「Rhythm」の共起表現一覧(1語右で並び替え)2ページ目
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| styled from Brazil, a country rich in distinct | rhythm and melodies. |
| responsible for developing the careers of many | rhythm and blues artists in the 1950s and 1960s. |
| es in 1951 and obtained a copy of Rocket 88, a | rhythm and blues record written by Ike Turner for his |
| erican church pastor, gospel singer and former | rhythm and blues singer. |
| musicians, mixing rock, blues, ragtime, swing, | rhythm and blues and punk rock together. |
| n vinyl.The band members were Bill Williams on | rhythm and lead guitar and backup vocals, Jim Ryan on |
| s," suggesting an approach founded on time (or | rhythm) and freer tonality. |
| cters' difficulty in adjusting to the American | rhythm and lifestyle. |
| sed by Rhino Records in 1995, featuring 10 hit | rhythm and blues recordings from 1987. |
| and above all, for the powerful energy of his | rhythm and sound. |
| der the title "The Wallflower" and it became a | rhythm and blues hit, topping the U.S. R&B chart for |
| nd appeared on two popular PBS specials; Rock, | Rhythm, and Doo-Wop, and Soul Spectacular: 40 Years O |
| Upside Your Head! | Rhythm and Blues on Central Avenue (Music/Culture), J |
| lgiers, New Orleans, Louisiana) is an American | rhythm and blues singer and pianist. |
| urrent format, WRAG aired Top 40, country, and | rhythm and blues music formats. |
| ion was released on Chess Records and became a | rhythm and blues hit. |
| e - in which the words are tools for exploring | rhythm and stretching melody - it becomes clear that |
| sed by Rhino Records in 1995, featuring 10 hit | rhythm and blues recordings from 1985. |
| ck scene dates from 1959, when the short-lived | Rhythm and Blues band debuted. |
| Jon Schaffer - Lead and backing vocals, | rhythm and lead guitar, drum programming |
| Her version reached # 6 on the Billboard | rhythm and blues chart, and # 25 on the US pop chart. |
| African American music, including urban blues, | rhythm and blues, and gospel. |
| Will You Be Mine)", which was one of the first | rhythm and blues hits to cross over to the pop charts |
| Drifters have had a strong influence on soul, | rhythm and blues, and rock and roll music. |
| rother Jacques" and his music has incorporated | rhythm and blues as well as hip hop influences. |
| decades and styles, from classical to jazz and | rhythm and blues. |
| aminski, music (a series of great "psychedelic | rhythm and blues" songs) has a very important role. |
| ilation albums of psychedelic rock, freakbeat, | rhythm and blues, garage rock and beat music of the m |
| ical novel The Mulberry Empire "echos with the | rhythm and language of folk tales" while "play[ing] g |
| ATZ began broadcasting in the late 1950s as an | Rhythm and blues/Soul music station. |
| m Great Britain leaped over the hurdles in one | rhythm and finished in the same time. |
| Cyril Davies and His | Rhythm and Blues All-Stars - "Chicago Calling" |
| In 1977 the New York | Rhythm and Blues vocal group The Earls released a dan |
| with acts such as Leftfield, Spooky, React to | Rhythm and D.O.P. |
| The song proved popular with 1960's pop and | rhythm and blues artists, resulting in charted remake |
| and roll as the melding of country music with | rhythm and blues believe that it is Haley's version o |
| ecution of the waltz, said that it "lacked the | rhythm and melody of older Strauss compositions." |
| illboard "Harlem Hit Parade," precursor of the | rhythm and blues chart. |
| It was originally recorded by the | rhythm and blues group, The Spaniels, in 1954. |
| By understanding its | rhythm and flow they believed they could guide exerci |
| Her writing soon took on | rhythm and metaphor, and she joined the newly-formed |
| The album includes a mix of Soul, | Rhythm and Blues, and regular Blues. |
| ence the sound of the album, giving a sense of | rhythm and groove seldom heard on previous efforts an |
| strong influences from blues, soul, gospel and | rhythm and blues in music for small groups, often an |
| d is best known for his position as guitarist ( | rhythm and occasional lead) in Gorefest. |
| The song combines a | rhythm and blues musical arrangement with a pop style |
| object of the game is to learn scales, tempo, | rhythm, and about instruments, and then match the mus |
| el as a child and by her teens had switched to | rhythm and blues. |
| Main article: New Orleans | rhythm and blues |
| In it are mixed influences from | rhythm and blues and soul music (notably on "Live Hum |
| After a whole series of pop, rock, metal and | rhythm and blues projects with rather modest success, |
| The Laine version also appeared on Billboard's | Rhythm and Blues survey. |
| by Billboard reporter Bob Rolontz in 1953 as a | rhythm and blues label. |
| ed a number of influences ranging from jazz to | rhythm and blues to blues to rock. |
| e final songs on the album were produced in an | rhythm and blues mode. |
| Andreas Eibler - | rhythm and lead guitar |
| Billy Branch at the Legendary | Rhythm and Blues Cruise in January of 2008. |
| and, Ohio disc jockey Alan Freed began playing | rhythm and blues music for a multi-racial audience, a |
| You've Got," a ballad that bridged traditional | rhythm and blues with the emerging Southern soul styl |
| ke Bonnaroo, FloydFest, Pickathon, and Bristol | Rhythm and Roots Reunion to support the album. |
| veral poets began to eschew the conventions of | rhythm and style; among these were Ezra Pound, T. S. |
| us black musical genres of the time, including | rhythm and blues and gospel music; in addition to cou |
| Among the fatally injured passengers was | rhythm and blues singer Annette Snell. |
| sed by Rhino Records in 1996, featuring 10 hit | rhythm and blues recordings from 1980. |
| n 1962 at the age of 12, and played in various | rhythm and blues bands throughout the 1960s. |
| terns of movement of the fingers and feet, the | rhythm, and overall texture are idiomatic on the clav |
| re, the Farruca is very close to the Zambra in | rhythm and flavor. |
| uld adapt to many styles of music from gospel, | rhythm and blues and pop to country and Western. |
| Hathaway are contained in Jerry Wexler's book | Rhythm and The Blues. |
| ntrol, DNA repair, regulation of the circadian | rhythm and other cellular processes. |
| this explanation: "The track was like a train | rhythm, and there was, once again, that feeling of be |
| the first stations in the country to broadcast | rhythm and blues. |
| and "Good Thing", were influenced by American | rhythm and blues, "Don't Look Back" features guitar r |
| Johan − | rhythm and acoustic guitar (was in the band when it w |
| ginally recorded by Eric Clapton) on the album | Rhythm and Spirit: "Love Can Build a Bridge". |
| s with two official dancing groups, The Tribal | Rhythm and Dancing Spirit. |
| Count Basie, as well as a series of duets with | rhythm and blues legend Lavern Baker and gospel singe |
| "Have Mercy Baby" is a popular | rhythm and blues song, written by Billy Ward and Rose |
| bums on the Atlantic Records label: 1991's Get | Rhythm and 1992's What Kind of Man. |
| As a teenager, he played in various | rhythm and blues and funk bands. |
| ing rock, alternative, pop, country, jazz, and | rhythm and blues along with special events and festiv |
| d her as "a musician-poet, wholly in love with | rhythm and sound"; the late Malcolm Bowie of Queen Ma |
| Warren Haynes - lead, | rhythm, and slide guitar, acoustic guitar, lead and b |
| rock and roll as a merger of country music and | rhythm and blues. |
| "Walking in | Rhythm" is a smooth rhythm and blues & jazz song by T |
| ng Ace Records (US)): Rock'n'Roll, Rockabilly, | Rhythm and Blues, Cajun, 50s and 60s Pop etc. |
| They soon moved to | rhythm and blues, and began to look for a record deal |
| The band's blend of rock, | rhythm and blues, jazz, country, and gospel helped es |
| duration of signs and associated questions of | rhythm and meter. |
| in the year, backed with versions of American | rhythm and blues tracks "I Got My Mojo Working" (a hi |
| an contemporary music, including rock ‘n roll, | rhythm and blues and hip hop. |
| They played | rhythm and blues covers and some original material by |
| arilyn Marshall is an American singer of jazz, | rhythm and blues, and gospel music. |
| Bill Westenhofer is a VFX supervisor for | Rhythm and Hues Studios. |
| iero Estar" is known for its Tejano old school | rhythm and blues, and message. |
| With its haunting | rhythm and forlorn lyrics, it scored on both the coun |
| The melody, | rhythm and timbre of this instrument have given expre |
| and by age 15 he was lead guitarist in a local | Rhythm and blues band. |
| ying Start is the second album by the American | rhythm and blues and jazz-funk fusion group The Black |
| sed by Rhino Records in 1995, featuring 10 hit | rhythm and blues recordings from 1986. |
| ance popular in Texas, USA, which is danced to | Rhythm and Blues music. |
