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「sAx」の共起表現一覧(1語右で並び替え)

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"Rain" (featuring Buffy Brox) (Rhodes &	Sax A cappella mix) - Only Child - 3:34
iginal maintainer of the Simple API for XML, or	SAX, a leading streaming API for XML.
	SAX Adapter
Ono Ryoko - alto	sax, aesthetic perverted karman
	Sax After Midnight (1996, The Good Music Record Com
Max the	Sax aka Markus Ecklmayr (Sax)
His Moonlight	Sax albums were chart successes in New Zealand.
ut recording “Somethin" Holy” in duet with bari	sax Alex Harding was awarded 4 stars by Allmusic, a
of their three man brass section playing Tenor	Sax along side fellow Jamaican tenor saxophonist an
In the Goodman orchestra he played alto	sax alongside Gus Bivona and recorded with the lege
er), Al Mackenzie (musician) and Cian McCarthy (	sax), although later the group would become a one m
Lenny Pickett - 1st tenor	sax, alto sax, bass sax, soprano sax, flute, alto f
	Sax, an obvious play on Saks Fifth Avenue.
le's orchestra in the late '30s, where his bass	sax anchored a saxophone sextet led by Stabile (whi
hometown of Boston where he and his brother Al (	sax and clarinet), and nephew Sonny formed the Droo
He plays the tenor	sax and is an electronics expert.
Hubert Waldner - soprano	sax and flute on "Long Island Sunset"
ts element among the cool percussion, sensitive	sax and pliant bass."
Ray Reed - clarinet, tenor	sax and other winds
	Sax and Flute solo: Doug Norwine and Warren Ham
e) Carle Wayne Vickers (trumpet, flute, soprano	sax) and Abraham "Onion" Miller (tenor sax, vocals)
erg, from Joyce Bond Revue, on alto and soprano	sax and ex-B B Blunder Nick Judd on electric piano.
cts incorporating the Expat library often build	SAX and possibly DOM parsers on top of Expat.
booze, and women; Raymond Hill's booting tenor	sax, and a churning, beat-heavy rhythmic bottom.
, Matt performs on flugelhorn, trumpet, soprano	sax and flute.
f standard APIs for XML parsing, including DOM,	SAX and SAX2.
t features Dave King on drums, Michael Lewis on	sax and Erik Fratzke on bass guitar.
e blend of the two fluegels with Myrick's tenor	sax and Satterfield's trombone allowed the section
Mark Farner \| Edgar Winter play	Sax and Keyboards for Marks set
ears, during which they came to be known as "Mr	Sax and Captain Axe" because of their hallmark base
Briggs had a tenor	sax and Ralph fell in love with the look of the ins
rds), Joe Herndon (trumpet), Eric DeFade (tenor	sax) and Rick Matt (baritone and tenor sax).
rums and percussion, David Basinger on baritone	sax, and Eddie McKinley on tenor sax, Sarah Cram on
n (bass), Sam Lay (drums), Arnold Rogers (tenor	sax), and Donald Hankins (baritone sax).
By 1950, Albam had put down his baritone	sax and began to concentrate strictly on arranging,
rld war, King returned to London and took tenor	sax and clarinet lessons.
Back - lead guitar & flute - Richardson; tenor	sax and clarinet - J Hastings Oik (reprise) - lead
g bass at the age of 14, then moved to C-melody	sax and finally settled on alto saxophone.
Greg Vail -	Sax and Flute
ber of "The Trio", consisting of John Surman on	Sax and Barre Phillips on Bass.
Theo Travis -	sax and flute
Stevie B (	sax and percussion)
ician as well as a poet, Lourie plays the tenor	sax and trumpet with the Blue Suede Boppers, the G-
io in Kansas City including Tex Johnson (flute,	sax) and Leroy Anderson (drums).
In this track, tenor	sax and flautist Carlos Averhoff and guitarist Carl
(alongside Israeli musicians Danny Markovitch (	sax), and Dani Rabin (guitar)) on Marbin's record B
The band included Bowie on guitar,	sax and backing vocals, Mick Ronson on guitar, Trev
The alto	sax and flute canon returns near the end, and is fo
on piano, Doris Jarrett on bass, Minnie on alto	sax and Clora Bryant on Trumpet.
John Gilmore - Tenor	Sax and Clarinet, percussion
cords and featured Dave Karr on flute and tenor	sax and Jimmy Hamilton on piano.
Didier Malherbe - duduk,	sax and flute
had additional support from Gary Bartz on alto	sax, and Denson's The D Stands for Diesel featured
m Seattle composed of Jessica Lurie (alto/tenor	sax and flute), Arne Livingston (bass), and Dale Fa
ll in high school, Jim and Don Kirk (Anaheim) a	sax and keyboard player jammed weekly, hoping to ge
cKinstry, Nick Ciazza or Bernie Billings (tenor	sax), and Bob Casey (bass).
hus the mastering credit was changed from "Doug	Sax and Gavin Lurssen" to Guthrie, Plante and Richa
with member Duane Eddy for five years, playing	sax and flute on the road, and in the recording stu
His instruments were tenor	sax, and, in his early career, clarinet.
Power", originally featuring Steve Hooks (tenor	sax); Andrei Lobanov (trumpet); David Gazarov (keyb
yan Kuntz (guitar and vocals), Steve Tomkowitz (	sax), Andrew "Jeff" Leer (keyboards/piano) and Tim
Pons (flute, saxs, arranger) and Alberto Toro (	sax, arranger).
He has recorded with drums, piano, soprano	sax, as well as with traditional Bluegrass instrume
Sharpe began playing tenor	sax at age eighteen.
Jones started playing alto	sax at the age of 12 in the Booker T. Washington Co
Hichcock began to play alto	sax at age 8.
Herbert started on alto	sax at age 12.
Mastered by Robert Hadley and Doug	Sax at The Mastering Lab, Los Angeles
He began on alto	sax at age six, and played in the army with Jeff Cl
Donato is a frequent headliner with The Art of	Sax at smooth jazz concerts in the area.
ravens to the time of Charles II, author Boria	Sax attempted to find some historical confirmation
Alan Makranczy -	sax, backing vocals
Jim Hilbun - bass guitar,	sax, backing vocals
own projects as a leader were his International	Sax Band and the Third Herdsmen.
Lee Thompson - Tenor	Sax, Baritone Sax
phonist, and flute player, who also played alto	sax, baritone sax, clarinet and piccolo.
and multi woodwind player ( Bass clarinet,Tenor	sax, Baritone sax ,Bass sax ,C Melody, Saxello etc.
Charlie Ventura - tenor	sax, bass sax
&B and early rock and roll with guitars, piano,	sax, bass guitar, drums, and a vocalist, but by the
Rocking Highlanders, Prysock staged a memorable	sax battle with Benny Golson on "Battle of the Mass
After that instance, the baritone	sax became his main instrument.
immy Hartwell (clarinet), George Johnson (tenor	sax), Bob Gilette (banjo), Vic Moore (drums), Dick
y on trombone, Noble Floyd on clarinet and alto	sax, Bob Welch on trombone, tenor sax and bass sax;
on these albums were Cannonball Adderley, (alto	sax), Bobby Jaspar (flute), and Sam Most (clarinet)
'Dell (string and brass arrangement) Mick Karn (	sax, brass arrangement), Rob Dean (guitar), Richard
nging guitar and Boots Randolph's swinging solo	sax break.
808s &	Sax Breaks - is the EP released by record producer
Tenor	Sax: Bud Freeman
e the events defined in the Simple API for XML (	SAX), but Expat is not a SAX-compliant parser.
yed piano at age ten, then learned to play alto	sax by himself at age 13.
"Pictures": midi	sax by Nick Broadhurst
ing soundtracks from YouTube videos with Yakety	Sax called "The Benny Hillifier".
(bass), Lee Charlton (drums), John Peirce (alto	sax), Chuck Foster (trumpet)
the age of ten Morales was performing on tenor	sax, clarinet and flute.
Tony Coe - tenor	sax, clarinet
Keith Gemmell - tenor	sax, clarinet and flute
In the mid-40s he gave tenor	sax classes to Pepper Adams in Rochester, NY, and w
teach for a profession, she purchased the Gunne	Sax clothing company in 1969, which lead her later
Tenor	Sax: Clyde Rounds, John Van Eps, Sid Block, Bob Bun
Alto	Sax: Clyde Rounds, Hymie Schertzer, Fred Stulce, Ha
er at the world renowned White Foundation World	Sax Competition in London , during which he played
Brussels (1983, Concerto No. 4) and the Adolphe	Sax competition in Dinant (1998, Ostinati).
on with the Messengers), Wayne Shorter on tenor	sax, Curtis Fuller on trombone, Cedar Walton on pia
	Sax: Dan Higgins
quintet which includes Wayne Escoffery on tenor	sax, Danny Grissett on piano and Fender Rhodes, Ugo
s, the other original members were Ted Ayers on	sax, Dave Bebb on drums, Stuart Crysell on guitar,
, Rendez-Vous Project, with Javier Rubio (tenor	sax), David Casillas (bass) and Jaime Moraga (drums
s the world-renowned talents of Eric Crystal on	sax, David Rokeach on drums, Viviana Guzman on flut
er Joe Beck on guitar, Michael Brecker on tenor	sax, David Sanborn on alto sax, and Randy Brecker o
th Kelly (rhythm guitar), Jimmy Stead (baritone	sax), Dennis King (tenor-sax) and Dougie Wright (dr
This line up featured Ed De Palma (	sax), Dennis Orlock (trombone), John Binkley (trump
980s, together with his friend and fellow tenor	sax Dick Morrissey, Weller was a regular member of
	Sax: Dixonics
	Sax: Don Markham.
arney Bigard (clarinet), Harry Carney (baritone	sax), Duke Ellington (piano), Billy Taylor (bass),
he first quartet consisted of Carlo Novi (tenor	sax), Eddie Manion (baritone sax), Tony Palligrosi
n); Maureen McGovern - Music Never Ends (flute,	sax); Eddie King - Another Cow's Dead (arrangements
iously, the band featured George Young on tenor	sax, Eddie Gomez on bass, and Steve Gadd on drums.
ond B3 organ, Cochemea "Cheme" Gastelum on alto	sax, electric sax and flute, Chris Stillwell on bas
John Crocker - tenor	sax, electric piano, Fender Rhodes
Stephen "Doc" Kupka (The Doctor) - baritone	sax, English horn, background vocals
Phil Bodner: tenor	sax, English horn
dgar Myles (vocals, trombone), Lee Allen (tenor	sax), Ernest Mare (guitar), Bartholomew Smith (drum
t can quickly start transforming and outputting	SAX event nodes as they arrive.
A rippling piano and tenor	sax feature the orchestral arrangement and Ray Eber
er arrived in 2004 with his ensemble The Joy of	Sax, featuring saxophonists Frank Wess, Brad Leali,
with Callender on (bass), Maxwell Davis (tenor	sax), Floyd Turnham (baritone sax), Chico Hamilton
Bloomdido Bad de Grass Didier Malherbe - Selmer	sax, flute
Plas Johnson -	sax, flute
Marshall Allen - alto	sax, flute
Bobby Plater - alto	sax, flute
Bud Shank - alto	sax, flute
Javier Joglar - tenor	sax, flute
Eric Dolphy - Alto	sax, flute
Richard Grando - baritone	sax, flute
Cochemea Gastellum, Tenor	Sax, Flute
Ray Warleigh - alto	sax, flute
1993 Vytas Brenner; "Amazonia" (	Sax, Flute)
Ono Ryoko - alto	sax, flute, aesthetic perverted karman
Demon Dave Parker - tenor	sax, flute, vocals, handclaps, roach stomps
Gene Dinwiddie - tenor	sax, flute, tambourine, mandolin ("In My Own Dream"
Thomas Sansone:	Sax, Flute, Vocals
Michael Paris -	sax, flute, vocals
William (Bill) Hull - tenor	sax, flute, percussion
James Spaulding - alto	sax, flute, percussion
Zakari Frantz - alto	sax, flute, percussion, vocals
Dick Hafer - Tenor	sax, flute, oboe
izers, guitar, backing vocals) and Mark Rivera (	sax, flute, keyboards, synthesizers, guitar, backin
Eric Dolphy - alto	sax, flute, bass clarinet
to String Bass for Bryan, a move from Drums to	Sax for Todd, and the addition of Adam Buxton on Dr
endary Austin High Gang with Bud Freeman (tenor	sax), Frank Teschemacher (clarinet), brother Dick M
nd piano while young, and concentrated on tenor	sax from age 19.
awn Scaggs on double bass, Eric Schabo on tenor	sax, Geoff Kinde on Drums and Randy Sly on piano.
Flute,	Sax: Gerald Albright, Jeff Clayton
ur years later Cramer heard a recording of alto	sax great Sonny Criss and traveled from Canada to L
maane Smith on trumpet, Lawrence Clark on tenor	sax, Greg Murphy on piano and Joris Teepe on bass.
clarinet and switched to playing alto and tenor	sax growing up.
gue of 9 albums and a line-up of Brown (vocals,	sax, guitar), Patrick Rafferty (vocals, accordion,
d of Jeff Barosh (vocals, fiddle, steel guitar,	sax, guitar), Mick Barosh (drums), John Buckley (gu
Richard Bradley (tenor	sax, guitar, vocals)
ir own legacy by playing as a subset, using the	sax, guitar, drums, trumpet and lethal vocals as th
sisi "Loughty" Amao ex-Osibisa (flute and tenor	sax), Gus Yeadon (aka August Eadon) ex-The Love Aff
Steve Williams - harp, tenor	sax, harmonica
uts on Tenor Saxophone, Albert Torrance on Alto	Sax, Harold "Baby" Hood on Piano, Charlie Winters o
Urban	Sax has performed throughout Europe and in Asia.
ecorded on 15 May 1953 with George Kelly (tenor	sax), Haywood Henry (baritone sax), Lonnie Johnson
In addition to his primary instrument, baritone	sax, he has also played tenor sax, soprano sax and
I had Tuff Green on bass, Ben Branch on tenor	sax, his brother, Thomas Branch, on trumpet, and a
The song, featuring Earl Bostic on alto	sax, hit number one on the Harlem Hit Parade and pe
g - lead vocals, rhythm guitar, recorder, tenor	sax, horn, harmonica
's question about the workings of a three-valve	sax horn.
l, Washington DC; Donovan House Hotel, Chicago;	Sax Hotel, and Thompson Toronto Hotel which opened
"Hasta La Vista" (Summer	Sax House Mix)
Dodgion played alto	sax in middle school and began working locally in t
By 1951 Griffin was playing baritone	sax in an R&B sextet led by former bandmate Arnett
He started on	sax in seventh grade, graduating from high school i
lute at the London College of Music, and played	sax in various pop and jazz bands during this time.
he lived in Buffalo, N.Y. and played lead alto	sax in Frank Foster's Big Band at University at Buf
The community of	Sax is adjacent to where Fermoy once existed.
Urban	Sax is an ensemble founded by the French composer G
This composition is a definitive work for tenor	sax; its demanding solo enabled Brecker to show his
Aql X-1 and	SAX J1748.9-2021),
n 1996 by the Italian-Dutch BeppoSAX satellite,	SAX J1808.4-3658
o coherent X-ray pulsations have been seen from	SAX J1808.4-3658,
), Phil Treloar (percussion), David Addes (alto	sax), Jamie Fielding (keyboards), Greg Sheehan (dru
xamples covering a number of approaches such as	SAX, JAXP and DOM.
Zone" featuring LA greats Christian Mostert on	Sax, John Balbuena on Keys, Craig Sharmatt on Guita
nutes In this even LL was supported by Immanuel	sax, John - guitar, Stefan - keyboard, Fukking - co
n 149th and Broadway, where Toby Wynn (baritone	sax) joined them.
based band led by Glenn Morrow (guitar, vocals,	sax, keyboards) and featuring Janet Wygal (bass, vo
onist Floyd Miller teamed with Tom Lockett Jr. (	sax, keyboards), Carter Bradley (trombone), Mark Ad
nston Williams (string bass), Bill Graham (alto	sax) later with Count Basie and Ellington, Clifford
Yard	Sax Leader
Some of the	sax legends explained by Taylor include King Curtis
A similar	sax line was originally played in a Larry Coryell c
s one is airy and spacy - belting out screaming	sax lines.
Swing Band (1939-41) with Arvid Gram Paulsen on	sax, Lulle Kristoffersen on piano and Pete Brown on
ke Ellington's band too light skinned; so tenor	sax man Juan Tizol, who was Puerto Rican, and clari
Roland Kirk - tenor	sax, manzello, stritch, clarinet, flute, whistle, E
pt), Ron Brown (tmb), Malcolm Everson (clt/bari	sax), Martin Taylor (guitar), Jamie Evans (pno) and

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共起表現