「Balanchine」の共起表現(1語右で並び替え)

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共起表現

「Balanchine」の共起表現一覧(1語右で並び替え)

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	Balanchine added the pas de deux for Suzanne Farrell an
	Balanchine adds to Tchaikovsky's score an entr'acte tha
Ballet's co-founder and balletmaster George	Balanchine after Lev Ivanov to Tschaikovsky's eponymous
ronislava Nijinska, Frederick Ashton, George	Balanchine, Agnes de Mille, Ruth Page and Valerie Betti
She has also performed works by George	Balanchine and Sir Kenneth MacMillan, among others.
bly organized by Lincoln Kirstein and George	Balanchine and led by music director Erich Leinsdorf.
in 1934 when Kirstein decided to fund George	Balanchine and the newly established School of American
ynes, Lincoln Kirstein, Orson Welles, George	Balanchine, and E. E. Cummings.
	Balanchine and Alexandra Danilova had mounted a full-le
the 20th Century, she eventually returned to	Balanchine and the New York City Ballet in 1975, where
neer the immigration of choreographer George	Balanchine and sow the seeds for Balanchine's School of
ity Center's chairman, Morton Baum, inviting	Balanchine and Kirstein to establish a resident company
of Sir Frederick Ashton, Erik Bruhn, George	Balanchine, Anthony Tudor, John Cranko, Jack Carter, Ku
version of the Capriccio was used by George	Balanchine as the score for the Rubies section of his f
Trained by George	Balanchine as a member of the New York City Ballet, Gif
regor Piatigorsky and ballet director George	Balanchine, as well as other violinists such as Fritz K
uoted as saying that he immediately wrote to	Balanchine asking to be hired in any capacity.
er on Tenth Avenue", choreographed by George	Balanchine), Babes in Arms (1937), I Married an Angel (
The repertoire includes ballets by	Balanchine, Bournonville, de Mille, and many others, in
invited by the New York City Ballet for the	Balanchine Celebration at the New York State Theatre.
It was the first ballet that	Balanchine choreographed in America.
oah and the Flood is a ballet made by George	Balanchine, co-founder and balletmaster of the New York
ss, the artistic director, danced for George	Balanchine for sixteen years at New York City Ballet an
ty Ballet co-founder and balletmaster George	Balanchine for opening night of its Stravinsky Festival
	Balanchine, Francisco Moncion and Barbara Milberg chore
g in over 60 ballets, mainly works by George	Balanchine, Hayden retired as a dancer in 1973.
	Balanchine honored her on her retirement by creating th
1997 Tour of China, a celebration of George	Balanchine hosted by National Ballet of China.
It was incorporated by	Balanchine into his later Tschaikovsky Suite No. 3 as i
	Balanchine is quoted as saying that chamber music was n
NY Times	Balanchine: Jewels
t from 1950 to 1963 and a favorite of George	Balanchine, later became a teacher and a dean at the Sc
1995 Nonesuch, The	Balanchine Library: Choreography by Balanchine, 1977
1995 Nonesuch, The	Balanchine Library: Dancing for Mr.B, excerpts from the
y Ballet co-founder and balletmaster, George	Balanchine, made to Vittorio Rieti's music using themes
as danced principal roles in works by George	Balanchine, Nacho Duato, Mats Ek, Jiri Kylian, Jean-Chr
Ragtime (I), first ballet by George	Balanchine of the same title to Stravinsky's eponymous
Ragtime (II), second ballet by George	Balanchine of the same title to Stravinsky's music
Orpheus is a ballet made by George	Balanchine on Ballet Society, which he founded together
Excerpts from the	Balanchine production were performed several times on v
et Society renamed) New York City Ballet and	Balanchine remained its ballet master until his death.
Three years later	Balanchine replaced the original costumes with leotards
Prokofiev refused to pay	Balanchine royalties for his choreography."
	Balanchine set the final movement of Tschaikovsky's thi
tates either imitate it, or directly use the	Balanchine staging.
Serenade is a ballet by George	Balanchine, subsequently co-founder and balletmaster of
s at the School of American Ballet by George	Balanchine, subsequently balletmaster and co-founder of
nobia Pas de Deux is a ballet made by George	Balanchine, subsequently co-founder and founding choreo
ancer in the company, in 1969, her bond with	Balanchine suffered, and they left the New York City Ba
ed and published in 1933; Stravinsky alerted	Balanchine to the existence of the symphony.
ty Ballet co-founder and balletmaster George	Balanchine to excerpts from the first act of Glazunov's
ty Ballet co-founder and balletmaster George	Balanchine to Johannes Brahms' Liebeslieder, op.
Theme and Variations is a ballet by George	Balanchine to the final movement of Tschaikovsky's Suit
ty Ballet co-founder and balletmaster George	Balanchine to the Concert Suite (ca.
Ballet's co-founder and balletmaster George	Balanchine to Igor Stravinsky's Ragtime for Eleven Inst
co-founder and founding choreographer George	Balanchine to music arranged by Hershy Kay.
part ballet made by Martha Graham and George	Balanchine to Anton von Webern's Symphony, Op. 21; Five
co-founder and founding choreographer George	Balanchine to Stravinsky's Tango for Piano Forte (1940)
co-founder and founding choreographer George	Balanchine to Bizet's Jeux d'Enfants (1871), Opus 22-26
co-founder and founding choreographer George	Balanchine to Tschaikovsky's Suite No. 3 for Orchestra
ty Ballet co-founder and balletmaster George	Balanchine to Louis Moreau Gottschalk's Grand Tarantell
Ballet's co-founder and balletmaster George	Balanchine to Igor Stravinsky's 1918 Ragtime for Eleven
ty Ballet co-founder and balletmaster George	Balanchine to Bizet's Symphony in C (1855), which he wr
ty Ballet co-founder and balletmaster George	Balanchine to eponymous music by Igor Stravinsky compos
ty Ballet co-founder and balletmaster George	Balanchine to Antonio Vivaldi's Concerto Grosso in B mi
ty Ballet co-founder and balletmaster George	Balanchine to Charles Ives' Central Park in the Dark (1
ty Ballet co-founder and balletmaster George	Balanchine to music he commissioned from Paul Hindemith
ty Ballet co-founder and balletmaster George	Balanchine, to music by Georges Auric, commissioned by
Neary is also a repetiteur for The George	Balanchine Trust, a designation which allows her to sta
allet dancer and a repetiteur for the George	Balanchine Trust.
The	Balanchine version uses perhaps more children than any
repertoire is made up of the work of George	Balanchine, Villella's mentor, though the company also
for dancer Suzanne Farrell, with whom George	Balanchine was deeply in love at the time.
Directed and choreographed by George	Balanchine, with the book directed by Robert H. Gordon,

共起表現

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「Balanchine」の共起表現一覧(1語右で並び替え)