「renaissance」の共起表現一覧(1語右で並び替え)
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Paris et ses fontaines, de la | Renaissance a nos jours, Directed by Beatrice de Andia, |
an composer of the Roman School of the late | Renaissance, a student of Giovanni Pierluigi da Palestr |
numentales, in Paris et ses fontaines de la | Renaissance a nos jours, pg. |
Pisa In The Early | Renaissance; A Study Of Urban Growth, 1958 |
cular music including madrigals in both the | Renaissance a cappella and Baroque concertato forms. |
building in 1993 as part of the River City | Renaissance, a plan put forward by Mayor Ed Austin that |
He has also written for American | Renaissance, a yearly magazine put out by the New Centu |
Paris et ses fontaines, de la | Renaissance a Nos Jours. |
Its eclectic mix of Medieval and | Renaissance a cappella sacred music is matched only by |
Renaissance Academy rented out space on the first and s | |
Baltimore | Renaissance Academy is a public high school in Baltimor |
Renaissance Academy Charter High School was a public ch | |
Renaissance Academy has been accredited by the Western | |
lans presented prior to the construction of | Renaissance Academy, the area was designed for only abo |
2-1600) was an Italian composer of the late | Renaissance, active in Venice and Florence. |
French composer and probably singer of the | Renaissance, active in Gascony. |
a Franco-Flemish composer and singer of the | Renaissance, active in Venice. |
n Italian composer and organist of the late | Renaissance, active in Mantua and Graz. |
a Franco-Flemish singer and composer of the | Renaissance, active in Bruges and Brussels. |
, choirmaster, and possibly organist of the | Renaissance, active in several towns in Lorraine, inclu |
(active 1580) was an Italian painter of the | Renaissance, active in his native Ascoli Piceno. |
6 - c. 1487) was an Italian engraver of the | Renaissance, active in his native Florence. |
co-Flemish singer and composer of the early | Renaissance, active in Rome and at the Burgundian court |
His career enjoyed a | renaissance after a move to Ravenna, before ending his |
, in their effort to build the city's first | renaissance after World War II. |
ilation of Spanish secular polyphony of the | Renaissance after the Cancionero de Palacio. |
of caryatids, characteristic of the French | Renaissance after 1550. |
Between the previous | Renaissance album and this one, Haslam and Dunford had |
The third Revolution | Renaissance album, titled "Trinity", was released later |
e him to be a key player in the Carolingian | Renaissance, allowing him to capably assist in the prom |
ounders of modern research into the Italian | Renaissance along with Jacob Burckhardt. |
It has a carved wood | renaissance altar which was later moved to the Catholic |
ighlights of the Meadows Collection include | Renaissance altarpieces, monumental Baroque canvases, e |
ledged his great contribution in the Bengal | Renaissance among the poor and marginalised people. |
, Iowa, in 1996 and is currently enjoying a | renaissance amongst Montreal-area gardeners. |
"Five Times Repeated Music" (CC Hennix on | Renaissance amplified oboe & sine waves + Peter Hennix |
arly Modern Europe; The Culture of the High | Renaissance: Ancients and Moderns in Sixteenth Century |
ed in the Norwegian old tapestries from the | renaissance and baroque times. |
) was an Italian composer and singer of the | Renaissance, and the eldest musician in a large promine |
be generally described as a mix of Italian | Renaissance and Greek Revival, with a degree of Beaux-A |
Nowadays there are important ensembles for | Renaissance and Baroque music, i.e. |
merican performer, teacher and historian of | Renaissance and Baroque dance. |
h 1574) was an Italian painter, active in a | Renaissance and Mannerist styles. |
ser, violinist, and viol player of the late | Renaissance and early Baroque eras, mainly active in no |
m, Gothic art from the 13th-15th centuries, | Renaissance and Baroque art from the 16th-18th centurie |
emselves replaced the madrigals of the late | Renaissance; and the development of the oratorio, of wh |
Chairman of the Council on Chinese Cultural | Renaissance and Chairman of Board of the National Palac |
Fontaine also served as president of Maison | Renaissance and Arc en Ciel in Hearst. |
t Worcester College, Oxford University, and | Renaissance and modern culture and literature at the Ez |
work meant to depict various aspects of the | Renaissance, and is built up of numerous episodic melod |
iterature and religious practices of Spain, | renaissance and medieval (including al-Andalus), i.e., |
-playing game; this supplement depicted the | Renaissance and wars of religion as a campaign setting |
Dutch | Renaissance and Golden Age literature |
erences and public lectures relating to the | Renaissance and Early Modern periods It runs its own ta |
The Centre for | Renaissance and Early Modern Studies (CREMS) was launch |
In literature of the | Renaissance and later, Broteas is most often called "Br |
nce, together define the end of the musical | Renaissance and the beginning of the musical Baroque. |
ich Hanoverian style with elements from New | Renaissance and the Middle Aes; dominating elements are |
Renaissance and Reformation (ISBN 0-8028-0050-5), 1986 | |
includes German and Italian works from the | Renaissance and the Baroque, 17th century Flemish and D |
m of Oxford, always feeling at home most in | Renaissance and Baroque repertoire. |
Shakespeare's Globe Theatre as part of its | Renaissance and Revolution season, and was first staged |
ecent years, Phibsborough has experienced a | renaissance and house prices in the area, like in the r |
The | Renaissance and Baroque Society of Pittsburgh is a non- |
in the countryside near Florence during the | Renaissance and tells the story of an encounter between |
itect Mary Colter in a synthesis of Spanish | Renaissance and Classical Revival architecture styles. |
was performed by progressive folk rock band | Renaissance, and it appears (re-recorded) as a full-len |
thic style; it was later reconstructed as a | Renaissance and Neo-Gothic structure, hugging the shape |
is studies of Spanish literature (medieval, | Renaissance, and Golden Age) are still valuable. |
ase, Shipping, has undergone something of a | renaissance, and grew fourfold in the 2003-07 period on |
aker who began his training during the late | Renaissance, and showed distinct mannerist sensibilitie |
ollowing the example of the Flemings of the | Renaissance and the treatment of Belgian classical pain |
drawing and painting stretching back to the | Renaissance and beyond. |
March 1571) was an Italian composer of the | Renaissance and was involved in the heart of Rome's lit |
Terminology was lax in the late | Renaissance and early Baroque music periods, and what o |
Catullus was a popular poet in the | Renaissance and a central model for the neo-Latin love |
music and the instruments of the Medieval, | Renaissance, and Baroque periods. |
ignificant transitional figures between the | Renaissance and Baroque styles, and produced music in b |
rom its ruins in neoclassic style with late | Renaissance and Baroque elements. |
ed in Italian music from the late medieval, | Renaissance and early Baroque eras. |
poser of the Roman School, of the very late | Renaissance and early Baroque eras. |
Pope-Hennessy, John, Italian High | Renaissance and Baroque Sculpture. |
th German composer and organist of the late | Renaissance and very early Baroque eras. |
the town's structures are mostly in Gothic, | Renaissance, and Baroque styles. |
areas of Los Angeles went through a recent | renaissance, and luckily, the beauty of Beelman's auste |
Tudor Revival, Italian | Renaissance and Colonial Revival designs were popular i |
ulently decorated with a proclivity towards | Renaissance and Baroque ornamentation, Lithuanian churc |
n, showcases ten paintings from the Italian | Renaissance and Baroque periods, works gifted to the Un |
ion, becoming a prominent figure of ancient | Renaissance and Baroque music and of the revival of the |
t who was a large influence on the Southern | Renaissance and is most well-known for the 1925 and 192 |
collection includes works from the Italian | Renaissance and Baroque eras to British, French Impress |
The Early | Renaissance and Other Essays on Art Subjects (1892) |
Italian composer of the Roman School of the | Renaissance and early Baroque eras. |
and the French Revolution and The European | Renaissance and Chinese Civilization (1946). |
note are the Samuel H. Kress Collection of | Renaissance and Baroque paintings, the Hugo N. Dixon Co |
atica in many ways forms a link between the | Renaissance and the Baroque. |
The museum has a | Renaissance and Baroque collection - a gift from the Sa |
"The | Renaissance and the End of Editing", in Palimpsest: Tex |
) was a Franco-Flemish composer of the late | Renaissance and early Baroque, who spent almost his ent |
tice during the transitional period between | Renaissance and Baroque styles. |
and publishers with interests spanning the | Renaissance and early Baroque. |
shaped layout, reflecting the ideals of the | Renaissance and protestantism. |
life many of the lost masterworks from the | Renaissance and Tudor periods, using informed performan |
m Musicum there, developing his interest in | Renaissance and Baroque music, later expanding his acti |
ized specialist in performance practices of | Renaissance and Baroque music. |
She specialises in | Renaissance and women's literature, witchcraft and the |
a, Le Petit Journal, La Revue populaire, La | Renaissance and Bataille. |
Georgia Museum of Art, Publications: | Renaissance and Baroque Art, 2009. |
Dr. Gamon plays | Renaissance and folk violin, and is a professor at the |
family of triple metre dances from the late | Renaissance and the Baroque era. |
ing this period, due to influences from the | Renaissance and the Enlightenment, Latin and French dom |
man composer and music theorist of the late | Renaissance and early Baroque eras. |
que music, and excels in the performance of | Renaissance and early Classical repertory as well. |
arded as the true birthplace of the Italian | Renaissance, and has been home to some of the most infl |
came increasingly influenced by the Italian | Renaissance and antiquity. |
Warburg Institute historian of the Italian | renaissance and Berkeley Art Department Chair, from 197 |
Bartolo Musil's repertoire reaches from | Renaissance and early Baroque up to contemporary experi |
sh Primitive" art, works by a wide range of | Renaissance and Baroque masters, as well as a selection |
s academic specialities include the English | Renaissance and Edmund Spenser, as well as language use |
unds of its repertoire to include Medieval, | Renaissance and contemporary works. |
later) was an Italian composer of the late | Renaissance and early Baroque eras. |
ing the return of the countertenor voice in | Renaissance and Baroque music during the 20th Century. |
a classicising invention of the Macedonian | Renaissance, and Meyer Schapiro, who, whilst agreeing w |
e building is a mixture of Turkish, Gothic, | Renaissance, and Empire styles. |
r 1602) was an Italian composer of the late | Renaissance and early Baroque and patron of the arts. |
works well for the contrapuntal voicings of | Renaissance and Baroque music. |
21st century museum, because he went to the | Renaissance and took a sculpting course with Michelange |
The novel is a part of the Native American | Renaissance and is considered one of the first Native A |
primarily specializes in the performance of | Renaissance and Baroque music. |
sic theorist, organist and poet of the late | Renaissance and early Baroque eras. |
the wise and worldly student of the Italian | Renaissance, and the cautious product of Swiss Calvinis |
utch paintings, masterpieces of the Italian | renaissance, and contemporary art for his museums and g |
s the Martin D'Arcy Collection of Medieval, | Renaissance, and Baroque art and artifacts; pieces rang |
n literature, ancient Egyptian society, and | Renaissance and Baroque-era European studies on ancient |
d as the greatest French tragic poet of the | Renaissance and the precursor of the baroque theater of |
His academic specialty is the music of the | Renaissance, and he serves as principal editor of the O |
In the very late | Renaissance and early Baroque, a sinfonia was an altern |
nod Hall, the main performance venue of the | Renaissance and Baroque Society of Pittsburgh |
The Philosophy of Alain Locke, Harlem | Renaissance and Beyond, Philadelphia: Temple University |
A trained early musician, Wandor performs | Renaissance and Baroque music with the group 'The Siena |
In music of the | Renaissance and early Baroque eras, a bicinium (pl. |
1510 - c. 1555-1560) was a Flemish Northern | Renaissance and Mannerist landscape painter. |
The Carolingian | Renaissance and the Idea of Kingship: (1969) The Birkbe |
of Erasmus: A Biographical Register of the | Renaissance and Reformation (University of Toronto Pres |
y from Europe: Classical, Colonial, Italian | Renaissance, and Tudor. |
Hooghly played an active role in the Bengal | renaissance and the Indian independence movement. |
urch by the Hospital order, dating from the | Renaissance and unique in its style throughout the Terr |
opment of the enamel process adopted in the | Renaissance, and consisted in actually painting the des |
