奴亭の英語

戦後では完全に漫才が主流になり演じ手はいなかったが芦乃家雁玉・林田十郎、松葉家奴・松葉家喜久奴、松鶴家光晴・浮世亭夢若、一輪亭花蝶・松原勝美、浮世亭歌楽・ミナミサザエ等は軽口に近い芸風であった。例文帳に追加

In the postwar time, although manzai became completely dominant and karukuchi became extinct, manzai dialogues performed by duos of Gangyoku ASHINOYA and Juro HAYASHIDA, Yakko MATSUBAYA and Kikuyakko MATSUBAYA, Kosei SHOKAKUYA and Yumewaka UKIYOTEI, Kacho ICHIRINTEI and Katsumi MATSUBARA and Karaku UKIYOTEI and Sazae MINAMI were close to the style of karukuchi.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

高麗の荘園は農荘・田荘・別墅などと呼ばれ、荘園には耕作地以外にも山野や森林などを含み、その中に農舎・亭楼・学堂・仏寺などが設置され、中には内部で利潤を目的とした墓地や長利（高利貸）経営を行う為の施設を有する者もいたが、ほとんどの所有者は通常は都市に住み、実際の運営は現地に派遣された奴僕によって行われていた。例文帳に追加

The manors during the Goryeo period were called noso (manor), denso (manor), bessho (villa) and so on, and in addition to the cultivated areas they included mountains, fields, forests and so on and there the farmhouses, towers, schools, Buddhist temples, and so on were built and some had facilities inside for the management of cemeteries or Shylock for profit, but most of the owners usually lived in the city and the management was, in fact, conducted by the subordinates sent to the spot.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス