Kenjunとは 意味・読み方・使い方

It is said that he first became a priest in Mt. Hiei and practiced asceticism, and he used Kenjun as a pseudonym.発音を聞く 例文帳に追加

初め比叡山で出家・修行し、賢順と号したという。 - Wikipedia日英京都関連文書対訳コーパス

Kengyo (the highest title of the official ranks within the Todo-za) YATSUHASHI was a blind musician who belonged to the Todo-za school and studied from Hosui who himself had been a student of Kenjun.発音を聞く 例文帳に追加

賢順の弟子の法水に師事したのが当道座に属した盲目の音楽家、八橋検校であった。 - Wikipedia日英京都関連文書対訳コーパス

The 'Tsukushi goto' and 'Tsukushi school of koto music,' which were both started by Priest Kenjun and the direct origin of Yatsuhashi Kengyo's koto and koto music, are not included in zokuso.発音を聞く 例文帳に追加

直接の源流となる僧・賢順によって始められた「筑紫箏」および「筑紫流箏曲」は含められない。 - Wikipedia日英京都関連文書対訳コーパス

Modern Sokyoku began with 'Tsukushi goto' (a type of solo koto music) which was completed by Kenjun, a musician who was active from the end of Sengoku (Warring states) period to the beginning of the Edo periods.発音を聞く 例文帳に追加

近世箏曲は、戦国末期から江戸時代はじめにかけて活躍した賢順が完成した「筑紫箏」（つくしごと）を始祖とする。 - Wikipedia日英京都関連文書対訳コーパス

In the Azuchi-Momoyama period, Kenjun (1574 - 1636), a monk in Kitakyushu, created 'Tsukushigoto' by integrating Chinese as well as indigenous Soh music for solo performance and Soh music of gagaku.発音を聞く 例文帳に追加

安土・桃山時代には北九州で僧侶の賢順（1574年-1636年）により、中国、在来の独奏箏曲、雅楽の箏曲をまとめて「筑紫箏（つくしごと）」が起こった。 - Wikipedia日英京都関連文書対訳コーパス

Kenjun, a Jodo priest, mastered gagaku (ancient Japanese court dance and music) and Kayo (songs and ballads) that had been handed down to the monks of his temple, and learned how to play the Kokin (Chinese zither with 3000 year history) from Teikatei, a Chinese musician who was in Japan at that time; drawing on what he had learnt, he began making Sokyoku music.発音を聞く 例文帳に追加

彼は浄土僧でもあり、寺院に伝承される雅楽や歌謡を修め、また当時来日していた明人の鄭家定に古琴（きん）を学び、これらから箏曲を作り出した。 - Wikipedia日英京都関連文書対訳コーパス