時多朗の英語

七五調で作られたものが多く、これに創作当時流行していた節を付けて朗唱する。例文帳に追加

Many of the Wasan were made in poems of the seven-five syllable style, and were chanted with the intonation that was popular in the period when the Wasan was made.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

『本朝麗藻』『本朝文粋』『和漢朗詠集』に多くの秀逸な漢詩文を残し、その感慨に富む筆致は時に世人の涙を誘う。例文帳に追加

Korechika left many superb Kanshi and Kanbun (Chinese poem and literature) in "Honcho Reiso", "Honcho Monzui" (anthology of waka poems and prose written in classical Chinese), and "Wakan Roeishu" (Collection of Sung Japanese and Chinese poems), the sentimental literary style of which had moved people to tears every now and then.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

同年千恵蔵主演、伊丹脚本の「天下太平記」で監督としてデビューし、以後、「放蕩三昧」「源氏小僧」「絵本武者修行」「元禄十三年」といった千恵蔵主演の明朗にして陽気な時代劇を多数手がけ、伊丹と共に千恵蔵プロの二本柱と呼ばれた。例文帳に追加

That same year, Inagaki made his directorial debut on the film 'Tenka Taiheiki' (Record of the Great Peace Under Heaven), which starred Chiezo and whose screenplay was written by Itami; thereafter, he made a great number of cheerful period dramas showing Chiezo's merrier side, including 'Hoto zanmai' (Drowning in the Three Pleasures), 'Genji kozo' (The Young Priest Genji), 'Ehon musha shugyo' (Picture Book of a Warrior Traveling to Hone His Martial Skills), and 'Genroku Ju-san nen' (Year Thirteen of the Genroku Era (about the year 1700)), leading to Inagaki and Itami being called the 'two supporting pillars' of Chiezo Productions.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス