「Balanchine」の共起表現(2語右で並び替え)

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共起表現

「Balanchine」の共起表現一覧(2語右で並び替え)

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Suzanne Farrell was prominently featured in	Balanchine (2004) a documentary about the life of Georg
Neary is also a repetiteur for The George	Balanchine Trust, a designation which allows her to sta
Trained by George	Balanchine as a member of the New York City Ballet, Gif
	Balanchine and Alexandra Danilova had mounted a full-le
ancer in the company, in 1969, her bond with	Balanchine suffered, and they left the New York City Ba
oah and the Flood is a ballet made by George	Balanchine, co-founder and balletmaster of the New York
part ballet made by Martha Graham and George	Balanchine to Anton von Webern's Symphony, Op. 21; Five
ty Ballet co-founder and balletmaster George	Balanchine to Antonio Vivaldi's Concerto Grosso in B mi
invited by the New York City Ballet for the	Balanchine Celebration at the New York State Theatre.
Orpheus is a ballet made by George	Balanchine on Ballet Society, which he founded together
s at the School of American Ballet by George	Balanchine, subsequently balletmaster and co-founder of
s after Marius Petipa, Lev Ivanov and George	Balanchine (founding balletmaster - and co-founder - of
t from 1950 to 1963 and a favorite of George	Balanchine, later became a teacher and a dean at the Sc
co-founder and founding choreographer George	Balanchine to Bizet's Jeux d'Enfants (1871), Opus 22-26
ty Ballet co-founder and balletmaster George	Balanchine to Bizet's Symphony in C (1855), which he wr
1997 Tour of China, a celebration of George	Balanchine hosted by National Ballet of China.
ty Ballet co-founder and balletmaster George	Balanchine to Charles Ives' Central Park in the Dark (1
1995 Nonesuch, The	Balanchine Library: Choreography by Balanchine, 1977
Serenade is a ballet by George	Balanchine, subsequently co-founder and balletmaster of
nobia Pas de Deux is a ballet made by George	Balanchine, subsequently co-founder and founding choreo
1995 Nonesuch, The	Balanchine Library: Dancing for Mr.B, excerpts from the
ronislava Nijinska, Frederick Ashton, George	Balanchine, Agnes de Mille, Ruth Page and Valerie Betti
The repertoire includes ballets by	Balanchine, Bournonville, de Mille, and many others, in
for dancer Suzanne Farrell, with whom George	Balanchine was deeply in love at the time.
as danced principal roles in works by George	Balanchine, Nacho Duato, Mats Ek, Jiri Kylian, Jean-Chr
ynes, Lincoln Kirstein, Orson Welles, George	Balanchine, and E. E. Cummings.
ty Ballet co-founder and balletmaster George	Balanchine to eponymous music by Igor Stravinsky compos
ty Ballet co-founder and balletmaster George	Balanchine to excerpts from the first act of Glazunov's
Prokofiev refused to pay	Balanchine royalties for his choreography."
Kultur,	Balanchine (excerpts from the Second movement Adagio an
	Balanchine honored her on her retirement by creating th
It was incorporated by	Balanchine into his later Tschaikovsky Suite No. 3 as i
Ballet's co-founder and balletmaster George	Balanchine to Igor Stravinsky's Ragtime for Eleven Inst
Ballet's co-founder and balletmaster George	Balanchine to Igor Stravinsky's 1918 Ragtime for Eleven
It was the first ballet that	Balanchine choreographed in America.
er on Tenth Avenue", choreographed by George	Balanchine), Babes in Arms (1937), I Married an Angel (
et Society renamed) New York City Ballet and	Balanchine remained its ballet master until his death.
ty Ballet co-founder and balletmaster George	Balanchine to Johannes Brahms' Liebeslieder, op.
ity Center's chairman, Morton Baum, inviting	Balanchine and Kirstein to establish a resident company
bly organized by Lincoln Kirstein and George	Balanchine and led by music director Erich Leinsdorf.
Ballet's co-founder and balletmaster George	Balanchine after Lev Ivanov to Tschaikovsky's eponymous
ty Ballet co-founder and balletmaster George	Balanchine to Louis Moreau Gottschalk's Grand Tarantell
repertoire is made up of the work of George	Balanchine, Villella's mentor, though the company also
	Balanchine, Francisco Moncion and Barbara Milberg chore
co-founder and founding choreographer George	Balanchine to music arranged by Hershy Kay.
ty Ballet co-founder and balletmaster George	Balanchine to music he commissioned from Paul Hindemith
ty Ballet co-founder and balletmaster George	Balanchine, to music by Georges Auric, commissioned by
ty Ballet co-founder and balletmaster George	Balanchine for opening night of its Stravinsky Festival
	Balanchine is quoted as saying that chamber music was n
g in over 60 ballets, mainly works by George	Balanchine, Hayden retired as a dancer in 1973.
She has also performed works by George	Balanchine and Sir Kenneth MacMillan, among others.
ss, the artistic director, danced for George	Balanchine for sixteen years at New York City Ballet an
neer the immigration of choreographer George	Balanchine and sow the seeds for Balanchine's School of
co-founder and founding choreographer George	Balanchine to Stravinsky's Tango for Piano Forte (1940)
Ragtime (I), first ballet by George	Balanchine of the same title to Stravinsky's eponymous
Ragtime (II), second ballet by George	Balanchine of the same title to Stravinsky's music
ed and published in 1933; Stravinsky alerted	Balanchine to the existence of the symphony.
in 1934 when Kirstein decided to fund George	Balanchine and the newly established School of American
version of the Capriccio was used by George	Balanchine as the score for the Rubies section of his f
Directed and choreographed by George	Balanchine, with the book directed by Robert H. Gordon,
Three years later	Balanchine replaced the original costumes with leotards
	Balanchine set the final movement of Tschaikovsky's thi
Theme and Variations is a ballet by George	Balanchine to the final movement of Tschaikovsky's Suit
ty Ballet co-founder and balletmaster George	Balanchine to the Concert Suite (ca.
the 20th Century, she eventually returned to	Balanchine and the New York City Ballet in 1975, where
	Balanchine added the pas de deux for Suzanne Farrell an
uoted as saying that he immediately wrote to	Balanchine asking to be hired in any capacity.
	Balanchine adds to Tchaikovsky's score an entr'acte tha
y Ballet co-founder and balletmaster, George	Balanchine, made to Vittorio Rieti's music using themes
co-founder and founding choreographer George	Balanchine to Tschaikovsky's Suite No. 3 for Orchestra
of Sir Frederick Ashton, Erik Bruhn, George	Balanchine, Anthony Tudor, John Cranko, Jack Carter, Ku
The	Balanchine version uses perhaps more children than any
regor Piatigorsky and ballet director George	Balanchine, as well as other violinists such as Fritz K
Excerpts from the	Balanchine production were performed several times on v

共起表現

「Balanchine」の共起表現(2語右で並び替え) - Weblio英語共起表現検索

「Balanchine」の共起表現一覧(2語右で並び替え)