「Balanchine」の共起表現(2語左で並び替え)

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共起表現

「Balanchine」の共起表現一覧(2語左で並び替え)

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mer Night's Dream - Oberon and Divertimento (	Balanchine)
bly organized by Lincoln Kirstein and George	Balanchine and led by music director Erich Leinsdorf.
part ballet made by Martha Graham and George	Balanchine to Anton von Webern's Symphony, Op. 21; Five
s after Marius Petipa, Lev Ivanov and George	Balanchine (founding balletmaster - and co-founder - of
ronislava Nijinska, Frederick Ashton, George	Balanchine, Agnes de Mille, Ruth Page and Valerie Betti
It was the first ballet that	Balanchine choreographed in America.
et Society renamed) New York City Ballet and	Balanchine remained its ballet master until his death.
ty Ballet co-founder and balletmaster George	Balanchine to excerpts from the first act of Glazunov's
ty Ballet co-founder and balletmaster George	Balanchine to Johannes Brahms' Liebeslieder, op.
ty Ballet co-founder and balletmaster George	Balanchine to the Concert Suite (ca.
Ballet's co-founder and balletmaster George	Balanchine after Lev Ivanov to Tschaikovsky's eponymous
Ballet's co-founder and balletmaster George	Balanchine to Igor Stravinsky's Ragtime for Eleven Inst
ty Ballet co-founder and balletmaster George	Balanchine for opening night of its Stravinsky Festival
ty Ballet co-founder and balletmaster George	Balanchine to Louis Moreau Gottschalk's Grand Tarantell
Ballet's co-founder and balletmaster George	Balanchine to Igor Stravinsky's 1918 Ragtime for Eleven
ty Ballet co-founder and balletmaster George	Balanchine to Bizet's Symphony in C (1855), which he wr
ty Ballet co-founder and balletmaster George	Balanchine to eponymous music by Igor Stravinsky compos
ty Ballet co-founder and balletmaster George	Balanchine to Antonio Vivaldi's Concerto Grosso in B mi
ty Ballet co-founder and balletmaster George	Balanchine to Charles Ives' Central Park in the Dark (1
ty Ballet co-founder and balletmaster George	Balanchine to music he commissioned from Paul Hindemith
ty Ballet co-founder and balletmaster George	Balanchine, to music by Georges Auric, commissioned by
y Ballet co-founder and balletmaster, George	Balanchine, made to Vittorio Rieti's music using themes
The repertoire includes ballets by	Balanchine, Bournonville, de Mille, and many others, in
ity Center's chairman, Morton Baum, inviting	Balanchine and Kirstein to establish a resident company
ancer in the company, in 1969, her bond with	Balanchine suffered, and they left the New York City Ba
of Sir Frederick Ashton, Erik Bruhn, George	Balanchine, Anthony Tudor, John Cranko, Jack Carter, Ku
Ragtime (I), first ballet by George	Balanchine of the same title to Stravinsky's eponymous
Ragtime (II), second ballet by George	Balanchine of the same title to Stravinsky's music
She has also performed works by George	Balanchine and Sir Kenneth MacMillan, among others.
g in over 60 ballets, mainly works by George	Balanchine, Hayden retired as a dancer in 1973.
y Igor Stravinsky and choreography by George	Balanchine.
version of the Capriccio was used by George	Balanchine as the score for the Rubies section of his f
Directed and choreographed by George	Balanchine, with the book directed by Robert H. Gordon,
Theme and Variations is a ballet by George	Balanchine to the final movement of Tschaikovsky's Suit
Serenade is a ballet by George	Balanchine, subsequently co-founder and balletmaster of
with M. Malaieff and choreography by George	Balanchine.
s at the School of American Ballet by George	Balanchine, subsequently balletmaster and co-founder of
oah and the Flood is a ballet made by George	Balanchine, co-founder and balletmaster of the New York
as danced principal roles in works by George	Balanchine, Nacho Duato, Mats Ek, Jiri Kylian, Jean-Chr
