1958年里見と相談して同時並行で原作小説とシナリオを書き進め『彼岸花』を完成、1960年には同じ方式で『秋日和』を完成した。例文帳に追加

In 1958, he collaborated with Satomi to simultaneously write an original novel and movie script, "Higanbana" (Equinox Flower), and finished "Akibiyori" (Late Autumn) in the same format in 1960.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

牡丹の花が咲く季節、すなわち春の彼岸に、神仏や先祖への供物とされた小豆餡の様子を、牡丹の花に見立てたことから。例文帳に追加

In the higan (the equinoctial week) of spring when red and pink flowers of peony bloomed, people put red azuki-an for gods or Buddha or ancestors; the color and the shape of those azuki-an reminded people of the peony flowers, therefore, the mochi with azuki-an made in spring began being called botamochi.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

その後も、木下惠介監督の『楢山節考』、小津監督の『彼岸花』への出演、京マチ子主演の『流転の王妃』の演出など、常に映画界をリードする活躍を続けた。例文帳に追加

Subsequently, she constantly continued to actively lead the film industry; producing films including "Narayama Bushiko" (The Ballad of Narayama) directed by Keisuke KINOSHITA, "Higanbana" (Equinox Flower) directed by Ozu, and "Ruten no Ohi" (The Wandering Empress) starring Machiko KYO.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス