「okeh」の共起表現一覧(2語右で並び替え)
該当件数 : 46件
In 1929, | OKeh started a new ONY- series, first using selected |
gy Carmichael on vocals on December 13, 1929 at | Okeh studios after the stock market crashed, giving |
eement with the producer he was working with at | Okeh, he also gave up all rights to the song. |
He recorded for Gennett, | OKeh, Victor, and Paramount Records in the 1920s. |
under his own name included Harmony, Columbia, | Okeh, Victor and Hit of the Week. |
ippi Sheiks recorded over seventy songs for the | Okeh, Paramount and Bluebird labels. |
September 9, 1927, in New York and released as | Okeh 40916 and Vocalion 3150 |
Culled from the American | OKeh label, artists like Louis Armstrong, Bix Beider |
The recording was released by | Okeh Records as catalog number 6840. |
mmy Tucker (recorded July 31, 1942, released by | Okeh Records as catalog number 6702) |
He also worked for | OKeh Records as Chicago supervisor of the company's |
She first recorded in November 1925 for | Okeh Records, backed by the cornet player Louis Arms |
He recorded as a leader for | Okeh Records between 1924 and 1927. |
Helen Humes recorded with Andrade's band on | Okeh Records, but other than this, Andrade recorded |
20th century as historians began to explore the | Okeh Records catalog, and his posthumous fame was bo |
Race records were marketed by | Okeh Records,photo Emerson Records,photo Vocalion Re |
She recorded for the | OKeh, Victor, Excelsior, and Flame labels. |
She began recording in 1926 with | Okeh Records, first as a solo artist and later with |
He also recorded on | Okeh Records for a time. |
OKeh issued foreign recordings on a United States Od | |
ana in August 1932, while the final sessions on | Okeh were held in Chicago in November 1934. |
Lacking a band name, at the | OKeh session Hopkins (whose now-urban father had bee |
n 1940, the Holiday releases were issued on the | Okeh Records imprint, reactivated by CBS to handle i |
The recording was released as | Okeh 8756 in 1930. |
n Redman was the first to record with it on the | Okeh label in 1928-1929. |
She made numerous | Okeh sides in New York until 1929, then switched to |
She recorded for the | OKeh label in 1921 and 1923, and toured the TOBA vau |
; in the 1960s he recorded for Ronn Records and | Okeh Records in blues and soul styles. |
made April 16, 1952, was released on Columbia's | Okeh label in 1952 (reaching #23 on the Billboard ch |
This ensemble recorded for | Okeh Records in 1925. |
1931? Sexteto | Okeh (Los Jardineros) Okeh 14027. |
On June 21, | Okeh had Jones record four additional songs, and on |
Noting the success of the | Okeh recordings of Fiddlin' John Carson in 1923, Voc |
Okeh Records offered him a chance to record on their | |
s in San Antonio, and he recorded one 78rpm for | Okeh Records on June 15, 1929. |
soul labels, including, Vee-Jay, Chess Records, | OKeh, ABC-Paramount, One-derful, Brunswick, and Curt |
He recorded for | Okeh, Columbia, Paramount, Camden and Vocalion and s |
eligious music to the public in her records for | Okeh and performances in the 1920s. |
was written by Curtis Mayfield and produced by | Okeh label president, Carl Davis. |
923 ("London Blues" and "Someday Sweetheart" on | Okeh Records); some fellow musicians said Robertson |
A room at the hotel was used by | Okeh Records to record a number of important blues s |
ew York City, Bradford convinced Fred Hager, of | OKeh Records, to record Mamie Smith and became her m |
ntinued into the 1930s, recording sides for the | Okeh and Vocalion labels in New York, San Antonio, a |
ittle Buddy Doyle on Doyle's recordings for the | Okeh and Vocalion labels in 1939. |
However, in 1952 she was signed by | Okeh Records, whose record producer Fred Mendelsohn |
Vocalions were reissued on the recently revived | OKeh label with the same catalog numbers. |
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