「Puppet」を含む例文一覧(465)

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  • However, Hisahide MATSUNAGA and the Miyoshi Triumvirate, who tried to occupy the shogunate after Nagayoshi's (Chokei's) death, considered Yoshiteru their enemy. So they cooperated with Yoshitsuna ASHIKAGA, an adopted son of Yoshitane ASHIKAGA, and set up Yoshitsuna's heir, Yoshihide ASHIKAGA (Yoshiteru's cousin), as a puppet prospective shogun, excluding Yoshiteru.
    しかし、長慶の死後に幕政を牛耳ろうと目論んでいた松永久秀と三好三人衆にとっては、そのような義輝は邪魔な存在であったため、久秀と三人衆は足利義稙の養子・足利義維と組み、義輝を排除して、義維の嫡男・足利義栄（義輝の従兄弟）を傀儡として擁立する。 - Wikipedia日英京都関連文書対訳コーパス
  • According to one theory, the Nanbu clan used Masasue as a puppet player, to control the Ando line families settled in a wide range of the northern maritime area, and this policy contributed to the stabilization of the northern maritime area and the penetration of the bakufu's influence into this area, and from this point, the Shimonokuni family was discontinued and the Hiyama Ando clan emerged from Masasue ANDO of Shiokata, in return.
    これを、南部氏が政季を傀儡とし北方海域の各地に広く分布していた安藤氏の同族を掌握したため、北方海域の安定化と幕府権威の浸透につながったとし、このとき下国家は断絶し潮潟安藤政季から新たに檜山安東氏が始まるとしている説がある。 - Wikipedia日英京都関連文書対訳コーパス
  • After which, Hidenobu ODA, the legitimate grandson of Nobunaga, took over as head of the family, but he was just a puppet of Hideyoshi TOYOTOMI, and due to the results of the Kiyosu conference, Nobunaga's former territories were all divided and succeeded by his vassals, so the Oda clan itself fell from power and was reduced to the status of an ordinary daimyo.
    その後、織田氏の家督は信長の嫡孫・織田秀信が継いだが、秀信は豊臣秀吉の傀儡にすぎず、また清洲会議により、信長の旧領はことごとく織田家臣団によって分割相続されたため、織田政権、というより織田氏自体が、政権から単なる一大名に転落してしまったのである。 - Wikipedia日英京都関連文書対訳コーパス
  • Besides priests, fukuotoko (the luckiest man); fukumusume (the luckiest girl); people involved in Shinto rituals (such as the arrow gatherer of a bow and arrow performance at a festival); performers and promoters at a festival (including sumo wrestlers, daikagura lion dance performers, and stall keepers) as well as their sources (such as the medieval sarugaku form of theater and kugutsu puppet theater) are all 'kannagi' and have long been thought to have special power to bring good luck.
    神職だけでなく福男や福娘や神事に携わる庶民（祭り弓矢の矢取りなど）や祭りの興行者（相撲の力士や太神楽の芸人あるいは、縁日の露天商なども）その源流（猿楽・くぐつなど）は「かんなぎ」であり、良い縁起を齎すものとして、特別な力があると考えられてきた。 - Wikipedia日英京都関連文書対訳コーパス
  • This work and Gidayu Kyogen (Kabuki adaptations of puppet plays) received great popularity by showing the greatly worshipped academic god Tenjin in the form of SUGAWARA no Michizane, and having the story told from the point of view of a servant of a nobles with triplets to show the influence of political turmoil to the public, and having the theatrical like turn of events.
    学問の神として広く崇敬を受けていた天神様の菅原道真としての姿を見せたこと、また三つ子を貴族に仕える舎人として配置し庶民にも政治の混乱が及ぶ様を描いたこと、そして劇的な展開を備えた本作は大きな評判を呼び、義太夫狂言の人気を大いに高めた。 - Wikipedia日英京都関連文書対訳コーパス
  • Yoshishige OTOMO was opposed in the beginning, as he suspected that if Takafusa SUE only supported Haruhide as his puppet, his own government would not survive and he would likely be disinherited, but as Haruhide himself wanted to become the head of the Ouchi clan and claimed that "it is worse for me to be slandered by rejecting this request and I don't care for my life," Yoshishige accepted.
    大友義鎮は当初から陶隆房が晴英を傀儡として擁立するだけで、自分の政権が揺ぎ無いものとなれば、廃嫡されるに違いないと疑い反対したが、晴英自身が大内当主となるのを望み、「この要請を断り中傷を受ける事の方が悔しいので、命は惜しくない」と主張した為、義鎮もこれを認めた。 - Wikipedia日英京都関連文書対訳コーパス
  • The puppet show device 501 by robots includes an illumination means 502, an automatic opening/closing curtain 503, a stage wing 504, a wireless access point 505, an image display means 506, a robot moving device 507, and a voice generating means 509, wherein the robots 508 move based on the robot action program 202 transmitted through the wireless access point 505.
    ロボット人形劇装置５０１は、照明手段５０２と、自動開閉幕５０３と、舞台袖５０４と、無線アクセスポイント５０５と、画像表示手段５０６と、ロボット移動装置５０７と、音声発生手段５０９を備え、ロボット５０８は無線アクセスポイント５０５を介して送られるロボット動作プログラム２０２に基づき動作することを特徴とする。 - 特許庁
  • It was common that popular music like joruri (dramatic narrative chanted to a shamisen accompaniment), which contained narration or songs with a distinct melody played by shamisen, composed of up-tempo tunes and slow-tempo tunes, was used for traditional performing arts that became popular during the Edo period such as kabuki (traditional drama performed by male actors), bunraku (Japanese puppet theater), and classical Japanese dance, especially for performances for the common people in a theater or on an outdoor stage.
    歌舞伎・文楽・日本舞踊等、江戸時代に盛んになった伝統芸能、特に庶民階級を対象にして劇場や屋外の舞台で演じられたものには、「浄瑠璃」（じょうるり）のような「語り」あるいは「唄」と三味線によって、旋律と緩急がはっきりした大衆的な音楽をつけることが一般的であった。 - Wikipedia日英京都関連文書対訳コーパス
  • This concept can normally be seen in the various Nihon bujutsu (Japanese martial arts) and the Yusoku kojitsu (traditional protocol of the imperial court and samurai families) or reishiki (etiquette) that are derived from the practices and manners observed by court nobles in the Edo period; it can also be seen in fields where skills are passed down from one generation to the next, ranging from performing arts such as Nohgaku, Kabuki, and Ningyo Joruri (traditional Japanese puppet theater), Hogaku (traditional Japanese music), Sado (tea ceremony), Kado (flower arrangement), Kodo (traditional incense-smelling ceremony), Shodo (calligraphy), Bontei (tray garden) to traditional handicrafts and classic gardening.
    通常は、各種の武芸である日本武術、江戸期の公家家職に由来する有職故実・礼式、そのほか能楽、歌舞伎、人形浄瑠璃などの芸能、邦楽、茶道、華道、香道、書道、盆庭などをはじめとして、伝統工芸的な手工業、古典園芸など、ひろく技術を伝承する分野においてこうした観念が見られる。 - Wikipedia日英京都関連文書対訳コーパス
  • He gained a reputation for roles such as Okaru, Enya hangan and Oishi of "Kanadehon Chushingura," Shizuka Gozen of "Yoshitsune Senbonzakura" (Yoshitsune and One Thousand Cherry Trees), Omiwa of "Imoseyama (Mt. Imose) Onna Teikin" (An Exemplary Tale of Womanly Virtue), Omitsu of "Shinpan Utazaimon" (The Love of Osome and Hisamatsu) (Nozaki Village), Tamate-Gozen of "Sesshu Gappo ga Tsuji" (A Kabuki Drama of Unfettered Evil) (Gappo Anjitsu [hermitage of Gappo]), Sakuramaru of "Sugawara Denju Tenarai Kagami" (Sugawara's secrets of calligraphy) and Yoshitsune of "Kanjincho" (The Subscription List) and "Jinya KUMAGAI, Ichi no Tani Futabagunki" (Chronicle of the Battle of Ichinotani) in the area of maruhonmono (Kabuki drama of joruri [puppet-play] origin).
    丸本物では『仮名手本忠臣蔵』のお軽、塩冶判官、お石、『義経千本櫻』の静御前、『妹背山婦女庭訓』お三輪、『新版歌祭文』（野崎村）のお光、『攝州合邦辻』（合邦庵室）の玉手御前、『菅原伝授手習鑑』の桜丸、『勧進帳』や『一谷嫩軍記・熊谷陣屋』の義経などが当たり役であった。 - Wikipedia日英京都関連文書対訳コーパス
  • In 1561, although Kagetora NAGAO's attempt to fully conquer Odawara-jo Castle in order to rescue Fujiuji and put down the Hojo clan by sending a large force of over hundred thousand soldiers including Kanto Kanrei Norimasa UESUGI and Kanpaku (chief advisor to the Emperor) Sakihisa KONOE to Kanto region was unsuccessful, he brought most of Kanto region under his control by completely conquering Koga Imperial Palace and banishing a puppet of the Hojo clan Yoshiuji ASHIKAGA who barricaded himself in the Imperial Palace (Fujiuji entered Koga instead).
    藤氏救援と北条討伐のため、永禄4年（1561年）、関東管領上杉憲政・関白近衛前久を擁して10万余の大軍で関東に出兵した長尾景虎は小田原城の完全攻略には失敗したものの、古河御所は完全に制圧し、御所に籠る北条氏傀儡の足利義氏を追放する（代って藤氏が古河に入った）など、関東の大半を制した。 - Wikipedia日英京都関連文書対訳コーパス
  • Around this time in Kyoto in 1565, Miyoshi sanninshu (three chief retainers of the Miyoshi clan, Nagayuki MIYOSHI, Masayasu MIYOSHI and Tomomichi IWANARI), influential people in the Miyoshi clan who had power in the Kinai region (the five capital provinces surrounding the ancient capitals of Nara and Kyoto), and Hisahide MATSUNAGA all collaborated in the murder of the thirteenth seii taishogun, Yoshiteru ASHIKAGA, who had been in increasing conflict with the Miyoshi clan due to his goal of restoring power to the Muromachi bakufu, and installed his cousin Yoshihide ASHIKAGA as the fourteenth shogun to serve as their puppet (Eiroku Incident).
    このころ中央では、永禄8年（1565年）、かねて京都を中心に畿内で権勢を誇っていた三好氏の有力者・三好三人衆（三好長逸、三好政康、岩成友通）と松永久秀が、室町幕府権力の復活を目指して三好氏と対立を深めていた第13代征夷大将軍・足利義輝を暗殺し、第14代将軍として義輝の従弟・足利義栄を傀儡として擁立する（永禄の変）。 - Wikipedia日英京都関連文書対訳コーパス
  • FUJIWARA no Yoritsune assumed the role of shogun for eighteen years (1226-1244) and FUJIWARA no Yoritsugu for eight years (1244-1252), comparatively long periods, but from childhood until attaining manhood without any political power because the Hojo clan fully controlled the bakufu and the shoguns were just puppets, especially FUJIWARA no Yoritsune was an unfortunate shogun since he hated being a puppet and was a threat to the Hojo clan.
    将軍在任期間は、それぞれ藤原頼経が18年間（1226年-1244年）、藤原頼嗣が8年間（1244年-1252年）と比較的長期間ではあったものの、幼いころから成人するまでの期間で政治的な力も全くなく、幕府の実権は、北条氏が完全に掌握していたため将軍とは名ばかりの傀儡将軍だったが、特に藤原頼経は、傀儡であることを嫌ったがため北条氏によって煙たがられた不遇の将軍であった。 - Wikipedia日英京都関連文書対訳コーパス
  • However, because of the Shiba clan's appeals and the Shogunate's sympathy toward them, after a while it became difficult for the Asakura clan to maintain the position of Shugo, and the descendants of Yoshitsugu ASHIKAGA, who was the second son of the third Shogun Yoshimitsu ASHIKAGA and toppled in a rebellion against his brother of Yoshimochi ASHIKAGA, noticed that they were holding out in under the name of Kuratani Gosho in Echizen Province, made the son of Yoshikado SHIBA to succeed to Kuratani Gosho, gave him the name Yoshitoshi ASHIKAGA, set him up as a puppet Shugo in Echizen and secured effective rule of all of Echizen.
    しかし、旧主　斯波氏による訴えや幕府の斯波氏に対する同情から、しばらくの後、朝倉氏の守護職維持が難しくなり、三代将軍足利義満の次男で兄　足利義持に謀叛して倒れた足利義嗣の末裔が越前国に鞍谷御所と称し存続していたのを目につけ、斯波義廉の子に鞍谷御所を相続させて、足利義俊と名乗らせ、傀儡の越前守護に補任するよう手続きし、越前一国の実効支配を確保した。 - Wikipedia日英京都関連文書対訳コーパス
  • Furthermore, the subjects of the paintings include children's play and seasonal images, such as two girls comparing grasses they have gathered in a game of kusa-awase (the eighth fan of "hokekyo" vol. 7), a boy trying to catch a little bird (the ninth fan of "hokkekyo" vol. 7) and the persimmon harvest (the 11th fan of "hokkekyo" vol. 6), as well as a scene of a court lady admiring the autumn leaves and a serving girl collecting chestnuts (the 10th fan of "hokkekyo" vol. 1), a little girl and a court official reading a letter (the ninth fan of "hokkekyo" vol. 1) and even a scene of a prostitute and a puppet player (or sorcerer) singing Imayo (a popular style of song in the Heian period) as offerings to guardian deity of travelers, Doso-jin, probably to comfort the spirit.
    さらに、草合わせをする2人の少女（法華経巻七扇8）、小鳥捕りをする少年（法華経巻七扇9）、柿もぎのようす（法華経巻六扇11）など子どもの遊戯や風物詩も画題となっており、紅葉を愛でる女房と栗拾いの婢女を描いた場面（法華経巻一扇10）、文を読む公卿と童女（法華経巻一扇9）、遊女と傀儡子（または男巫）が今様を歌って道祖神に報宴し、神霊を慰めているのではないかと推定される場面などを描いたものもある。 - Wikipedia日英京都関連文書対訳コーパス
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