「typeface」の共起表現一覧(1語右で並び替え)
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| signs with MTR style (with Myriad as the font | typeface) after the Rail Merger, some are retained unt |
| Cheltenham ( | typeface), an American typeface |
| nt of the French Fellowship for Designing and | Typeface and in 1970 he was awarded a Rockefeller Fell |
| e paper, including introducing the Cheltenham | typeface and redesigning the A-Section of the paper. |
| His ads were the first whose | typeface and fonts were distinct from the text of the |
| The | typeface appears in the title pages of many 1870s book |
| The | typeface became so popular, though, that the copyright |
| While transferring, | Typeface befriends Robbie Baldwin, otherwise known as |
| Egyptienne is a serif | typeface belonging to the classification slab serif, o |
| The 1929 | typeface Bembo, is based primarily upon that specimen. |
| The News 706 | typeface by BitStream is almost identical to Aurora. |
| A quick examination of | Typeface by a fleeing Ben Urich leads the Daily Bugle |
| imbach and ITC Giovanni for the International | Typeface Corporation in New York. |
| a prominent typesetter, CEO of International | Typeface Corporation, corresponded from 1971. |
| Casey is a sans-serif | typeface created and owned by the Kowloon-Canton Railw |
| China Type Design Ltd.: A | typeface design and production company based in Hong K |
| Where in the 1990s a given | typeface design might be instantiated in one or two fo |
| Concrete Roman is a slab serif | typeface designed by Donald Knuth using his METAFONT p |
| Aurora is a serif | typeface, designed by Jackson Burke (the successor to |
| a revival of a nineteenth century blackletter | typeface designed in the Paris foundry of Theophile Be |
| Interstate is a neo-grotesque sans-serif | typeface designed by Tobias Frere-Jones in the period |
| Brusseline is a custom | typeface developed in 2006 by Eric de Berranger for th |
| was originally developed in 1996 as a custom | typeface developed for the RATP to improve signage leg |
| rst managing director to introduce a standard | typeface during this time, for example), the uncertain |
| also a gifted craftsman, designing an elegant | typeface for the phonetic transcription of the Modoc l |
| In 1908, he created his first significant | typeface for the Lanston Monotype Machine Company: E-3 |
| campaign, utilising Interstate as its primary | typeface for all ad material. |
| The | typeface for the film's opening titles was also used f |
| It appears that the Jamiroquai logo | typeface has been stretched vertically for this releas |
| As the | typeface has never been distributed to the public, rai |
| icle regarding Johnston being the most common | typeface, however I know that The Toronto Star did men |
| He first saw the completed | typeface in Swedish design magazines during the war. |
| rca 1991 Next used a lower case Courier-style | typeface in black against a white background for its l |
| ley (1794-1876) was the creator of Clarendon ( | typeface) in 1845 and the Lord Mayor of London in 1869 |
| the city law of 1628, introducing the Antiqua | typeface in Sweden. |
| have stated that Johnston is the most common | typeface in the world beating out Times New Roman, Ari |
| Microsoft JhengHei is a sans-serif | typeface included in Windows Vista and later and Micro |
| A Portland stone sculpture of the Baskerville | typeface, Industry and Genius, in his honour stands in |
| The font is a darker derivative of the Corona | typeface, initially designed for the Canada NewsWire. |
| The | typeface is based upon several Renaissance models. |
| The AMS Euler | typeface is named after Leonhard Euler. |
| The | typeface is now also available in other formats, inclu |
| The | typeface is closely related to the FHWA Series fonts, |
| produced passports, even developing a special | typeface known as "le Franklin." |
| He created several further | typeface later, such as Hupp-Gotisch, Hupp-Fraktur, an |
| The Casey | typeface looks thinner than Myriad and Segoe UI. |
| For the signs of the Amsterdam Metro the | typeface M.O.L. is used, which was specially designed |
| His first | typeface, Neudeutsch, was published in 1899 by Genzsch |
| In addition, some variations in | typeface occurred during the logo's use - including si |
| The name is inspired by Parisine, the | typeface of Paris' public transport network. |
| newspaper of record, borrowing the layout and | typeface of Le Temps for the new newspaper. |
| face, was drawn by Frederic Warde, and is the | typeface released for general use in 1929 by the Monot |
| Because the text was printed in a | typeface resembling typewriter lettering, some people |
| The first, in large | typeface, says "SHE LOVED THEM..and loved them and lov |
| The | typeface started being used on the network in 2007 as |
| The bank changed to the RBS logo and | typeface style in October 2005. |
| The | typeface takes inspiration from John Baskerville's exp |
| or 'round writing') is a geometric sans-serif | typeface that was designed as a corporate typographic |
| He invented a | typeface that he used in his published writings. |
| and XHTML, a font face or font family is the | typeface that will be applied by a web browser to some |
| famous for designing the sans-serif Johnston | typeface that was used throughout the London Undergrou |
| before World War II to work at Stempel on the | typeface Trajanus. |
| d uses the London Underground map, symbol and | typeface under license. |
| This is the style of | typeface used for Japanese road signs. |
| ong with Tina Meyers, designed the "crowfiti" | typeface used in the film The Crow: City of Angels. |
| Fire" in the same swooping sans-serif display | typeface used by the Star Wars promotional posters and |
| ectly referred to as "902 Quarter" due to the | typeface used. |
| This | typeface was later redesigned by Canadian typographer |
| The | typeface was slightly tweaked in 1980 but it has been |
| did a little research and found out that the | typeface was actually commissioned by Frank Pick way b |
| The | typeface was created in 1996 by Dalton Maag under the |
| The | typeface we know today was based on a collection of re |
| Didot family's development of a high contrast | typeface with an increased stress is contemporary to s |
| el's name in an italicized Universe Condensed | typeface with each letter on a slanted square sized to |
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