「Rhythm」の共起表現一覧(1語右で並び替え)8ページ目
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in several bands in this time, most notably as | rhythm guitarist and singer in her short-lived band C |
976) is the lead vocalist, main songwriter and | rhythm guitarist of the Japanese rock band Asian Kung |
tar in the new lineup and Sheppard taking over | rhythm guitarist duties, the band practised early Cla |
Larriva was the vocalist and | rhythm guitarist for punk band The Plugz. |
Rudd arrived in Australia in 1966 as | rhythm guitarist for the NZ group Chants R&B. |
n, UK) was the lead singer and bassist (later, | rhythm guitarist) of the 1960s-70s London based progr |
n 11 November 1945, Surbiton, England) was the | rhythm guitarist, and later bassist, in the 1960s Bri |
d as "a thinking man's musician" and is also a | rhythm guitarist, performing both on albums and durin |
Guitarist Jona Weinhofen is currently | rhythm guitarist, keys man, programer and backing voc |
Just prior to Tokio's debut, the band's | rhythm guitarist, Hiromu Kojima, left the band and wa |
Hiromu Kojima - | rhythm guitarist, replaced by Tomoya Nagase |
e band's lead vocals, with Ryan Chamberlain as | rhythm guitarist, Izzy Allen as bassist, Dayvid Swart |
Musso became the group's main singer and | rhythm guitarist. |
as lead guitarist and Liam in Archer's role as | rhythm guitarist. |
touring extensively as their lead vocalist and | rhythm guitarist. |
and songwriter Ted himself took up the role of | rhythm guitarist. |
r of Collins's group as a backing vocalist and | rhythm guitarist. |
roklidon, and eventually Buzylevych became the | rhythm guitarist. |
n early 2008, he assumed the role of permanent | rhythm guitarist. |
Reinhardt, Grappelli, bassist Louis Vola, and | rhythm guitarists Roger Chaput and Joseph Reinhardt ( |
As before, they cycled through a number of | rhythm guitarists and bassists. |
Original | rhythm guitarists Robert Park's son started an altern |
Adding strings and multiple | rhythm guitarists, producers Allen Jones and Henry Bu |
a typical band lineup-lead vocalist, lead and | rhythm guitarists, bassist, and drummer-while continu |
Roland Grapow - lead and | rhythm guitars / lead vocals in "Closer to Home" |
Carlos Ferrari - Lead, | Rhythm guitars |
Chris Webb: Lead & | Rhythm Guitars |
Izumi - lead and | rhythm guitars |
Dave Peverett: Vocal, | Rhythm Guitars |
Samoth - lead and | rhythm guitars |
Paul Stanley - lead vocals/lead and | rhythm guitars |
Jon Levasseur - Lead and | rhythm guitars |
ne because Jun Senoue was not pleased with the | rhythm guitars on its final full version that appeare |
George Lynch - lead and | rhythm guitars |
Yves Tribelhorn - | rhythm guitars |
Tomi Ullgren - bass & | rhythm guitars |
Tim Renwick- | rhythm guitars |
Michael Weikath - lead and | rhythm guitars |
Roland Grapow - lead and | rhythm guitars |
Brian Wooten - Lead and | Rhythm Guitars |
Marcus Jidell - Lead and | Rhythm Guitars |
Jonathan Bar-Ilan - lead & | rhythm guitars |
Tom Englund- Vocals, Lead and | Rhythm Guitars |
Arie Aranovich - lead & | rhythm guitars |
Samoth - | rhythm guitars |
Cole Martinez - lead & | rhythm guitars |
Paul Reeves - additional | rhythm guitars on "NGC 3370" and "Unlimited Reality" |
Brent Smith - | rhythm guitars on "There and Back Again" |
Lucas Pereyra - Lead, | Rhythm guitars Programming |
guitars playing at any one time (usually eight | rhythm guitars and two guitars used for solos). |
Aaron Aedy - | Rhythm guitars |
New Wave musicians often played choppy | rhythm guitars with fast tempos. |
Marco Praschberger: | Rhythm Guitars |
as because Jun Senoue was not pleased with the | rhythm guitars on its final full version that appeare |
Kai Hansen - lead and | rhythm guitars |
Jeff Wilson - | rhythm guitars |
Tomas Olsson - Lead and | rhythm guitars |
Kristian Niemann - lead and | rhythm guitars |
Phil Collins: drums, vocals, slide and | rhythm guitars |
Vis Crom - Electric Lead and | Rhythm Guitars |
Robert Gutierrez - lead and | rhythm guitars |
Mourning aka Robert Ivarsson - | Rhythm guitars |
Lee Davies: Lead & | Rhythm Guitars |
as "simple structures formed out of monolithic | rhythm guitars" with "guitar solos that come and go a |
Dennis Kostopoulos - (Lead & | Rhythm guitars) |
Hulg ElfRipper ( | Rhythm Guitars) - A zombie Orc, killed by lead guitar |
Joe Bonamassa - lead & | rhythm guitars, lead & backing vocals, lead vocals on |
J - Lead & | Rhythm Guitars, Vocals, Throat Choirs |
David Diamond: | Rhythm Guitars, Syntheiszers |
Adrian Smith - lead & | rhythm guitars, acoustic guitar, lead vocals |
Adrian Smith - Lead & | Rhythm Guitars, Backing Vocals, |
Aldo Nova: vocals, lead and | rhythm guitars, bass guitar, keyboards, synthesizers |
Vivian Campbell - lead & | rhythm guitars, backing vocals |
Phil Collen - lead & | rhythm guitars, backing vocals |
Paul Haslinger - keyboards, | rhythm guitars, stick, drums |
Andy Barnett - lead & | rhythm guitars, acoustic guitar, slide guitar, backin |
Billy Smiley - Acoustic and | Rhythm Guitars, Background Vocals |
Ray Anderson: | Rhythm Guitars, Keyboards, Vocals |
lead guitar, Keith McCormack and Jimmy Torres, | rhythm guitars, Aubrey de Cordova, bass guitar and Do |
Billy Howerdel - lead & | rhythm guitars, vocals |
Blair Thornton: Lead and | Rhythm Guitars, Vocals |
Mark Tremonti - lead & | rhythm guitars, backing vocals |
Brad Gillis - lead & | rhythm guitars, backing vocals |
Jeff Watson - lead & | rhythm guitars, backing vocals |
n vocals, as well as Infernus and Tormentor on | rhythm guitars, T-Reaper on lead guitar and bass, and |
Paul Landers - | Rhythm Guitars, backing vocals, Acoustic Guitar on Lo |
Ted Nugent - lead & | rhythm guitars, backing & lead vocals (1989-1996, 199 |
Marius Olaussen - lead and | rhythm guitars, synth, vocals |
Mike Snow - Lead Guitar, | Rhythm Guitars, & Backup Vocals |
Nathan King - Backing vocals, Lead and | Rhythm Guitars. |
Jonathan DuBose - lead & | rhythm guitars; bass section on "Deliverance" |
Lawrie Barclay [ | Rhythm guitar] |
Black | Rhythm Happening is the second album by American trum |
“Feel The | Rhythm” Hardcore Dancefloor 2xCD (Dino Entertainment) |
n the album had a complex shoegazing dance/dub | rhythm, harking back to the crossover success of Scre |
Your Heart" features a rare and very distinct | rhythm harmonica beat in the final 40 seconds of the |
Mike Keneally - Guitar ( | Rhythm), Harmony |
Rhythm has called by association of polish artist in | |
Its minimalistic | rhythm has been seen as bearing the influence of comp |
ferent standart melodies based on this popular | rhythm have each their own style. |
To teach pitch and | rhythm he used familiar folk songs and texts, and oft |
He also worked on | Rhythm Heaven for the DS. |
Rhythm Heaven uses original music composed by Tsunku | |
The disco-funk orchestra | Rhythm Heritage did a cover of the song, coupled with |
"Nervous" contains samples from the | Rhythm Heritage recording "Sky's the Limit" & the War |
o covered by a several disco artist, including | Rhythm Heritage (1976), Alice Street Gang (1978), Tri |
"Let the | Rhythm Hit 'Em" (B., Griffin, Rakim) - 5:25 |
y Slick Rick, "Follow The Leader" and "Let The | Rhythm Hit 'Em" by Eric B. & Rakim, "Daytona 500" by |
n, blending a variety of pop, pop rock and pop | rhythm hit music styles from today and the last few d |
hen he was invited to Stockholm in 1984 by The | Rhythm Hot Shots dance company to teach the dance the |
an Haaren, and dancer Catrine Ljunggren of The | Rhythm Hot Shots. |
Manning, and with the Swedish dance troupe The | Rhythm Hot Shots (now replaced by the Harlem Hot Shot |
Lennart Westerlund - a key member of The | Rhythm Hot Shots and authoritative Lindy Hop historia |
"Emerson's Mountaineers," and in 1939, Six-Gun | Rhythm; however, Grand National went bankrupt upon th |
Pharoahe, I'm no slave to a | rhythm I whip it |
The finale's material is based on a | rhythm identified by Stravinsky in earlier works (suc |
He and Tait released Christian Rhymes to a | Rhythm in 1988, while they recruited classmate, Kevin |
His first band was the Dukes Of | Rhythm in the 1950s, which also included his friend, |
Everybody shares the very same | rhythm in his heart. |
reatise on the mechanism underlying the gallop | rhythm in heart failure. |
Vocal style, melodic contour, and | rhythm in Peyote songs is closer to Apache than Plain |
Tedisamil acts to restore normal electrical | rhythm in the heart by prolonging the inactivation ph |
Gas in the early 80s and Sally Barker And The | Rhythm in the 90s), while Richards went on to begin a |
mbers from another Alexander-produced musical, | Rhythm in a Riff, which featured Billy Eckstine. |
band JAM Project uses the Saturday Night chant | rhythm in its song "March of Rescue Hero." |
by a greater care to details and by a nervous | rhythm in the forms, influenced by the knowledge of f |
Rhythm in the Air (1936) | |
nt appearance was in the MGM musical, Broadway | Rhythm, in which she had a featured musical number, " |
now-defunct Nashville franchise, the Nashville | Rhythm, in the revived American Basketball Associatio |
nally came from there (Africa), bring back the | rhythm in an "educated" form and teach the youngsters |
Explores Inside the Earth, but had added more | rhythm in between. |
As the league was returning to a fall-spring | rhythm in 1962-63, it was decided that the 1961-62 se |
erson and Alex Hill, then joined Fats Waller's | Rhythm in 1934, remaining in Waller's employ until 19 |
She has also performed with the dance company | Rhythm in Shoes and the West African-influenced band |
build, either getting samples or some type of | rhythm in the instruments, or we might come up with a |
Meter and Meaning: An Introduction to | Rhythm in Poetry (2003) - co-author |
and insisted on emphasizing pace, control, and | rhythm in a campaign. |
The song is sung in a traditional Lebanese | rhythm, in the Lebanese dialect of Arabic. |
Originally, Salsa was not a | rhythm in its own right, but a name given in the 1970 |
Isengard: usually accompanied by a 5/4 | rhythm in the percussion. |
He sang again with the Spirits of | Rhythm in 1934 and the Farley-Riley group in 1935. |
dhya laya or Madhyalaya is a medium tempo of a | rhythm in Indian classical music. |
Belgian musical project combining elements of | rhythm, industrial, breakcore and noise. |
ir lyrics are marked by spelling, grammar, and | rhythm inflected by Hong Kong English. |
art due to the receding role of the banjo as a | rhythm instrument in jazz recording) began playing mo |
It is played as a | rhythm instrument by stroking either bottle openers o |
elped to pioneer the use of the harmonica as a | rhythm instrument in a band setting, rather than as a |
ke Watson and White, the guitar was strictly a | rhythm instrument, save for a few exceptions (such as |
the big orchestras is very much the same as a | rhythm instrument. |
bbed metal surface of the cleaning device as a | rhythm instrument. |
rhythm instruments such as the bombo, the guiro, the | |
l and film elements, and organized their inner | rhythm into one "multi-genre" performance. |
Among his many albums were Adventures in | Rhythm, Introducing Pete Rugolo, Rugolomania, Reeds i |
Other opioid side effects such as heart | rhythm irregularity, blood pressure changes and nause |
Rhythm Is My Business - Ella Fitzgerald | |
even-numbered beats are stressed instead, the | rhythm is syncopated. |
reless Whisper with various interpretations of | Rhythm Is Gonna Get You, Conga (song), Dancing in the |
Rhythm Is Our Business: Jimmie Lunceford and the Harl | |
9/8 time, except for the guitar solo where the | rhythm is temporarily changed to 6/4 before going bac |
The | rhythm is usually not organized enough to qualify for |
ossible cymbal rolls, and we can tell that the | rhythm is not a tape loop, as the riff changes now an |
Ella Fitzgerald - | Rhythm Is My Business (1962) |
People's Instinctive Travels and the Paths of | Rhythm is the debut album by the alternative hip hop |
Rhythm is My Business (1989) | |
"Strings of Life" - | Rhythm Is Rhythm |
Rhythm is Our Business (1933-1940, both periods and r | |
Bongee Bear and the Kingdom of | Rhythm is a 2006 American animated musical film, by Y |
Everything Is | Rhythm is a 1936 British musical film directed by Alf |
lease of the full concert called Slaves to the | Rhythm is available. |
ovement in which a section of slow dotted-note | rhythm is followed by a fugue; at the time, this name |
This time, a triplet with a dotted | rhythm is employed as an additional counterpoint in t |
Drawn to the | Rhythm is the third and final single from Sarah McLac |
The normal inspiration rate and | rhythm is called eupnea, and difficult respiration is |
" | Rhythm Is a Dancer" (7" Edit) / (Rhythm Is a Dancer ' |
(The re-entrant | rhythm is less likely to interact with tissue that ha |
d by Ella Fitzgerald on her 1962 Verve release | Rhythm is My Business, in a fabulous swing/big band v |
Rhythm is important in the execution of this kata. | |
Brothers In | Rhythm is a house music duo consisting of producers / |
on the 1962 Verve recording: Ella Fitzgerald: | Rhythm is My Business with a fabulous big band arrang |
Rhythm Is Gonna Get You (Extended Version) | |
Its | rhythm is 3/4 or better 6/8. |
Rhythm is My Business (Ella Fitzgerald with Bill Dogg | |
eptember 1987 and like the previous release of | Rhythm Is Gonna Get You, it failed to chart. |
Blues & | Rhythm is run by an editorial board, since its incept |
s that the Western form of musical notation of | rhythm is a misunderstanding of the nature of music; |
Toro states that | rhythm is a natural element of the universe that is a |
the term "fushi/bushi" found in its name, the | rhythm is in swung, ondo style. |
2 Horns / 2 | Rhythm is an album by American jazz trumpeter Kenny D |
was originally danceable, but now has lost its | rhythm, is much slower, and is usually only sung or p |
Rhythm is a Constant Beat (12") - Ariola (1981) | |
In 1962, Ella Fitzgerald recorded it on her | Rhythm Is My Business, and Aretha Franklin for her al |
lways Be In Love With You" (Ella Fitzgerald on | Rhythm Is My Business, 1962; The Beatles on The Beatl |
The original tango or maxie | rhythm is usually disgarded in favor of 4/4 time, but |
The | rhythm is complex with many syncopations and ambiguit |
nation is better than Kelly's ... his sense of | rhythm is uncanny. |
Played backwards in the same | rhythm it is exactly the opening descending motif of |
The Clave matrix; Afro-Cuban | Rhythm: its principles and African origins. |
ure dance song with strong beats and addictive | rhythm, I'll never let you go - a ballad dedicated to |
nspired Little to join a band, Derek Addison's | Rhythm Katz. |
Jon Ster - Guitar ( | Rhythm), Keyboards, Vocals (bckgr) |
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