h influences from Early Music (Middle Ages, | Renaissance) and Impressionism as well as Folk and Jazz |
February 2001 elections on the list of the | Renaissance and Conciliation Party of Moldova, but this |
The Art Of The Lute: | Renaissance And Baroque Masterpieces From France, Engla |
That being said, during the | Renaissance and early Baroque eras, the two families ha |
The work shows a clear influence of Italian | Renaissance and Baroque artists such as Caravaggio, Tin |
ick Saul Building, alongside the Centre for | Renaissance and Early Modern Studies. |
During the | Renaissance and the Enlightenment, several songs, both |
by Tilman Riemenschneider, the south German | Renaissance, and Prussian baroque art up to the 18th ce |
It was staged regularly during the | Renaissance, and was the second ancient comedy to be tr |
Previous to the Italian | Renaissance, andirons were almost invariably made entir |
Similar in design to the La | Renaissance Apartments that form part of the same compl |
La | Renaissance Apartments is an apartment building located |
Xenophilus enjoyed considerable fame in the | Renaissance, apparently because of Pliny's claim that h |
1555) was a Franco-Flemish composer of the | Renaissance, apparently active mainly in Italy, particu |
The Greeks and the great Italians of the | Renaissance appealed to him most. |
and was restored in the 20th century to its | Renaissance appearance. |
pre-release track listing, published in the | Renaissance Appreciation Society newsletter, included t |
Baccio Pontelli - Florentine | Renaissance architect |
work study of the work and influence of the | Renaissance architect Andrea Palladio. |
empt to emulate the architecture of Italian | Renaissance architect Andrea Palladio. |
In an allusion to the famous | Renaissance architect Inigo Jones, it was suggested tha |
enca, c. 1553 - Madrid, 1610) was a Spanish | Renaissance architect. |
called The Toreador to reflect the Spanish | Renaissance architectural of the campus's buildings. |
is), it has evolved over the centuries to a | renaissance architectural style while still maintaining |
The palace built in | Renaissance architectural style is considered an adapta |
's architecture, of Palladio and of Italian | Renaissance architectural theory. |
hat includes traits of Gothic, Moorish, and | Renaissance architectural styles. |
Late Gothic, Plateresque, and | renaissance architecture later played a role in Cantabr |
He introduced | Renaissance architecture to France with the assistance |
akes its style from Dutch-influenced Danish | Renaissance architecture (i.e. |
for introducing classical models and French | Renaissance architecture into Paris. |
It reflects | Renaissance architecture and "Romano-Tuscan" architectu |
irst football coach, to reflect the Spanish | Renaissance architecture on campus. |
) is a civil timber frame house building in | Renaissance architecture style, located in the pedestri |
ibed as "one of the finest works of Italian | Renaissance architecture in the country". |
e it contravened the strictures of American | Renaissance architecture which were the accepted status |
It includes | Renaissance architecture and Exotic Revival architectur |
ng is the only complete examples of Italian | Renaissance architecture in Downtown Houston. |
crease his on-site understanding of Italian | Renaissance architecture, his specialty-He was assigned |
The building, with Spanish | Renaissance architecture, is part of the Central Librar |
anor house, a mixture of medieval walls and | Renaissance architecture, for King James I who also cam |
teristic of the palace, has no precedent in | Renaissance architecture, and places the building in th |
844 and 1866, was inspired by North Italian | Renaissance architecture. |
s for an Ionic building finished in Italian | Renaissance Architecture. |
as been preserved almost unchanged with its | renaissance architecture. |
ivska Street the building is constructed in | Renaissance architecture. |
from the ground and is in the style of the | Renaissance architecture. |
th Century Revivals architecture and French | Renaissance architecture. |
eflect the influence of the campus' Spanish | Renaissance architecture. |
It reflects | Renaissance architecture. |
It includes | Renaissance architecture. |
r was finishing a Ph.D. at UCLA, in Italian | Renaissance art history. |
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