以夜吉の英語

このことが小團次の気に入り、以降新七と小團次の名コンビによる『蔦紅葉宇都谷峠』（文弥殺し）、『三人吉三廓初買』（三人吉三）、『勧善懲悪覗機関』（村井長庵）、『鼠小紋東君新形』（鼠小僧）、『小袖曾我薊色縫』（十六夜清心）、『八幡祭小望月賑』（縮屋新助）などの名作が作られてゆくことになる。例文帳に追加

These modification gained the favor of Kodanji and later they became a good combination to produce some other famous plays: "Tsutamomiji Utsunoya-toge" (also known as "Bunya goroshi" [Killing of Bunya]), "Sannin Kichisa kuruwa no hatsugai" (also known as "Sannin Kichisa" [Three Men Named Kichisa]), "Kanzen choaku nozoki karakuri" (also known as "Choan MURAI"), "Nezumi komon haruno shingata" (also known as "Nezumi kozo"), "Kosode soga azami no ironui" (also known as "Izayoi Seishin"), "Hachiman matsuri yomiya no nigiwai" (also known as "Chizimiya Shinsuke") and so on.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

立作者になってからはしばらく大当たりに恵まれなかったが、嘉永7年(1853)に市川小團次(4代目)に書いた『都鳥廓白波』（忍の惣太）が出世作となり、以後、幕末期には小團次と提携し『三人吉三廓初買』（三人吉三）や『小袖曾我薊色縫』（十六夜清心）など数々の名作を発表する。例文帳に追加

Shinshichi KAWATAKE II (the future Mokuami) as the newly appointed Tatesakusha had not made a smash hit for a while, but the year 1853 marked a major turning point in his career in that a play "Miyakodori Nagare no Shiranami" (commonly called Shinobu no Soda/Sota) which he wrote for Kodanji ICHIKAWA IV (the 4th) became his breakthrough work, thereafter successively exhibiting masterpieces produced in collaboration with Kodanji in the last days of the Tokugawa shogunate, including "Sannin Kichisa Kuruwa no Hatsugai" (commonly called Sannin Kichisa, meaning the Three Thieves Named Kichisa), and "Kosode Soga Azami no Ironui" (commonly called Izayoi Seishin, meaning the Love of Izayoi the prostitute and Seishin the monk) and others.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス