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Moreover, Makino used Taketoshi MURATA who had been an assistant director of Nagao, and Reizo INOUE, who was an actor and film director at Katsudo Shashin Shiryo Kenkyukai established by Toyojiro TAKAMATSU, each to direct one film.発音を聞く 例文帳に追加
長尾の助監督村田武俊、高松豊次郎の「活動写真資料研究会」の俳優兼監督井上麗三にも1本監督させている。 - Wikipedia日英京都関連文書対訳コーパス
During the process of filming "Vengeance for Sale," its leading actor Hiroyuki SANADA served him as his assistant in conveying messages and giving instructions (even at the premier presentation, the actor stayed with him on the stage while he was making a speech, and sat close to him in order to inform him of the reactions of the spectators).発音を聞く 例文帳に追加
『助太刀屋助六』では主演の真田広之が伝令など補佐役を務めた(舞台挨拶などでも傍につき、会場の反応などを伝えていた)。 - Wikipedia日英京都関連文書対訳コーパス
He studied under famous people such as Kenkichi HARA, Minoru SHIBUYA, Noboru NAKAMURA, and he directed the movie, "Izu no Enkashi" (street performer of pop songs in Izu) (main actor was Keiji SADA) for the first time while his position was still assistant director in 1952.発音を聞く 例文帳に追加
原研吉、渋谷実、中村登らの名匠に師事し、昭和27年助監督待遇のまま『伊豆の艶歌師』(主演佐田啓二)を初監督。 - Wikipedia日英京都関連文書対訳コーパス
Among the students in his later stage, Kensho YAMASHITA served as a backup director in "Eireitachi no Oenka" (The Last Game) (International: English title), although he had already been promoted to director at that time, Go RIJU took charge of as a joint script writer, leading actor, and assistant director for "Chikagoro naze ka Charusuton" (At This Late Date, the Charleston) at the age of only 19, and Yusuke OKADA, actual President of Toho, worked as a producer and at the same time as the leading actor in "Battle Cry/ Go for Broke."発音を聞く 例文帳に追加
後期としては監督昇進後も「英霊たちの応援歌」を応援監督した山下賢章、弱冠19歳で「近頃なぜかチャールストン」の共同脚本兼主演兼助監督をつとめた利重剛、プロデューサーでは「吶喊」で主演兼で初仕事を手がけた岡田裕介現東映社長が挙げられる。 - Wikipedia日英京都関連文書対訳コーパス
According to Hyoe ENOKI, an excellent supporting actor who had often appeared in Nakahira's films because of his performance laying his life on the line and his unique appearance, for example, the part of a killer who did a desperate stunt to become a fireball with gasoline in "Wakakute Warukute Sugoi Koitsura" (Young, evil, and excellent gays), Nakahira, who had been a dandy as a stylist since he was an assistant director, had a long face and got really mad when he was called a 'horse face' by Yasushi SUZUKI and Hyoe ENOKI at the time of shooting of "Yaro ni Kokkyo wa nai."発音を聞く 例文帳に追加
『若くて悪くて凄いこいつら』の殺し屋役で、ガソリンを浴びて火だるまになる決死のスタントを自ら行う等、その体を張った演技と特異な風貌で中平にも度々起用されていた名バイプレーヤー・榎木兵衛の話によると、助監督時代からスタイリストとしてダンディーな中平であったが、面長な顔だったため、『野郎に国境はない』の時に鈴木ヤスシと榎木兵衛から「馬ヅラ」と言われて本気で怒ったそうである。 - Wikipedia日英京都関連文書対訳コーパス
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