「original S」の共起表現一覧(1語右で並び替え)2ページ目
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Unlike the | originals, the "1501"s had full-length saddle tanks fr |
copies of 2nd century BC bronze Hellenistic | originals, though recent critical study, notably by Br |
urch buildings are much more modern than the | originals, though. |
who are made to look nearly identical to the | originals through the clever application of costumes, |
Perplexed, Clay has Zero use the | originals to make a complete copy. |
ry that made ceramic replicas of Greco-Roman | originals to satisfy the longing for antique art durin |
The soundtrack ranges from classic Konami | Originals to new pop and dance standards like music fr |
to produce his own material and he used the | Originals to help get his point across that he can pro |
s player, and an additional guitarist joined | originals Tony Portaro and Tony Scaglione - a line-up |
med in radically altered treatments from the | originals, using the same musicians that backed Street |
Landed (iTunes | Originals Version) |
Bastard (iTunes | Originals Version) |
Brick (iTunes | Originals Version) |
Alice Childress (iTunes | Originals Version) |
"Little Bird" (iTunes | Originals version) |
Nothing Much Happens (iTunes | Originals Version) |
Catch My Disease (iTunes | Originals Version) |
"Road to Somewhere" (iTunes | Originals version) |
"You Never Know" (iTunes | Originals version) |
"Strict Machine" (iTunes | Originals version) (Goldfrapp, Gregory, Nick Batt) |
"Days Go By" (iTunes | Originals Version) (Urban & Powell) - 3:53 |
"Tonight I Wanna Cry" (iTunes | Originals Version) (Urban & Powell) - 4:20 |
"All My Tears" (iTunes | Originals Version) [featuring Ashley Cleveland] - 4:06 |
"Only You Can Love Me This Way" (iTunes | Originals Version) (John Reid & Steve McEwan) - 4:07 |
moniker previously used for Cartoon Network | originals was also dropped in 2006. |
four qualities which Fabricius found in the | originals were lucidity, strength, brevity and appropr |
mlet also retains a set of stocks though the | originals were removed to the Ashmolean Museum, Oxford |
oric recordings, sometimes taken from 78-rpm | originals, were featured. |
The | originals were melted down for metal during the Second |
llehus (only copies are on display since the | originals were destroyed) |
es (especially in the rendering of the Greek | originals) were held by the anonymous contributor to t |
form texts on some 500 tablets, of which the | originals were stored in the Iraq Museum, Baghdad, and |
Originals were transferred to the Slovak National Gall | |
His | originals were like demonic steam trains where every m |
I and several others believe that the | originals were recorded slightly slow, and that all re |
The copy together with the twelve | originals were hung in the castle's long dining room, |
ing modern Alternative rock music, and their | originals were definitely a reflection of that genre. |
Greek | originals were printed in good type with Latin transla |
"excellent set of | originals, which touch on blues, post-bop, gospel, and |
unky bites that keep the unique vibes of the | originals while adding his own. |
ical background and different lyrics for The | Originals, who were having hits with Gaye's compositio |
projects a sweeping panorama, combining epic | originals with fractal readings of Skip James, Dvorak, |
d to reflect the artwork associated with the | originals, with 7" and 12" vinyl singles and LPs typic |
tish version, with all episodes based on the | originals, with only minor changes. |
etermined to offer her growing repertoire of | originals with a wider audience. |
o be accepted as an fully authentic work the | originals would have to be examined by experts. |
gers at Motown during much of the 1960s, The | Originals would continue to provide background vocals |
The five-song EP was bookmarked by two new | originals, written by Bret Alexander and songwriting c |
name the band The Luke Walton Band and play | originals written by Luke Walton. |
Several of the tracks are | originals, written by the group and labelmate Brian Mc |
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