「okeh」の共起表現(1語左で並び替え) - Weblio英語共起表現検索

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共起表現

「okeh」の共起表現一覧(1語左で並び替え)

該当件数 : 81件

Culled from the American	OKeh label, artists like Louis Armstrong, Bix Beider
of songs for labels such as Decca, Arhoolie and	Okeh.
ords, though he also recorded for Brunswick and	Okeh.
; in the 1960s he recorded for Ronn Records and	Okeh Records in blues and soul styles.
ecorded a few solo 7" records on the Laurie and	Okeh labels.
The recording was released as	Okeh 8756 in 1930.
on April 10, 1928, in New York and released as	Okeh 41039
September 9, 1927, in New York and released as	Okeh 40916 and Vocalion 3150
gy Carmichael on vocals on December 13, 1929 at	Okeh studios after the stock market crashed, giving
eement with the producer he was working with at	Okeh, he also gave up all rights to the song.
At the Jazz Band Ball (	Okeh Records)
The recording was released by	Okeh Records as catalog number 6840.
mmy Tucker (recorded July 31, 1942, released by	Okeh Records as catalog number 6702)
to St. Louis, Missouri, where she was signed by	Okeh Records.
was written by Curtis Mayfield and produced by	Okeh label president, Carl Davis.
Race records were marketed by	Okeh Records,photo Emerson Records,photo Vocalion Re
A room at the hotel was used by	Okeh Records to record a number of important blues s
However, in 1952 she was signed by	Okeh Records, whose record producer Fred Mendelsohn
erformed live only for two parties organized by	Okeh Records.
rst single was "The Mocking Bird" on Columbia's	Okeh label (master #ZSP-9710), released in 1952, wit
made April 16, 1952, was released on Columbia's	Okeh label in 1952 (reaching #23 on the Billboard ch
under his own name included Harmony, Columbia,	Okeh, Victor and Hit of the Week.
Since My Best Gal Turned Me Down (	Okeh Records)
Celestin recorded for	Okeh in 1925, then for Columbia for the rest of the
He recorded as a leader for	Okeh Records between 1924 and 1927.
later generations for his 1920s recordings for	Okeh Records.
was heard on the records that Saunders made for	OKeh Records (1951-1953) and for Parrot and Blue Lak
talent scout and sent to New York to record for	Okeh Records.
nized at the suggestion of Richard M. Jones for	Okeh Records.
they made a never issued recording session for	Okeh Records.
for the Champion-Gennett label, and finally for	OKeh Records.
He also worked for	OKeh Records as Chicago supervisor of the company's
s in San Antonio, and he recorded one 78rpm for	Okeh Records on June 15, 1929.
eligious music to the public in her records for	Okeh and performances in the 1920s.
He recorded for	Okeh, Columbia, Paramount, Camden and Vocalion and s
She first recorded in November 1925 for	Okeh Records, backed by the cornet player Louis Arms
This ensemble recorded for	Okeh Records in 1925.
From 1919, he recorded solo for	Okeh Records.
He recorded for Gennett,	OKeh, Victor, and Paramount Records in the 1920s.
... now rock me baby, one time before you go" (	OKeh 6116).
Margie (	Okeh Records)
de Me Love You" / "Darling, Please Forgive Me" [	OKeh 7084].
She made numerous	Okeh sides in New York until 1929, then switched to
ew York City, Bradford convinced Fred Hager, of	OKeh Records, to record Mamie Smith and became her m
This version was released on	Okeh Records #6741.
He also recorded on	Okeh Records for a time.
they released their self titled debut album on	Okeh Records.
he B-side to "Pistol Packin' Mama", released on	Okeh #6708.
three recording of the song, the first being on	Okeh Records #4957 in 1939.
nzie and Condon's Chicagoans for a few sides on	Okeh Records.
Helen Humes recorded with Andrade's band on	Okeh Records, but other than this, Andrade recorded
ana in August 1932, while the final sessions on	Okeh were held in Chicago in November 1934.
ch 18, 1942) performed by Al Dexter released on	Okeh 6708.
ou Don't Get It, 'Tain't No Fault of Mine)", on	Okeh Records.
923 ("London Blues" and "Someday Sweetheart" on	Okeh Records); some fellow musicians said Robertson
In October 1929, the band debuted on	Okeh Records.
ong and his Sebastian New Cotton Club Orchestra	OKeh 41478.
soul labels, including, Vee-Jay, Chess Records,	OKeh, ABC-Paramount, One-derful, Brunswick, and Curt
Vocalions were reissued on the recently revived	OKeh label with the same catalog numbers.
Ol' Man River (	Okeh Records)
1931? Sexteto	Okeh (Los Jardineros) Okeh 14027.
Sorry (	Okeh Records)
illis began recording on a Columbia subsidiary,	Okeh.
Tell The World About You/Two Ton Tessie (	Okeh #7254) (1966) (as S. Q. Reeder)
returned in 1965, recording soul music for the	Okeh label.
n Redman was the first to record with it on the	Okeh label in 1928-1929.
ippi Sheiks recorded over seventy songs for the	Okeh, Paramount and Bluebird labels.
n nine tracks by Alger "Texas" Alexander in the	Okeh studio.
n 1940, the Holiday releases were issued on the	Okeh Records imprint, reactivated by CBS to handle i
ntinued into the 1930s, recording sides for the	Okeh and Vocalion labels in New York, San Antonio, a
She recorded for the	OKeh label in 1921 and 1923, and toured the TOBA vau
ittle Buddy Doyle on Doyle's recordings for the	Okeh and Vocalion labels in 1939.
Lacking a band name, at the	OKeh session Hopkins (whose now-urban father had bee
r Jazz Band in 1921, which were released on the	Okeh label.
Noting the success of the	Okeh recordings of Fiddlin' John Carson in 1923, Voc
20th century as historians began to explore the	Okeh Records catalog, and his posthumous fame was bo
She recorded for the	OKeh, Victor, Excelsior, and Flame labels.
In 1924, his first recordings appeared on the	Okeh label.
I Want To Know/Just In Time (	Okeh #7239) (1966) (as S. Q. Reeder)
Ace Brigode & His Ten Virginians,	Okeh 40014 (1923).
She began recording in 1926 with	Okeh Records, first as a solo artist and later with

共起表現