曽見衛の英語

また立役では、前述の五右衛門のほか、若き日に明治天皇臨席の天覧劇で演じた『勧進帳』の源義経、『寿曽我対面』の工藤、『暫』のウケ、『菅原伝授手習鑑・車引』の時平、『双蝶々曲輪日記・角力場』の濡髪なども堂々たる押しだしで見事にこなした。例文帳に追加

As for tachi-yaku (male role), he performed grandly with a dignified appearance; besides Goemon mentioned above, his well-known tachi-yaku were MINAMOTO no Yoshitsune in "Kanjincho" which he had performed in his younger days in the presence of Emperor Meiji, and Kudo in "Kotobuki Soga no Taimen," Uke in "Shibaraku," Shihei in 'Kuruma-biki' of "Sugawara Denju Tenarai Kagami," and Nuregami in 'Sumo-ba' of "Futatsu-chocho Kuruwa Nikki."発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

2005年11月　京都・南座顔見世にて十種香の八重垣姫、曽根崎心中のお初、由縁の月の伊左衛門で上方歌舞伎の大名跡・四代目坂田藤十郎を襲名（但し、2006年歌舞伎座の初春興行では｢四代目｣を名乗っておらず、231年ぶりに復活させた名跡であるとしている）。例文帳に追加

In November 2005, he succeeded to the stage name, Tojuro SAKATA and became the fourth thereof, which is a great stage name in Kamigata-kabuki (the kabuki society in the Kansai region) when he played Yaegaki-hime, the princess of Jusshu-ko (10 kinds of incense), O-Hatsu of Sonezaki-shinju and Izaemon of Yuen-no-Tsuki in the all-actor show-up performance at the Minami-za theater in Kyoto (however, he didn't refer to himself as 'the fourth' in the New Year's performance at the Kabuki-za theater in 2006 but said the stage name was the one he had revived after its 231-year absence).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス