壽次郎の英語

海老蔵は自らの俳号「壽海老人」の一時を芳次郎に贈り、同年9月から番付には「花柳壽助」の名が載るようになった。例文帳に追加

Ebizo gave one Chinese character of his own haigo (the pen name of a haiku poet), 'Jukai Rojin' (壽海老人) to Yoshijiro, and the name of 'Jusuke HANAYAGI' (花柳壽助) had appeared on banzuke from September of the same year.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

勧進帳の一節「延年の舞」は芳次郎の振り付けといわれており、わずか20歳の新人としては異例の抜擢であった（ただし後の壽輔の直弟子・花柳芳三は、助手の身であった芳次郎に振り付けは無理ではないかと見ている）。例文帳に追加

The part of Kanjincho, 'Ennen no mai' (Ennen dance), is said to have been performed with Yoshijiro's choreography, so that was an exceptional promotion for a newcomer of twenty years old (however, later Jusuke's disciple, Yoshizo HANAZAWA, thought it was impossible for Yoshijiro, who was an assistant).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

演劇改良運動によって、歌舞伎の荒唐無稽を廃し史実を尊重した、能形式の歌舞伎舞踊が生み出されると、壽輔はかつて同じく能形式の『勧進帳』制作に携わった経験を活かし、脚本家の河竹黙阿弥、長唄の杵屋正次郎(2代目)と組んで『船弁慶』などの松羽目物作品を次々と世に送り出す。例文帳に追加

After the Noh style of Kabuki Buyo dance, that excluded romance and respected historical facts, was produced by the movement of improving the theater, Jusuke used his experience in collaborating on the Noh style of "Kanjincho," produced the masterpieces of Matsubamemono (Pine-backdrop Dance) one after another such as "Funa Benkei" with a playwright, Mokuami KAWATAKE, and a nagauta (long epic song with shamisen accompaniment) player, Shojiro OKEYA the second.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス