| 例文 | 共起表現 |
「choreographed」の共起表現一覧(1語右で並び替え)
該当件数 : 314件
| The concerto has been | choreographed a number of times to be a Ballet. |
| sons and Charles Lowe-Riddle organised and | choreographed a 'Teacher's got talent' show. |
| Mia Michaels | choreographed a contemporary routine with Twitch and Khe |
| o You Think You Can Dance (UK series 2) He | choreographed a Viennese Waltz to "She's Always a Woman" |
| d, for the Barbican Theatre in London, and | choreographed a solo for Mikhail Baryshnikov, Rattle You |
| Karaty, Kenny Ortega, and Mia Michaels who | choreographed a group piece. |
| The Asheville Ballet | choreographed a ballet entitled ANNA! |
| She | choreographed a routine and auditioned and was selected |
| She has also | choreographed a number of ice skating shows and has appe |
| and herself | choreographed Abe Lincoln in Illinois. |
| ce may either be spontaneous, or have been | choreographed ahead of time. |
| It was directed, | choreographed and costume designed by Geoffrey Holder, w |
| Michael Peters | choreographed and Daniel Pearl was the director of photo |
| Little has | choreographed and performed cabaret style dance reviews |
| He also | choreographed and danced the role of Caliban in Peter Gr |
| Basil | choreographed, and co-directed with David Byrne, the "On |
| ried her hand at musical comedies when she | choreographed and performed in Glad to See You in 1944. |
| ogether with Clarke Peters called Satchmo, | choreographed and played the lead in Strangers, and prod |
| She produced, | choreographed and starred in 15 exercise videos, receivi |
| US Embassy in Algiers cable as "carefully | choreographed and heavily controlled", with the official |
| al numbers were created, designed, staged, | choreographed and directed by Busby Berkeley. |
| The original production was directed, | choreographed and edited by David Gordon with music comp |
| on James Joyce and Nora Barnacle, which he | choreographed and co-directed (with Joseph Hardy) for th |
| She has also | choreographed and/or performed with the Boston Lyric, Vi |
| he album was played live with accompanying | choreographed ballet dance done by the Alberta Ballet, f |
| She also | choreographed ballets for Pacific Northwest Ballet, Rich |
| Widney, conducted by Herbert Grossman and | choreographed, because of Miss Lynne's unavailability, b |
| was created by the same choreographer that | choreographed Blumchen's Jasmin Live 1998 Tour. |
| He directed and | choreographed both off-Broadway and Broadway shows in th |
| He has also | choreographed both group and partner pieces for the seco |
| g/One More Dance (1983) with Ann Reinking, | choreographed Bouncers (1987) and Comic Potential (2000) |
| It was directed by Leon Gluckman and | choreographed by Frank Staff and Kendrew Lascelles. |
| other sources) directed by Abe Burrows and | choreographed by Donald Saddler opened on December 23, 1 |
| r Restaurant, and was directed, staged and | choreographed by Tyr Throne and Lisa Dery at La MaMa Exp |
| adaptation of Tchaikovsky's The Nutcracker | choreographed by Mark Morris. |
| ere used in the 2005 ballet Anna Karenina, | choreographed by Boris Eifman. |
| The dances for this film were | choreographed by David Winters of Shindig! and Hullabalo |
| Siren Song - a ballet | choreographed by Poppy Ben David, for the Royal Ballet's |
| It was directed by Igor Goldin and | choreographed by Chase Brock. |
| Directed by Rene and | choreographed by Don Johanson, it starred Craig Lucas an |
| uction was directed by Edgar MacGregor and | choreographed by Charles Walters. |
| It was directed and | choreographed by Joe Layton and starred Elliott Gould an |
| The production was directed by Howard Bay, | choreographed by Hermes Pan and produced by Michael Todd |
| production was directed by Thomas Kail and | choreographed by Andy Blankenbuehler. |
| It was directed by Toni Kortite and | choreographed by Lynne Taylor-Corbett. |
| The routine was | choreographed by UK Award winning choreographer, Supple |
| It was | choreographed by Prabhu Deva and its shooting was comple |
| The show was originally directed and | choreographed by Kerys Nathan and with additional choreo |
| It was designed by Oliver Smith, | choreographed by Michael Kidd with assistance from Tony |
| ed by J. Woodfeel and Iren Bo, and will be | choreographed by Bruno Vandelli. |
| appear as Diane Lorimar in "42nd Street," | choreographed by the great Jon Engstrom. |
| liant pop-lock influenced dance sequel was | choreographed by Ohno himself and backed up by Mad. |
| It was produced and | choreographed by Balthasar de Beaujoyeulx and danced by |
| Even today, all dances are | choreographed by the seniors and all music is arranged b |
| Broadway production was staged by Benrimo, | choreographed by Leon Leonidoff and Florence Rogge, with |
| Swango is a dance musical conceived and | choreographed by Mariela Franganillo and Robert Royston, |
| Dance numbers are | choreographed by Longinus Fernandes who is known for the |
| cted by Peter Masterson and Tommy Tune and | choreographed by Tune and Thommie Walsh. |
| t age 16 when he performed in two musicals | choreographed by Micheal Bennet. |
| s the Romantic ballet La Sylphide as being | choreographed by the Danish ballet master August Bournon |
| In 1966, La guirlande de Campra was | choreographed by John Taras and presented by New York Ci |
| and Ballade (a premier contemporary piece | choreographed by Juan Valqui). |
| The work was | choreographed by the famous Bronislava Nijinska and its |
| ews, the Broadway production, directed and | choreographed by Michael Kidd, opened on October 27, 196 |
| Directed by Dietz and | choreographed by Albertina Rasch, the cast included Clif |
| Directed and | choreographed by Tony Tanner, the cast included Tessie O |
| Directed and | choreographed by Joe Layton, the production opened on Br |
| Directed and | choreographed by George Balanchine, with the book direct |
| She has had two ballets | choreographed by Lynn Seymour and Geoffrey Cauley; the s |
| ews, the Broadway production, directed and | choreographed by Joe Layton, opened on December 8, 1963 |
| ton film Edward Scissorhands, directed and | choreographed by Matthew Bourne. |
| The film was directed by Reginald Mills, | choreographed by Sir Frederick Ashton (who danced the ro |
| Directed by Wiman and Monty Woolley and | choreographed by Dave Gould, with scenic design by Jo Mi |
| Vocal direction by Joe Estala, and | choreographed by Nina Gomez (Spanish Segment), Jaime Car |
| ay production, directed by John Dexter and | choreographed by Peter Gennaro, began previews at the Ne |
| Directed and | choreographed by Lee Roy Reams, it starred Reams, Floren |
| production, directed by Morton DaCosta and | choreographed by Helen Tamiris, opened on January 27, 19 |
| Directed by Lerner and | choreographed by Billy Wilson, the cast included Len Car |
| ews, the Broadway production, directed and | choreographed by Michael Smuin, opened on November 20, 1 |
| roadway production, directed by Abbott and | choreographed by Hanya Holm, opened on November 29, 1965 |
| The memorable fight scenes were | choreographed by Yuen Woo-ping, better known for choreog |
| ews, the Broadway production, directed and | choreographed by Gower Champion, opened on December 5, 1 |
| y production, directed by Robert Lewis and | choreographed by Agnes de Mille, opened March 13, 1947 a |
| Directed by Edward Padula and | choreographed by Anthony Tudor, the cast included Lucill |
| e is a ballet composed by Simon Jeffes and | choreographed by David Bintley, and the title of the acc |
| Directed by Michael Leeds and | choreographed by Kathleen Marshall, it featured Michael |
| earlier shows that were either directed or | choreographed by Jerome Robbins. |
| op 10), Mason danced a contemporary number | choreographed by Travis Wall and was partnered with Jaso |
| eviews, Celebration, directed by Jones and | choreographed by Vernon Lusby, opened on January 22, 196 |
| The classic music video of "Passion", | choreographed by Hui, won the Best Short Form Video at t |
| Ronald Cass, directed by Sidney J. Furie, | choreographed by Gillian Lynne, it also stars Susan Hamp |
| essing the Czar is an award-winning ballet | choreographed by William Forsythe with music by Thom Wil |
| odruff and produced by Geneva Films, while | choreographed by Wade Robson. |
| racters, identified only as Man and Woman, | choreographed by Lester Wilson. |
| thers and was written by Richard Adler and | choreographed by Agnes de Mille. |
| Directed by Christopher Hewett and | choreographed by Ray Harrison, it opened on April 20, 19 |
| production, Tchaikovsky's The Nutcracker, | choreographed by the acclaimed Yoko Young. |
| ews, the Broadway production, directed and | choreographed by Joe Layton, opened on October 10, 1965 |
| It was directed and | choreographed by Warren Carlyle with a cast including Ri |
| r the film, and the musical sequences were | choreographed by Gene Nelson, Eddie Prinz, and LeRoy Pri |
| iew, the Broadway production, directed and | choreographed by Jack Cole, opened on November 2, 1961 a |
| e brother of Oscar Hammerstein II) and was | choreographed by Danny Dare. |
| The video, directed by Dave Meyers and | choreographed by Shawnette Heard in early February 2001, |
| th Horst Dittmann as Ruggiero directed and | choreographed by Heike Hennig at the Handel Festival, Ha |
| It was originally staged and | choreographed by Bob Fosse, who was replaced during prev |
| s been used for two ballets: the first was | choreographed by Ronald Hynd for The Australian Ballet i |
| Directed and | choreographed by Steven Smeltzer; starring Erica Livings |
| Directed by Gerald Freedman and | choreographed by Herbert Ross, the cast included Walter |
| s, a Broadway revival directed by Rose and | choreographed by Johnson opened on December 27, 1972 at |
| ay production, directed by Des McAnuff and | choreographed by Janet Watson, opened on April 25, 1985 |
| production, directed by Joseph Anthony and | choreographed by Agnes de Mille, opened on October 24, 1 |
| , an Off-Broadway production, directed and | choreographed by Tony Award winner Yo-el Cassell, had a |
| roadway production, directed by Abbott and | choreographed by Joe Layton, opened on October 17, 1960 |
| The show was directed and | choreographed by Jonathan Karmon, musical direction by D |
| y production, directed by Albert Marre and | choreographed by Donald Saddler, opened on June 13, 1956 |
| y production, directed by Michael Kahn and | choreographed by Tony Mordente, opened on March 3, 1968 |
| ive and expressive floor exercise routine, | choreographed by coach Adriana Pop, she won a bronze med |
| The dance, which was | choreographed by the film's dance director, Dave Gould, |
| ay revival, directed by Vivian Matalon and | choreographed by De Mille, opened on October 16, 1980 at |
| production, directed by Lawrence Kasha and | choreographed by Marc Breau, opened on December 28, 1970 |
| production, directed by Peter H. Hunt and | choreographed by Howard Jeffrey, opened on February 26, |
| Directed by Terry Hands and | choreographed by Debbie Allen, the cast included Broadwa |
| eare Company production, directed by Nunn, | choreographed by Gillian Lynne, and designed by John Nap |
| in a production of Borodin's Prince Igor, | choreographed by Fokine, and staged at Drury Lane on Jun |
| Directed by Jerry Adler and | choreographed by Billy Wilson, it starred Michael York a |
| y production, directed by Robert Lewis and | choreographed by Jack Cole, opened on October 31, 1957 a |
| production, directed by Burt Shevelove and | choreographed by Alan Johnson, opened on April 27, 1976 |
| production, directed by Julianne Boyd and | choreographed by Michael Shawn, opened on December 14, 1 |
| ews, the Broadway production, directed and | choreographed by Michael Kidd, opened on May 13, 1973 at |
| ay production, directed by Arthur Penn and | choreographed by Donald McKayle, opened on October 20, 1 |
| omery, Cesar Romero, and Phil Silvers, was | choreographed by Hermes Pan, and was directed by Walter |
| way production, directed by Karl Genus and | choreographed by Charles Weidman and Ray Harrison, opene |
| y production, directed by Joshua Logan and | choreographed by Peter Gennaro, opened on October 20, 19 |
| oadway production, directed by Burrows and | choreographed by Herbert Ross, Eugene Loring, and Ted Ca |
| Directed by Stanley Prager and | choreographed by Onna White, Let It Ride, with music and |
| Directed by Gary Griffin and | choreographed by Rob Ashford, it featured Brian d'Arcy J |
| cted by Tommy Tune and Peter Masterson and | choreographed by Tune and Jeff Calhoun, opened on May 10 |
| It was | choreographed by Stacey Tookey. |
| This sequence was | choreographed by Charles Walters and filmed two months a |
| rquis de Sade and William S. Burroughs and | choreographed by Xavier Le Roy, was premiered at the Gra |
| The video was | choreographed by Fatima Robinson. |
| It was | choreographed by Busby Berkeley. |
| It was | choreographed by Gillian Lynne. |
| of the film was shot in Mumbai at sets and | choreographed by Bosco-Caesar, a popular choreographer d |
| Lady" for popular singer Ani Lorak, being | choreographed by Fokas Evangelinos. |
| All three songs were | choreographed by Fokas Evagelinos. |
| 's stylish and seductive dance numbers are | choreographed by Keith Young (Rent) and performed by sen |
| ew, the show, directed by Abe Burrows, and | choreographed by Ron Fletcher, opened on July 19, 1951 a |
| Pas de Quatre is a ballet divertissement | choreographed by Jules Perrot in 1845, on the suggestion |
| roadway production, directed by Abbott and | choreographed by Patricia Birch, opened at the St. James |
| The work was | choreographed by the young George Balanchine. |
| Murray Anderson and Edward Clarke Lilley, | choreographed by Robert Alton, sketches directed by Edwa |
| Max Merz in Isadora, | choreographed by Sir Kenneth MacMillan |
| e production was directed by Stone Widney, | choreographed by Gillian Lynne, and starred Howard Keel |
| It was | choreographed by Eugene Loring for Ballet Caravan. |
| Choreographed by Matthew Bourne, the production premiere | |
| Princess Stephanie in Mayerling, | choreographed by Sir Kenneth MacMillan |
| Step-Sister from Cinderella, | choreographed by Sir Frederick Ashton |
| monstrate their dancing skills in routines | choreographed by the legendary Busby Berkeley, who had c |
| High Brahmin from La Bayadere, | choreographed by Rudolph Nureyev |
| in a brace of production numbers, slickly | choreographed by Bud Murray. |
| Drosselmeyer from The Nutcracker, | choreographed by Sir Peter Wright |
| he production was conceived, directed, and | choreographed by Graciela Daniele. |
| Directed by Logan and | choreographed by Helen Tamiris, the original cast includ |
| The Broadway production was directed and | choreographed by Don Price. |
| The fight scenes were | choreographed by Yen, who combined mixed martial arts, a |
| It was | choreographed by Raju Sundaram, brother of Prabhudeva, w |
| Broadway production, directed by Rose and | choreographed by Al Perryman, opened on November 10, 198 |
| The dance for "Soom" was | choreographed by Haw from South Korean hip hop dance cre |
| Carr and Robert Stigwood, and directed and | choreographed by Patricia Birch, who also choreographed |
| as directed by Richard M. Parison, Jr. and | choreographed by Mercedes Ellington. |
| production was directed by Jule Styne and | choreographed by Bob Herget. |
| The show was | choreographed by Charles Augins, musical direction and v |
| His programs have been | choreographed by Jamie Isley, Lori Nichol and Nikolai Mo |
| It was | choreographed by Jason Coleman, a judge on So You Think |
| It was directed by David Petrarca and | choreographed by Daniel Pelzig. |
| which introduced the "Handcuff Dance", was | choreographed by Japanese dancer Rino Nakasone-Razalan. |
| Broadway was directed by Lonny Price and | choreographed by Randy Skinner and Josh Rhodes. |
| ed by Lacey Schwimmer and Kameron Bink and | choreographed by Mia Michaels. |
| ed the ballet "Slaughter on Tenth Avenue", | choreographed by George Balanchine), Babes in Arms (1937 |
| oduction was directed by Walter Bobbie and | choreographed by Randy Skinner. |
| n will be directed by Michael Grandage and | choreographed by Rob Ashford. |
| mented by dance performances from a troupe | choreographed by Alan Lund supported by an orchestra led |
| uction was directed by Peter Glenville and | choreographed by Herbert Ross. |
| Fay, orchestrations by Michael Gibson, and | choreographed by Graciela Daniele, with assistant choreo |
| It was directed by Ivan Reitman and | choreographed by Christopher Chadman and Billy Wilson. |
| It was directed by Schwartz and | choreographed by Onna White, with a cast featuring Patti |
| ay production, directed by Mel Shapiro and | choreographed by Jean Erdman, opened on December 1, 1971 |
| and lyrics by Norman Curtis; directed and | choreographed by Patricia Taylor Curtis). |
| Directed by Lawrence Kasha and | choreographed by Peter Gennaro, the cast included Nancy |
| edit with a repertoire of about 150 pieces | choreographed by the likes of Sir Frederick Ashton, Erik |
| gin' is a musical, conceived, directed and | choreographed by Twyla Tharp. |
| production, directed by Stanley Prager and | choreographed by Marc Breaux, opened on March 26, 1970 a |
| l of the musical Grease to be directed and | choreographed by two-time Tony Award-winner, Kathleen Ma |
| e performed “Memories of You”, a soft shoe | choreographed by Cholly Atkins. |
| onal theatre productions; danced in pieces | choreographed by members of the Martha Graham company; a |
| roduction was directed by Jack Donohue and | choreographed by Ron Fletcher. |
| Directed by Shevelove and | choreographed by Donald Saddler, the cast include Michae |
| It was directed by John Rando and | choreographed by Joey McKneely. |
| d an off-Broadway production, directed and | choreographed by Patricia Birch with designs by Sendak, |
| 例文 | 共起表現 |
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