英和和英

出典:『Wikipedia』 (2011/07/29 18:49 UTC 版)

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Chicago Opera Ballet, established in 1910, which marks the beginnings of the first American ballet company. Chicago Grand Opera Company's first ballet master was Luigi Albertieri (protégé of Enrico Cecchetti). The opera became a base from which successful Chicago resident dance companies emerged. In 1922 two émigré dancers, Andreas Pavley and Serge Oukrainsky, among the opera's most illustrious early ballet masters, created Chicago's first independent ballet company, the Pavley-Oukrainsky Ballet, which toured nationally and internationally until Pavley died in 1931. In 1919, Adolph Bolm was invited by the opera to stage an original ballet. Based on a story by Oscar Wilde, Bolm's "The Birthday of the Infanta" had music by Chicago composer John Alden Carpenter and decor by the American designer Robert Edmond Jones. Midwest dancer Ruth Page starred as the infanta. When Pavley and Oukrainsky left the opera in 1922 to form their company, Bolm became the opera's ballet master. Subsequently he helped establish Chicago's Allied Arts, considered the first ballet theater in the United States, which he directed from 1924 to 1927. Allied Arts ceased for lack of funds, but the Adolph Bolm Ballet continued. Experimentation continued in the 1930s and included a pioneering attempt by Mark Turbyfill (Chicago Opera) and his former student Katherine Dunham to organize an African American ballet company in Chicago. In 1933, Ruth Page choreographed "La Guiablesse", which featured Page along with Dunham and an all-black supporting cast. Dunham, Ruth Page and Bentley Stone formed the Chicago Works Progress Administration (WPA) Dance Project and had significant success. Two important ballets emerged by Page and Stone; "American Patterns" (1937), the first feminist ballet, and the landmark "Frankie & Johnnie".