| produced sides from many other acts, including | rhythm and blues star James Brown, whose "Papa's Got |
| une 2006), was a live musical performer of the | Rhythm and Blues, Soul, and Gospel genres. |
| their use of repetitive figures, slow harmonic | rhythm and canons, have significantly influenced cont |
| They also performed in the films Feuding | Rhythm and Hoe Down. |
| nited States country music chart and #2 on the | rhythm and blues chart. |
| azz, '20s and '30s, Doo-Wop, A cappella, Soul, | Rhythm and Blues, Beautiful Music, and Polka. |
| Isaac Hayes, 65, American | rhythm and blues musician |
| alap proper (unmetered), the jor (with steady | rhythm) and the jhala (accelerating strumming) or nom |
| The Four Deuces were an American | rhythm and blues vocal quartet, formed in the mid-195 |
| Thomas Combe - | Rhythm and Lead Guitar; Trumpet; vocals |
| 2002 ASCAP | Rhythm and Soul Award for work on: "Don't Change" by |
| Rhythm and Stealth is an album by Leftfield released | |
| ubsidiary of Atlantic Records, specializing in | rhythm and blues music. |
| down to 75 minutes, supposedly to speed up its | rhythm and make it funnier. |
| eleased version, had a significantly different | rhythm, and lacked the "Why, tell me why..." middle e |
| r who performed in the cool jazz, post bop and | rhythm and blues mediums. |
| Her music is a mix of | rhythm and blues, and soul music influences, fused wi |
| The Blackbyrds was an American | rhythm and blues and jazz-funk fusion group, formed i |
| sing the wall pay-phone to dictate the melody, | rhythm and lyrics to the recording studio pianist, un |
| Peter Matuchniak - | rhythm and lead guitar |
| al form of Favorit'n'Blues, a Viennese form of | rhythm and blues. |
| the arrangement, it provides a very different | rhythm and tone to the piano and guitar playing in th |
| Zawicizuz - Electric Lead, | Rhythm, and Bass Guitars, Synthesizers, Programming |
| With a strong | rhythm and a Latin flavor, this is a track that's gua |
| f Gershwins' strongest songs, " 'Yankee Doodle | Rhythm' and 'The Man I Love,' were cut from the show |
| ice recalls the great interpreters of soul and | rhythm and blues music. |
| The Gators seemed to lose their offensive | rhythm and the point production dried up while Troy Q |
| as signed by Esquire Records and he joined the | rhythm and blues band Covert. |
| Rhythm and Hues Studios did the penguin animations fo | |
| singles chart and number nine on the Billboard | Rhythm and Blues singles chart, becoming his last top |
| The Philosopher Kings are a Canadian | rhythm and blues band who were most commercially succ |
| "5-10-15 Hours" is a | rhythm and blues song written by Rudy Toombs in 1952 |
| s afraid of the waves of her own passion), its | rhythm, and its formal and semantic parallelism (incl |
| 9, 1993) known as Red Prysock, was an American | rhythm and blues tenor saxophonist, one of the early |
| ion, lively play with language, and command of | rhythm and idiom. |
| many radio stations only played a sampling of | rhythm and blues, as opposed to stations that used to |
| watt newcomer, prompting "Foxy" to switch to a | rhythm and blues/urban adult contemporary format targ |
| ch the band was named are Lloyd Maines (steel, | rhythm, and electric guitar, vocals), Donnie Maines ( |
| he original lyrics only featured a more upbeat | rhythm and rap-like verses of the songs (that were ad |
| Blackbyrds is the debut album by the American | rhythm and blues and jazz-funk fusion group The Black |
| 8, 1910 - September 28, 1966) was an American | rhythm and blues and swing bandleader. |
| he East Coast and to Ohio, performing jazz and | rhythm and blues, and released numerous singles and a |
| It is the first Turkic poem to be written with | rhythm and rhyme, with syllabic rhythm of 4, 5, and 8 |
| adt's "own musical preferences run strongly to | rhythm and blues, the type of music she most frequent |
| at that time was a mixture of soul, blues and | rhythm and blues. |
| 9) known as Peppermint Harris, was an American | rhythm and blues singer and guitarist. |
| siana) better known as Deacon John is a blues, | rhythm and blues and rock and roll musician, singer, |
| anuary 1942 in Beaumont, Texas) is an American | rhythm and blues guitarist and singer. |
| ked to free jazz, though he has also performed | rhythm and blues, bebop and funk at times during his |
| He is best known for recording a white | rhythm and blues version, in 1961, of Robert & Johnny |
| It was originally recorded by the | rhythm and blues outfit The Eagles in 1954 and releas |
| The songs show a wide variety of | rhythm and roots. |
| and's signature sound combined melody, driving | rhythm, and rock guitar riffs. |
| nd sought to transform itself from jazz into a | rhythm and blues orientated group, he took over bass |
| strate their understanding of melody, harmony, | rhythm and form by responding to questions about musi |
| n't the point of this music; it's about power, | rhythm, and the sum energy of the collective, and of |
| The first ever concerts by the Jools Holland | Rhythm and Blues Orchestra at the Hackney Empire |
| Marvin Gaye, a soul and | Rhythm and blues musician; |
| ritical texts delivered in often rapid flowing | rhythm and sound influenced by Bossa Nova and Jazz, t |
| Lucky Millinder, and Count Basie, he worked in | rhythm and blues and then established a career in bop |
| He also works in | Rhythm and Blues and Rock. |
| His playing can be heard on various early | Rhythm and Blues recordings for Atlantic Records. |
| These works are distinguished for the harmony, | rhythm, and rhyme of the verses, and for their sublim |
| 2:30pm Greg Jones Band - | Rhythm and Blues |
| Rhythm and Blues soon disbanded, but most of its memb | |
| s own name for the Majestic label.He turned to | rhythm and blues in the late 1940s. |
| nterest in many musical genres including jazz, | rhythm and blues, and popular music. |
| musician of imposible" because of his sense of | rhythm and easy melodies. |
| events such as the 1988 Emmy Awards, the 1993 | Rhythm and Blues Foundation Awards, Bob Dylan's 30th |
| Lennon - lead, harmony and background vocals; | rhythm and acoustic guitars; harmonica and handclaps; |
| urney praises his compositions for their ease, | rhythm, and melody, as well as for a distinct marking |
| heoretical advances, particularly in regard to | rhythm and polyphony, are equally important to the de |
| d reconstruction of its latticework of melody, | rhythm and mood". |
| up, in 1957, before he joined the Johnny Burns | Rhythm and Blues Quartet, in 1958. |
| already tasted major success with popular and | rhythm and blues audiences with songs such as "I Almo |
| Rhythm and Chaos, Beaulieu Art Gallery, Oudenaarde, B | |
| the song by calling it "a brassy, hard-driving | rhythm and a tale of monumentally lucking out." |
| Jr. (born May 23, 1955) is an American pop and | rhythm and blues music arranger and pianist who spent |
| owner Larry Robinson to start a solo career in | rhythm and blues music. |
| Shane K. Bernard, Swamp Pop: Cajun and Creole | Rhythm and Blues (Jackson, Miss: University Press of |
| s generally closer to earthier funk, soul, and | rhythm and blues, although releases from noted groove |
| nd combined highly synthesized melody, driving | rhythm, and space opera themes. |
| ding of American folk, swamp rock, New Orleans | rhythm and blues, Louisiana blues, country, cajun/zyd |
| It Should've Been Me is a 1954 | rhythm and blues song written by Memphis Curtis, prod |
| three different elements: a tremolo, a bolero | rhythm, and an irregular pulse. |
| leased in 1963, it made the Top 10 on both the | rhythm and blues and pop charts; the song was later c |
| mba" which he transformed with a Rock and roll | rhythm and beat, which made Valens a pioneer of the S |
| The Fiestas were an American | Rhythm and Blues musical ensemble from Newark, New Je |
| ce in the world: A personal history of British | Rhythm and blues, 1989 Quartet Books Limited, ISBN 0- |
| In 1952, she illustrated Singing Together - | Rhythm and Melody, for BBC Publications. |
| sed by Rhino Records in 1996, featuring 10 hit | rhythm and blues recordings from 1982. |
| Although their music uses Afrobeat | rhythm and language, they also owe part of their soun |
| ay be appropriate, dictated by sense or speech | rhythm, and usually little or no punctuation. |
| "One Mint Julep" is a | rhythm and blues song written by Rudy Toombs that bec |
| the album, pointed to its flaws: "[Sometimes] | rhythm and texture are explored at the expense of mem |
| e student was given a system (three parts of a | rhythm) and was required to play a written melody wit |
| Eric Meyer - | Rhythm and lead guitar, Backing vocals |
| placed on the each of the beats to enhance the | rhythm and indicate the start and end of the musical |
| new single "Memphis Tennessee" bmw "A Shot of | Rhythm and Blues" was released on the Barclay label. |
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