Trained by George	Balanchine as a member of the New York City Ballet, Gif
d D. Dowling, and ballets directed by George	Balanchine.
er on Tenth Avenue", choreographed by George	Balanchine), Babes in Arms (1937), I Married an Angel (
nobia Pas de Deux is a ballet made by George	Balanchine, subsequently co-founder and founding choreo
Orpheus is a ballet made by George	Balanchine on Ballet Society, which he founded together
honies, later used as ballet music by George	Balanchine.
eated for him by famous choreographer George	Balanchine.
ed extensively with the choreographer George	Balanchine.
co-founder and founding choreographer George	Balanchine to music arranged by Hershy Kay.
neer the immigration of choreographer George	Balanchine and sow the seeds for Balanchine's School of
co-founder and founding choreographer George	Balanchine to Stravinsky's Tango for Piano Forte (1940)
co-founder and founding choreographer George	Balanchine to Bizet's Jeux d'Enfants (1871), Opus 22-26
co-founder and founding choreographer George	Balanchine to Tschaikovsky's Suite No. 3 for Orchestra
ounding balletmaster (and co-founder) George	Balanchine.
ounding balletmaster (and co-founder) George	Balanchine.
regor Piatigorsky and ballet director George	Balanchine, as well as other violinists such as Fritz K
Suzanne Farrell was prominently featured in	Balanchine (2004) a documentary about the life of Georg
ss, the artistic director, danced for George	Balanchine for sixteen years at New York City Ballet an
later used the piece for a ballet for George	Balanchine.
invited by the New York City Ballet for the	Balanchine Celebration at the New York State Theatre.
Excerpts from the	Balanchine production were performed several times on v
in 1934 when Kirstein decided to fund George	Balanchine and the newly established School of American
aining such horses as Lammtarra, Halling and	Balanchine.
It was incorporated by	Balanchine into his later Tschaikovsky Suite No. 3 as i
La Valse (	Balanchine, 1975)
For	Balanchine's 1946 ballet, see La sonnambula (Balanchine
y directed by a prodigious ballet master, M.	Balanchine.
ping the Chinese population learn more about	Balanchine.
1995 Nonesuch, The	Balanchine Library: Choreography by Balanchine, 1977
1995 Nonesuch, The	Balanchine Library: Dancing for Mr.B, excerpts from the
NY Times	Balanchine: Jewels
1997 Tour of China, a celebration of George	Balanchine hosted by National Ballet of China.
t from 1950 to 1963 and a favorite of George	Balanchine, later became a teacher and a dean at the Sc
repertoire is made up of the work of George	Balanchine, Villella's mentor, though the company also
Theme and Variations - Principal Role (	Balanchine)
For George	Balanchine's 1968 ballet of the same title, see Requiem
the 20th Century, she eventually returned to	Balanchine and the New York City Ballet in 1975, where
For George	Balanchine's 1982 ballet of the same name, see Tango (B
ed and published in 1933; Stravinsky alerted	Balanchine to the existence of the symphony.
For George	Balanchine's 1951 one act version, see Swan Lake (Balan
Neary is also a repetiteur for The George	Balanchine Trust, a designation which allows her to sta
allet dancer and a repetiteur for the George	Balanchine Trust.
Prokofiev refused to pay	Balanchine royalties for his choreography."
tates either imitate it, or directly use the	Balanchine staging.
ynes, Lincoln Kirstein, Orson Welles, George	Balanchine, and E. E. Cummings.
for dancer Suzanne Farrell, with whom George	Balanchine was deeply in love at the time.
uoted as saying that he immediately wrote to	Balanchine asking to be hired in any capacity.
Three years later	Balanchine replaced the original costumes with leotards
e work was choreographed by the young George	Balanchine.

共起表現

「Balanchine」の共起表現(2語左で並び替え) - Weblio英語共起表現検索

「Balanchine」の共起表現一覧(2語左で並び替え)