1919年2月1日―第5回日本美術院試作展覧会に「松と榎」「雪の次の日」「松の郡」「自画像」「松と家」「大島風景」「某侯爵邸遠望」「代々木の一部」を出品し、美術院賞乙賞受賞例文帳に追加

February 1, 1919: He submitted 'Matsu to Enoki' (Pine Tree and Hackberry), 'Yuki no Tsugi no Hi' (A Day After the Snow), 'A Group of Pine Trees,' 'Jigazo', 'Matsu to Ie' (Pines and House), 'Oshima Fukei' (Landscape of Oshima), 'Bo Koshaku tei Enbo' (A Distant View of a Certain Marquis's House) and 'Yoyogi no Ichibu' (A Part of Yoyogi) to the 5th Nihon Bijutsuin shisaku exhibition and received the prize Bijutsuin Sho Otsu Sho.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

もともと公武合体派とはいっても、天皇のもとに賢侯を集めての中央集権をめざす薩摩の思惑と将軍中心の中央集権をめざす幕府の思惑は違っていたが、薩英戦争で活躍した旧精忠組の発言力の増大と守旧派の失脚を背景に、薩摩流の公武周旋をやり直そうとした久光にとっては、京大坂での薩摩藩の世評の悪化と公武周旋に動く人材の不足が最大の問題であった。例文帳に追加

It was even called the supporter of the coalition of court nobles and Samurai originally, but it was different from the thought of Satsuma which centralized power by gathering sages to the Emperor, and Hidemitsu, who tried to reorganize the procurement of court nobles and Samurai in the style of Satsuma used as background the increasingly influential voice of the former Seichu-gumi organization, which worked well at the Satsuei War and during the downfall of the old-guard cronies, but the biggest problems were the bad reputation of Satsuma domain, and being short of people who could work to procure court nobles and Samurai.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス