むらまつきた２ちょうめの英語

若いときに父を始め、松本幸四郎(7代目)、七代目市川中車、市村羽左衛門(15代目)、實川延若(2代目)ら名優に歌舞伎狂言の型を教えられたが、これは、十三代目仁左衛門のみならず歌舞伎界にとって貴重な財産であった。例文帳に追加

When he was young, he learned the forms of kabuki and kyogen from excellent actors such as Koshiro MATSUMOTO VII, Chusha ICHIKAWA VII, Hazaemon ICHIMURA XV and Enjaku MINOKAWA II in addition to his father; this was an important asset not only for Nizaemon (XIII) but also for kabuki society as a whole.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

明治5年2月（1872年3月）、兵部省一行（原田一道・富永冬樹・岩下長十郎・松村文亮）とともに岩倉らと別れ、フィラデルフィアの海軍施設等を見学後、渡仏。例文帳に追加

In March 1872, he parted from Iwakura and others with a party of Hyobusho (ministry of the military) (Ichido HARADA, Fuyuki TOMINAGA, Choujyurou IWASHITA,Fumisuke MATSUMURA), going to France after visiting navy facilities in Philadelphia.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

この二人とほぼ同時期に入門した露の五郎兵衛2代目、笑福亭松之助、桂文我(3代目)、戦前入門ながら彼らとは同世代の3代目林家染丸のほか、林家染語楼(3代目)、昭和30年代前半入門組の桂文紅(4代目)、桂米紫、月亭可朝などの中堅も力をつけてくるなど、落語家の人数も着実に増え始めた。例文帳に追加

The number of the tellers of rakugo stories steadily increased: TSUYU no Gorobe II, Matsunosuke SHOFUKUTEI and Bunga KATSURA (III) who all joined the rakugo world almost simultaneously with those new household names, Somemaru HAYASHIYA III who was their age though starting rakugo before the War, Somegoro HAYASHIYA (III), Bunko KATSURA (IV), Beishi KATSURA, and Kacho TSUKITEI, all of whom started in the late 1950s and were improving their skills as mid-level storytellers.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス