「tchaikovsky」の共起表現一覧(1語右で並び替え)
該当件数 : 195件
The composer | Tchaikovsky adapted one of his works expressing a sympa |
d, some numbers omitted with other music by | Tchaikovsky added and major set pieces of Petipa's chor |
lved herself in the Anna Anderson/Anastasia | Tchaikovsky affair by telephoning Gleb Botkin with an i |
After some hesitation, | Tchaikovsky agreed. |
Tchaikovsky also changed the cast of the chorus scenes, | |
Parker has recorded works by Chopin, | Tchaikovsky and Prokofiev. |
Both | Tchaikovsky and Rachmaninov dedicated works to Pabst. |
Dorian Recordings DOR-90146 - Trios by | Tchaikovsky and Arensky (1991) |
ly influenced by Rimsky-Korsakov, Glazunov, | Tchaikovsky and Wagner. |
n of his father, where he was befriended by | Tchaikovsky and Rubinstein. |
Britten, John Rutter, Noel Ancell, Mahler, | Tchaikovsky and Jim Steinman. |
s of Mahler, Bruckner, Scriabin, Prokofiev, | Tchaikovsky, and Berlioz. |
umann, Scriabin, Stravinsky, Taktakishvili, | Tchaikovsky and many other composers. |
o Elgar, Brahms, Dvorak, Johann Strauss, to | Tchaikovsky and Stravinsky. |
rt for piano and orchestra, Op. 23 of P. I. | Tchaikovsky and the Symphonic Studies of Robert Schuman |
inoff, Alexander Scriabin, and Pyotr Ilyich | Tchaikovsky and famous opera singers like Leonid Sobino |
he artistic admiration of both Pyotr Ilyich | Tchaikovsky and Franz Liszt, particularly for her effor |
style (Glinka, Mussorgsky, Rimsky-Korsakov, | Tchaikovsky and Borodin), and also Czech, Finnish and F |
ositions, including mainstream concertos by | Tchaikovsky and Rachmaninoff, works by Olivier Messiaen |
"Third Movement, Pathetique" (Group Only) ( | Tchaikovsky arr by The Nice) - 7;07 |
In 1887 the variations were orchestrated by | Tchaikovsky as the final movement of his orchestral Sui |
1 in F-sharp minor, No. 2 in D minor), and | Tchaikovsky, as well as Bruch's Scottish Fantasy and th |
Tchaikovsky asked to be allowed to include The Rock in | |
Even with these private reservations, when | Tchaikovsky attended Rimsky-Korsakov's nameday party in |
f the famous opera "Eugene Onegin" by Pyotr | Tchaikovsky based on the novel in verse by Alexander Pu |
nding interpreter of the music of Bruckner, | Tchaikovsky, Beethoven and Liszt. |
and orchestra, was written by Pyotr Ilyich | Tchaikovsky between June and October 1884. |
Onegin, for which Stolze used the music of | Tchaikovsky, but not a note from Tchaikovsky's opera of |
mainly Russian, specifically Musorgsky and | Tchaikovsky, but he was also attracted to German music |
When | Tchaikovsky came to me one evening, about thirty years |
Tchaikovsky Cello competition, Moscow 1986 | |
Glazunov adds that his relationship with | Tchaikovsky changed from the elder composer being "not |
d as the first Canadian adjudicator for the | Tchaikovsky Competition in Moscow in 1982. |
liburn, who had won the first International | Tchaikovsky Competition four years prior with Tchaikovs |
a finalist in the prestigious International | Tchaikovsky Competition in Moscow and landed her first |
o won 6th prize at the Moscow International | Tchaikovsky Competition in 1966 |
an pianist, that came in first place at the | Tchaikovsky competition that took place in Moscow, Russ |
Competition in Vienna and the International | Tchaikovsky Competition in Moscow in 1990. |
ARD Competition, Munich, in the prestigious | Tchaikovsky Competition in Moscow and in the Rostropovi |
mong her many top prizes is the prestigious | Tchaikovsky Competition in Moscow. |
e: Leeds, Lisbon, and Tokyo, as well as the | Tchaikovsky Competition in Moscow. |
hared the silver medal in the International | Tchaikovsky competition in Moscow. |
prestigious competitions: the International | Tchaikovsky Competition (Moscow, 1986); the Sibelius (H |
ng another first prize at the International | Tchaikovsky Competition in Moscow in 1962, jointly with |
oint-second prize in the 1982 International | Tchaikovsky Competition with Vladimir Ovchinnikov (no f |
tional competitions, among them include the | Tchaikovsky Competition in Moscow and the Van Cliburn I |
rilliant victory at the ninth International | Tchaikovsky Competition in Moscow (first prize ex-aequo |
1982, he won 2nd Prize at the International | Tchaikovsky Competition, which helped launched his glob |
the jury of the newly-created International | Tchaikovsky Competition, which, in a decision made more |
in and was the top prize winner at the 2002 | Tchaikovsky Competition, in addition to being awarded t |
n the First Prize and the gold medal at the | Tchaikovsky competition. |
fter was awarded a Bronze Medal at the XIII | Tchaikovsky competition. |
ronze Medal at the inaugural edition of the | Tchaikovsky Competition. |
etition, and First Prize winner of the 2011 | Tchaikovsky Competition. |
Tchaikovsky completed the outline of the work by 21 Oct | |
Pyotr Ilyich | Tchaikovsky composed a Liturgy of St John Chrysostom, O |
Pyotr Ilyich | Tchaikovsky composed his Pezzo capriccioso, Op. 62, for |
ncouver Symphony Orchestra and the complete | Tchaikovsky concerto cycle with the London Symphony Orc |
ember 1954, still aged only 18, playing the | Tchaikovsky Concerto in D at the Royal Albert Hall with |
acher Adele Marcus, and while there won the | Tchaikovsky Concerto Competition which he performed at |
o a Masterpiece of the Repertoire, like the | Tchaikovsky Concerto, that has been recorded by all the |
d the New York Philharmonic, performing the | Tchaikovsky Concerto, with Bernstein and the Orchestre |
Tchaikovsky conducted the orchestra. | |
He continued his studies at the Moscow | Tchaikovsky Conservatory in the class of Vera Gornostay |
bartsumian joined the faculty of the Moscow | Tchaikovsky Conservatory in 1978 where he taught for 15 |
dio of professor Victor Merzhanov at Moscow | Tchaikovsky Conservatory with high honors and qualifica |
mpleted his musical education at the Moscow | Tchaikovsky Conservatory under Yuri Yankelevich, Maya G |
aduate of the Gnessin School and the Moscow | Tchaikovsky Conservatory and prize-winner at the Intern |
He is the first Moscow | Tchaikovsky Conservatory graduate in piano performance |
ike: Philharmonia Hall of Saint Petersburg, | Tchaikovsky Conservatory of Moscow, Mozarteum of Salzbu |
Music, the Paris Conservatoire, the Moscow | Tchaikovsky Conservatory, the London Royal Academy, the |
turned eighteen, he enrolled at the Moscow | Tchaikovsky Conservatory, as a student of the legendary |
She studied at the | Tchaikovsky Conservatory. |
She is now a professor at the | Tchaikovsky Conservatory. |
Tchaikovsky considered calling it Программная (Programm | |
Also arranged for two pianos by | Tchaikovsky, December 1874; revised December 1888. |
Tchaikovsky dedicated the work to the St. Petersburg Ch | |
This was never realized, however, as | Tchaikovsky died later that year. |
His specialist subjects were | Tchaikovsky, Doctor Who in the 1970s, and American Pres |
amophone; Columbia discs of short pieces by | Tchaikovsky, Eduard Lassen and others date from about 1 |
He even insisted that | Tchaikovsky entrust the premiere of his Second Piano Co |
Tchaikovsky Eugene Onegin - waltz, Symphony No 4, The N | |
Tchaikovsky even uses as the introduction a bugle call | |
In writing Francesca da Rimini, | Tchaikovsky expressed a poignant identification with th |
ed the Simferopol Music College named after | Tchaikovsky followed by the graduation from the Nationa |
ly popular are the Variations on a Theme of | Tchaikovsky for string orchestra, Op. 35a, based on one |
The group used themes by | Tchaikovsky for two further songs, "Red Square" and "Ca |
ciety commissioned an orchestral piece from | Tchaikovsky for a concert in aid of the Red Cross Socie |
lexander Pushkin, the composer Pyotr Ilyich | Tchaikovsky, freethinkers and war heroes from the time |
go mad if I don't succeed with him" (Pyotr | Tchaikovsky, from the letter to Anatoly Tchaikovsky May |
Tchaikovsky had in fact asked Fitzenhagen to go through | |
Tchaikovsky had not written it with any known program, | |
Tchaikovsky had told his close friend Hermann Laroche m | |
During his concert in | Tchaikovsky Hall on June 14 - which was broadcast acros |
, when Glazunov shared his reminiscences of | Tchaikovsky, he said, "He also knew my Third Symphony, |
Indeed | Tchaikovsky himself wrote at the end of his life that t |
Tchaikovsky identified with and associated the cross-mo | |
4, the year after the death of Pyotr Ilyich | Tchaikovsky, in a tribute to that composer. |
of this polonaise was later quoted by Peter | Tchaikovsky in the final scene of his opera The Queen o |
Tchaikovsky in particular was critical of the idea; in | |
The Snow Maiden by Ostrovsky with music by | Tchaikovsky in 1873. |
nov at the 150th anniversary celebration of | Tchaikovsky in Leningrad in December 1990. |
Hall, Brahms V concerto: "[Although in the | Tchaikovsky in February she showed] impulsiveness which |
wice (2003), Tatiana in Evgeny Onegin by P. | Tchaikovsky in Katowice (2003), Halka in Halka by S. Mo |
Pyotr Ilyich | Tchaikovsky incorporates an orchestration of Liszt's tr |
nternational Piano Competition and the 1978 | Tchaikovsky International Competition. |
Cyrus Forough is a laureate of the | Tchaikovsky International Competition and first prizewi |
Pyotr | Tchaikovsky's Piano Concerto No. 1 (Tchaikovsky) is hea |
uch to recommend it, but stealing a work of | Tchaikovsky is an insult to European culture. |
the film are ones composed by Pyotr Ilyich | Tchaikovsky, Johann Strauss Jr., and Edvard Grieg. |
Since the original story was so well known, | Tchaikovsky knew his audience could easily fill in any |
egretto vivo e scherzando as the third, but | Tchaikovsky later decided to switch them. |
here are conflicting accounts about whether | Tchaikovsky liked the title, but in any event his publi |
he was playing: blue for Beethoven, red for | Tchaikovsky, lilac for Liszt, black for Bach, green for |
He studied at the Moscow | Tchaikovsky, Moscow, and Leningrad (now St. Petersburg) |
of Arts of Ukraine, and a professor of the | Tchaikovsky Music Academy. |
forester on the estate of the patroness of | Tchaikovsky, Nadezhda von Meck. |
The | Tchaikovsky National Academy of Music (or Kiev Conserva |
C minor Mass, settings by Gretchaninov and | Tchaikovsky of the Russian Orthodox liturgy and cantata |
Rather, the key to the connection with | Tchaikovsky of this first trio is its repetitive openin |
Tchaikovsky often set about functional commissions with | |
a "out of the river of oblivion" (letter by | Tchaikovsky on March 4, 1885). |
of The Nutcracker, the best-known ballet of | Tchaikovsky; one Christmas, Drosselmeyer gives a wooden |
Variations on a Theme by | Tchaikovsky, Op. 35a, a piece for string orchestra by A |
tandard repertory, Feast was revived by the | Tchaikovsky Opera in Perm, Russia in 1999 as part of a |
t, Ballet de Santiago, The Perm State P. I. | Tchaikovsky Opera and Ballet Theatre and for many compa |
repertoire included such composers as Pyotr | Tchaikovsky or Mozart. |
Russian composers such as | Tchaikovsky or Rachmaninoff often restated the lyric th |
Hamlet ( | Tchaikovsky), overture-fantasy, Op. 67a, and incidental |
ist for his performances of the concerti by | Tchaikovsky, Paganini, Mendelssohn, Bruch, Wieniawski, |
de deux Le Corsaire, Diana and Acteon, and | Tchaikovsky Pas de Deux. |
which underground groups such as Circle of | Tchaikovsky, People's Will and Land and Liberty were fo |
Silver Medal, 10th International | Tchaikovsky Piano Competition in Moscow (1994) |
shkenazy, Lynn Harrell & Itzhak Perlman for | Tchaikovsky: Piano Trio in A Minor (1982) |
Tchaikovsky: Piano Concerto No. 1; Grieg: Piano Concert | |
ecognition of the central role the music of | Tchaikovsky plays in its repertoire. |
In this fantasia, | Tchaikovsky presents a symphonic interpretation of the |
rapid passages and a turn to the major key, | Tchaikovsky preserves the basic pulse and sober mood th |
rahms, Grieg, Liszt, Mendelssohn, Schumann, | Tchaikovsky, Prokofiev, Rachmaninov, Ravel and Poulenc |
ance" category for a recording of the three | Tchaikovsky Quartets and the Sextet on Telarc. |
"I met | Tchaikovsky quite often both at Balakirev's and at my o |
strof, as well as concerti by Bach, Chopin, | Tchaikovsky, Rachmaninoff, and Prokofiev. |
That said, | Tchaikovsky received a gift of gold cuff links from the |
uding some rarely-heard orchestral music of | Tchaikovsky released in the mid-1970s; some of the reco |
When they finished playing, | Tchaikovsky remarked, "At first I didn't much like the |
This is the second time he has sung a | Tchaikovsky role for the Royal Opera; the first being P |
ed music, listened to gramophone records of | Tchaikovsky, Schubert and Grieg (which he had bought on |
le not only "to deduce a great deal of what | Tchaikovsky seems originally to have intended for his s |
ere great composers and music scholars like | Tchaikovsky shared their skills and musical insight. |
Tchaikovsky started the symphonic poem Fatum between la | |
Tchaikovsky started work on the symphonic ballad in Sep | |
Later, she began study at | Tchaikovsky State Conservatory in Moscow, where she stu |
y composers including Mahler, Shostakovich, | Tchaikovsky, Stravinsky, Beethoven, and Strauss, as wel |
chestrated some little-known piano works by | Tchaikovsky such as The Seasons, along with themes from |
Among the items on the list | Tchaikovsky supplied were Rimsky-Korsakov's Third Symph |
Warrack, John, | Tchaikovsky Symphonies and Concertos (Seattle: Universi |
Vladimir Fedoseyev conducting | Tchaikovsky Symphony Orchestra. |
Tchaikovsky: Symphony No. 4 / Violin Concerto (Tchaikov | |
Tchaikovsky: Symphony No. 2 / Eugene Onegin (excerpts) | |
Tchaikovsky: Symphony No. 3 / Swan Lake (excerpts) (Tch | |
The | Tchaikovsky Symphony Orchestra of Moscow Radio is a Rus |
Tchaikovsky: Symphony No. 6 | |
Tchaikovsky Symphony Orchestra Moscow, | |
Tchaikovsky: The Mystery of Life and Death | |
Brown, David, | Tchaikovsky: The Years of Wandering (New York: W.W. Nor |
Brown, David, | Tchaikovsky: The Man and His Music (New York: Pegasus B |
Tchaikovsky: The Man and His Music (London: Faber & Fab | |
ar Orchestra in Caracas, Venezuela, and the | Tchaikovsky The Nutcracker with the Indian Hill Orchest |
Tchaikovsky thought it would be a good idea to incorpor | |
ikolay Rubinstein commissioned Pyotr Ilyich | Tchaikovsky to compose a Festival Overture on the Danis |
The Capriccio was inspired by a trip | Tchaikovsky took to Rome, during which he saw the Carni |
Also on BIS: | Tchaikovsky: Trio Op. |
Tchaikovsky used original verses from Pushkin's novel a | |
ing the atrocities in the Balkans, in which | Tchaikovsky uses his mastery of the orchestra to build |
February 1913: Queen's Hall, | Tchaikovsky V concerto: "...remarkable command of the b |
Tchaikovsky Variations on a Rococo Theme(1991) | |
2002 Award at the International | Tchaikovsky Violin Competition in Moscow |
famous example is the slow movement of the | Tchaikovsky Violin Concerto. |
Pyotr Ilyich | Tchaikovsky was the greatest influence on Arensky's mus |
By the beginning of 1869, however, | Tchaikovsky was having second thoughts. |
t No. 2 in F major, Op. 22, by Pyotr Ilyich | Tchaikovsky, was composed between December 1873 and Jan |
ublic reception was quite favorable, though | Tchaikovsky was disappointed and felt he was repeating |
Once, while | Tchaikovsky was staying with some friends, they surpris |
Tchaikovsky was impressed by Lysenko's Taras Bulba and | |
denza would inspire the violin concertos by | Tchaikovsky where the cadenza is also placed before the |
is ballet Sylvia was of special interest to | Tchaikovsky, who wrote of Delibes' score: ". . . |
Peter | Tchaikovsky, who heard the opera at the Berlin 1879 sta |
ronitsky, Yuri Temirkanov, and Pyotr Ilyich | Tchaikovsky, with degrees in piano and conducting. |
sonatas by Shostakovich, Weinberg and Boris | Tchaikovsky won an ECHO Klassik 2007 award for Young Ar |
fter the completion of The Queen of Spades, | Tchaikovsky worried that he had lost his creative inspi |
This circle, with which | Tchaikovsky would spend an increasing amount of time in |
It was at Guitry's instigation that | Tchaikovsky wrote both his Hamlet Overture-Fantasy (Op. |
Although | Tchaikovsky wrote to his patroness Nadezhda von Meck th |
On the evening of the debut, | Tchaikovsky wrote to his brother Anatoli, "It seems to |
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