Book of | Psalms, part of the Hebrew Bible. |
The liturgies and | psalms precede the hymns, with indexes in the back. |
The targumim of | Psalms, Proverbs, and Job are generally treated as a |
hat it permits the use of songs other than the | Psalms, provided that the lyrics are compatible with |
ven of these were included among the fifty-one | psalms published at Geneva in 1556 as part of the ser |
And grateful | psalms re-echo down the nave; |
The notes on the | Psalms, re-edited in Stephens's Liber Psalmorum David |
Hallel of pesukei dezimra a selection of six | psalms recited as part of pesukei dezimra - the intro |
Perret's choice of texts also favors the | psalms, reinforcing his identity as a Protestant. |
in 1825-6 about the Apocrypha and the Metrical | Psalms resulted in the secession of the Glasgow and E |
For the Norwegian | Psalms scholar, see Sigmund Mowinckel. |
d international writers, as well as responses, | psalms, scripture songs, canticles, prayers, communio |
His other works, besides commentaries on the | Psalms, Second Isaiah, Proverbs, Ephesians, Hebrews, |
ranslations from German hymns, versions of six | psalms, selections from an unpublished poem called ‘T |
ended) the commentary of St. Athanasius on the | Psalms, sermons of St. James of Nisibis, and under th |
e edition with English text of The First Fifty | Psalms Set to Music by Benedetto Marcello (1757-65). |
Towards the | Psalms, settings of texts from the novel Fugitive Pie |
to the principal Greek authors; versified the | Psalms, several editions of which were set to music. |
gaged contemplatives drawn from his poetry and | psalms; she also released a two-disc CD of selected r |
tents of the New England Psalter included: the | Psalms, some of the stories of the Old and New Testam |
in his Psalter earlier Lutheran paraphrases of | psalms, such as Aus tiefer Not schrei ich zu dir, Ach |
afterlife," Philip Johnston argues that a few | Psalms, such as Psalm 16, Psalm 49 and Psalm 73, "aff |
ly music employed in public worship are metric | Psalms sung congregationally, a capella; women are no |
ials at the traditional major divisions of the | Psalms take up most of the page, and as is usual, the |
Below this figure Oresme quotes the | Psalms that "The heavens declare the Glory of God and |
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