臨模するの英語

また、これ以後に作られた校訂本では冷泉明融により藤原定家の自筆本を文字の配列や字形に至るまで忠実に写し取った臨模本とされる明融臨模本が存在する巻（桐壺、帚木、花宴、若菜(源氏物語)上下、橋姫(源氏物語)、浮舟）については大島本よりもそちらを底本にすることが多い。例文帳に追加

Most of the recensions which were made after this were not based on the Oshima-bon, but on the Meiyurinmo-bon, a copy book which REIZEI Meiyu faithfully transcribed from the manuscripts in Teika's own hand, from arrangement of letters to even letterforms, as long as the Meiyurinmo-bon manuscripts existed; the volumes based on the Meiyurinmo-bon were Kiritsubo, Hahakigi (The Broom Tree), Hana no En (The Festival of the Cherry Blossoms), Wakana (Spring Shoots) I and II, Hashihime (The Maiden of the Bridge), and Ukifune.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

但し各巻の巻末には採用されていた写本との異同のうち『校異源氏物語』に記載されなかった若干の異同を補記するとともに明融臨模本との異同を付け加えてある。例文帳に追加

However, among the differences in the adopted manuscripts, a few text differences which was not on "Koi Genji monogatari" were collected in each end of the book, and differences in Meiyurinmo-bon manuscript were also added.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

ここで池田亀鑑によって示された大島本に対する評価の高さと大島本を底本とした校本である『校異源氏物語』の完成度の高さにより、これ以後源氏物語の校本は若干の定家筆本および定家筆本の臨模と目される明融本による十数帖のほかは、大島本を底本に使用するのが通例となった。例文帳に追加

Due to the high valuation of the Oshima-bon manuscript by Kikan IKEDA and the high degree of perfection of the "Koi Genji monogatari," which was a variorum using the Oshima-bon manuscript as the original text, after that it became common practice for the variorum of the Genji Monogatari to use the Oshima-bon manuscript as the original text except a few manuscripts copied by Teika and ten-something chapters of the Meiyu-bon manuscript that seems to have been made by copying the manuscripts copied by Teika.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス