英和和英

出典:『Wikipedia』 (2011/06/29 21:09 UTC 版)

英語による解説

引用

Hu Feng (胡风) (1902–1985) was a Chinese writer and literary and art theorist. He comes from Qichun in the province of Hubei. In 1929 he went to study in Japan. In 1933, he was expelled from Japan and he joined the League of the Left-Wing Writers in China (Zhongguo zuoyi zuojia lianmeng 中国左翼作家联盟) in Shanghai. He was friends with Lu Xun. It was 1937, after the Second Sino-Japanese War, the journal Qiyue 七月 ("July") out. Further stations of his life were Wuhan and Chongqing. He criticized the way Mao Zedong's notions of realism in art and literature had become overly politicized, losing touch with the everyday lives of the proletarian peasants whom art and literature would serve in a Marxist organization of Chinese society. Hu thus became himself a target of criticism. In 1954 he published the in the Politburo of the Communist Party of China directed the "Report on the practice and state of art and literature in recent years" (Guanyu ji nianlai wenyi shijian qingkuang de baogao 关于几年来文艺实践情况的报告), also known as "Three-hundred-thousand-word letter" (Sanshiwan yan shu 三十万言书) is designated. In 1955 he was arrested as a counter-revolutionary, detained, and released in 1979. In 1980, he was rehabilitated.